Welcome to the first installment of my new “Ask the Coach” column on Script Mag!
This month’s question is specifically about the three-act structure in screenwriting:
“What I’m running into is the common criticism that my stories are not strongly three-act. They have a beginning setup, mounting problem, and ending resolution — good stories, I’m told — but tension doesn’t build in common cinematic form. Yet, I watch produced movies even less three-act structured. What am I missing?”
As your coach-of-the-moment, here’s how I’ll approach this question with you. Let’s look at the core components inherent in the question: how films get made (to address your comment about the produced movies), the source of the feedback, the value and strength of the three-act structure overall, and the impact of your own work.
“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”— Neil Gaiman
For my full answer on three-act structure, how to look for a note beneath a note, and digging deeper into improving your next draft
read the article on Script Mag here:
Ask the Coach: Not Three-Act Enough?
Ask the Coach: Not Three-Act Enough?
Image by Lukas Bieri from Pixabay
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