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Ask the Coach: How Can I Name Minor Characters Who All Appear the Same? – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a writer about character naming, who says:

“If I have many characters of a certain group, Ninjas for example, too many to name individually in the story, though they have some dialogue, what do I call them? I’m using (Ninja) for all of them, even though there are many. Their faces are covered so can’t see each 1 anyway.”

I dug around for some extra links and resources for the article, including some nifty tips about naming characters from other writers, including John August, which should be useful for writers of all sorts, not just screenwriters. 

In the main article, my answer included some tips about ways and reasons to differentiate even minor characters to make the script more interesting and clearer for readers and for potential actors. 

One other opportunity to keep in mind here is that by naming them creatively, rather than keeping your characters in the background and/or generic, they may begin to differentiate themselves in your writing and storytelling too, stepping forward into the story a little more than they otherwise might.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
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Ask the Coach: On Marketing Multiple Scripts… Or Not – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a writer about script marketing, who says:

“Hello, I come by this way to be informed about where to send my 44 movie scripts? I sent it to CAA (Creative Artists Agency) and wrote to Steven Spielberg… and they don’t answer. I called CAA by cellphone and they turned my call off. Can you please help me make the next steps?”

There are a number of aspects to this question, so I’ve addressed them one-by-one. Here’s a quick high level view of the article’s main points:

  1. Be aware the signals you’re sending.
  2. Understand who you’re approaching.
  3. Recognize marketing one script at a time will position it best.
  4. Pick your best script to market first.

You’ll want a professional, simple, and direct query letter that positions your script as attractive to industry professionals and demonstrates that you can clearly convey both the story and what makes it marketable.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image credit:  Script Magazine / Canva
 

Ask the Coach: 7 Approaches to Finding Confidence Again as a Writer – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a writer about confidence, who says:

“I’ve had a rough year and a half, which is affecting my writing confidence hugely now.”

In the article, I share some thoughts about approaches and strategies you might consider to rebuild confidence and trust that it will last.

  1. Give yourself time, space, and support to recover.
  2. Be as “full of yourself” as you can.
  3. Write when you can, as much as you can.
  4. Find writing lifelines.
  5. Get feedback from trusted sources.
  6. Trust the muse.
  7. Soothe your inner critic.

 

It takes courage and intention to move (back) into creative risk-taking, but we can do it. Take it one step at a time — as easily and as slowly as you need to — trusting you will gradually reconnect with the truth of who you are and what you were put here to do: write.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image credit:  Script Magazine / Canva
 

Ask the Coach: 5 Tips to Regain Post-Summer Writing Momentum – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question about recovering a writing practice after a busy summer.

Hi Jenna, I’ve lost a lot of my writing momentum over the summer between travel and my kids being off school, though I’ve been able to keep working at a sort-of minimal level. What tips do you have for getting back on track with writing?

Great question! Many parent-writers are in a similar boat, including me.

First, good for you for staying connected even at a minimal level — that will make it much, much easier to regain your momentum.

In the article, I share some tips for getting back on track with writing when your writing practice has been disrupted by all the good stuff summer has to offer.

  1. Remember, it won’t take long to reconnect to writing.
  2. Update your writing schedule.
  3. Create supports to help you stay on track.
  4. Tap into the “back to school” energy.
  5. Set a target amount of writing time for each day.

There’s a convenient aspect to the fall energy of “back to school” we can all rely on right now — a sense of motivation and activation to recommit and move ahead with projects we’ve maybe let languish a bit. Give yourself permission to “start over” with this revitalized energy to take action and make writing happen. It can feel fun, empowering, and even exciting.

Don’t think of this as a slow, struggling reboot, but a fresh, happy restart.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image credit:  Script Magazine / Canva
 

Ask the Coach: Help! I Can’t Write the Same Way Anymore — 7 Ways to Find Your New Writing Practice – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a comment from a writer about recovering a writing practice.

Hi Jenna, I’ve found recently that the way I used to write just isn’t working for me anymore. I don’t know if it’s because of the pandemic exactly, but that was when things shifted for me. I used to write every day at the same time, and now I just… can’t. What should I do? I feel like writing has gotten away from me and it feels terrible, like I’ve lost my way.

Regardless of the cause (pandemics, major life disruptions, industry strikes, social change), when our writing practice gets disrupted and we change as a result, what works for us as writers can change as a result. 

In the article, I share some strategies that worked well for me in finding new ways to approach my writing practice that got me back on track:

  1. Be clear (or as clear as you can) about wanting to write.
  2. Let go of expectations about your former writing practice.
  3. Believe there is a new way forward.
  4. Create space to find out what works for you now.
  5. Lean into sources of inspiration to reinvigorate your imagination.
  6. Build writing support structures.
  7. Pay attention to what has changed within you as a writer.

It’s smart to admit when an old pattern isn’t fitting you and your life anymore. We grow and change all the time — and life changes too — which means you may need to adjust your writing practice to better fit where things are for you. 

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image credit:  Script Magazine / Canva
 

Ask the Coach: Recovering From a Writer’s Dark Night of the Soul – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a comment from a writer online about having a moment of wondering why she’s still trying to write.

Having one of those nights where it feels like all of my writing is just a giant waste of time and nothing is ever going to come of it so why do I keep trying 🙃 (This feeling means I’m due for some kind of success like, tomorrow, right??)

I love the positive spin at the end! I had a similar response, which was, “My take is that it means you’re on the verge of a breakthrough with your current script!” And, I immediately had several further thoughts on the subject, so I asked for permission to elaborate, which was granted.

In the article, I discuss the following suggestions for supporting yourself in a dark night of the soul moment:

  1. Know that dark nights of the soul are real and normal, yet painful.
  2. Ask yourself what it would look like not to write.
  3. Remind yourself why you love to write. 
  4. Hold that no writing is ever wasted.
  5. See frustration as a sign of an impending breakthrough.
  6. Focus your appreciation on the process of writing. 
  7. Create your own outcomes.

Although it might feel scary, these deep, dark nights of the soul are excellent fodder for equally deep moments of clarity.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
 
Image credit:  Script Magazine / Canva
 

Ask the Coach: 7 Steps to Recovering Writing Motivation After a Creative Setback – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question from a reader about staying motivated and disciplined after receiving discouraging feedback. 

Hi Jenna, I recently had a major setback: some pretty discouraging feedback from a reader. What are some tips for staying motivated and disciplined as a writer, particularly when facing rejection or setbacks? I’m writing on spec.

In my response, I share seven steps for handling setbacks and moving forward:

  1. Recognize the need for recovery time — and take it.
  2. Consider the source.
  3. Ask for outside support, depending on the severity of the situation.
  4. Reconnect with your inner motivation and original vision for the story.
  5. When you’re ready, review the feedback through your storyteller’s lens.
  6. Craft a revision plan (or not!) based on your decisions.
  7. Aim to build a writing practice or habit.

We all face painful or challenging feedback as writers. Not everyone will like our work. The key is deciding if and how to use the feedback we receive for maximum effect after we’ve given ourselves time and space to recover so we can keep writing with clear hearts and minds.

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image of a person leaning back in their chair with their hands clasped behind their head. A desk with a keyboard, monitor, and open book is in front of them.

Ask the Coach: 10 Ways to Deal with Writer’s Procrastination – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question from a reader about managing procrastination.

Dear Jenna, I struggle with procrastination and getting started writing. I want to write, but each day I wrestle with myself to get started. When I do finally get around to writing, I feel so much better. But I hate all the time I’m wasting. What can I do to get myself to work faster?

First, you’re not alone. Many writers struggle with procrastination, if not all, at least at some point in their writing lives.

Procrastination is one of the many ways fear manifests for writers, along with perfectionism, paralysis, self-doubt, negative self-esteem, and more. These are all forms of writing “resistance,” which is an oppositional force artists, writers, creatives, and entrepreneurs face. It works hard to keep us “safe” from taking risks, usually based on past and childhood experiences that have taught us to avoid certain kinds of exposure or self-expression. Procrastination — putting off doing the work — is a way of managing the fear and anxiety we feel.

Unfortunately, procrastination is like a band-aid on top of an infected wound. Because procrastinating doesn’t resolve the underlying anxiety or fear, it simply delays it. If anything, even while procrastinating, we’re still walking around with a (low, sometimes) level of fear and anxiety.

The beautiful thing is that writing is the ultimate cure-all for the fear once we can get ourselves to take the actions and do the work.

In my response, I discuss ten strategies for dealing with procrastination:

  1. Tell yourself you only have to write for X minutes.
  2. Find a deadline or goal for your work.
  3. Reverse-engineer a timeline.
  4. Give yourself permission to start over.
  5. Write early or late.
  6. Focus on showing up.
  7. “Find” writing.
  8. Trust your inner voice.
  9. Focus on how you feel when you’ve written.
  10. Recognize the underlying fear.

When you’re struggling to write, remind yourself how good you feel when you’re engaged with the purely creative act and process of writing, regardless of the outcome or result.

 
Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: How Can I Focus On My Own Unique Voice? – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question from a reader about comparison and embracing your unique voice as a writer.

Dear Jenna, I have a tendency to compare my writing to others. How can I focus on my own unique voice and style without feeling inadequate or inferior?

In the coaching world, there’s this phrase, “compare and despair,” which gets right to the heart of your question. It means that to invite comparison is to invite despair, aka feeling inadequate and inferior. There’s another related notion that goes something like this: When you compare, someone always loses. It might be you, it might be the other person, but either way, it doesn’t feel good, and it’s always a one-up, one-down situation.

Writing doesn’t have to be like that.

There’s room for a whole spectrum of styles of writing, even in screenwriting.

In my response, I discuss:

  • Making a conscious choice to choose inspiration over despair, envy, or jealousy
  • Studying the work you admire and parsing the writing to understand what makes it work for you
  • Determining which skills you feel inspired to grow into and which skills you admire but feel disconnected from or unable to master
  • Leaning in, hard, to your own lived experience by being willing to lay out rich, powerful emotional moments and undercurrents on the page
  • Letting your natural voice come through on the page

You’re not inferior or inadequate. You are different, with your own stories to tell, in your own unique voice and style. That’s ultimately what makes your work special.

 
Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: How Can I Stop Self-Doubt From Stopping Me? – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question from a reader about self-doubt and feeling like an impostor or not a “real” writer.

Dear Jenna, I keep feeling like I’m not a “real” writer and that I’ll never be good enough. But I want to write! How do I keep my self-doubt and feeling like an impostor from affecting my writing and creativity?

Feeling like an impostor or not a “real” writer is tough. It can even feel like maybe you’re not allowed to pursue this career you want. But every writer starts out from not being a writer. Some start earlier, some later, but we all start somewhere.

Many writers think we can’t call ourselves writers until we are sold, optioned, hired, produced, or published, and stick words like “aspiring” in front of the word “writer” until reaching one of those states, almost as a way of atoning for the temerity in adopting the identity at all.

In my response, I discuss:

  • Writing regularly as an antidote to feeling like a writing impostor.
  • Claiming your identity as a writer with the words, “I am,” while also taking the actions to back it up.
  • Seeing your access to the challenges of being human as a tool for helping you develop deeper characters.
  • Working with a compassionate mentor.
  • Framing what you’re telling yourself about writing and about who you are as a writer.

What are you telling yourself about writing and about who you are as a writer, and is that story serving you? If not, tell a better story. 

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.