Save the Dates for the Two-Week Writing Intensive: Project Deep Dive

Coming up this month: The Project Deep Dive Writing Intensive! 

*** REGISTRATION IS NOW OPEN HERE ***

If you’ve been wanting to really focus on a writing project in a deep and concentrated way for a short burst of time, this is the program for you.

With your input I’ve been pulling together a collection of terrific support tools for you so you can make massive progress on your writing project in a short period of time, whether it’s a book, novel, script, short story collection, or anything else your heart has been longing to have more time to write.

This is also a great opportunity to prep for NaNoWriMo so you can make the most of the month of November if you’re planning to participate.

I’ll be posting a registration page later this week, but in the meantime, here are the important dates for the intensive so you can mark your calendar if you’re planning to join in the fun:

  • Project Deep Dive Writing Intensive: Starts Friday, October 14 and runs through Friday, October 28 (fifteen days in total).
  • Live Calls (all will be recorded & email questions may be submitted if you cannot attend the live session):
    • Free Clear the Decks Call on Monday, October 10, 4:30 p.m. Pacific Time (this call will be open to all the members of my community and people interested in the intensive, so if you’re not on my mailing list, now’s the time — see the sign up form in the upper right on my blog page.)
    • Project Deep Dive Kick Off Call on Thursday, October 13, 4:30 p.m. Pacific Time
    • Weekly Coaching Calls:
      • Monday, October 17, 4:30 p.m. Pacific Time
      • Monday, October 24, 4:30 p.m. Pacific Time
  • Weekly Ask the Coach Live Chats (in a chat room):
    • Friday, October 14, 11 a.m. Pacific Time
    • Friday, October 21, 11 a.m. Pacific Time
    • Friday, October 28, 11 a.m. Pacific Time
  • DAILY 60-Minute Writing Sprints at 9 a.m. Pacific Time including weekends, starting Friday, October 14 and running daily through Friday, October 28.

Special Circle member pricing will be available. 

Your commitment: You’ll to commit to writing for a minimum of one hour per day, ideally between 90 minutes and 2 hours per day (more if you like). You’ll accrue that time on only ONE writing project, and you’ll do super-short check-ins twice a day on our site (we’ll be using a different platform than the one we use for the Circle… I’ll be announcing those details on the registration page) and briefly support and cheer on your fellow Deep Divees.

My commitment: To write furiously alongside you and support you relentlessly along the way. I’ll coach you through the challenges and the ups and downs. I’ll provide structure, containers for your writing, coaching for when you struggle, and accountability to help you see it through.

Stay tuned for more details and registration information this week!

If you have burning questions, feel free to post them the comments below and I’ll do my best to answer them for you, if not here, then certainly on the registration page.

*** REGISTRATION IS NOW OPEN HERE ***

What “Counts” as Writing?

In my Called to Write community, we primarily keep track of writing minutes, not word or page counts. 

We do this because when we’re plotting, outlining, revising, or editing, for instance, our word and page counts won’t necessarily increase, but we are moving our books and screenplays closer to completion. 

Pros and Cons of Focusing on Word Count

Many writers chastise themselves for not writing New Words when they’re doing such work, and therefore undervalue the time they’re putting in on development and revision, two critically important stages of a writing project.

Or they put the focus on writing New Words and increasing word counts and page counts … but sometimes end up writing purposeless prose, simply to stay in action with writing. I know this can come up for writers during NaNoWriMo, where the concern is often keeping the writing going to meet one’s daily word count.

On the up side, keeping words flowing is a powerful way to build a habit of writing. A big obstacle for writers is getting into the practice of getting words out and onto the page. Having a “keep writing and don’t stop” mantra helps that flow get established. 

On the downside, I know there are many writers who struggle with what they’re left with at the end of a writing session (or a writing month, as in the case of NaNo). There are just that many more words to cull, manage, organize, and edit. 

How to Approach Writing During Writing Sprints

What I recommend is using writing sprints (you can do your own or join us in my Called to Write community) for any kind of writing-centered work that moves your project forward. I still use a “keep working and don’t stop” approach, but I don’t put my attention on more words; I instead immerse myself in whatever stage of the project I’m working on that day. So if I’m in the outlining stage, I concentrate working on the outline for the full 60 minutes I’ve set aside to write, and I don’t stop or do other things until my timer dings.

And yes, I write with a timer, which I highly recommend. It’s a great way to jumpstart a writing session, and it really helps a writer keep their attention on the work, rather than slipping away to other things. This works particularly well when said writer is tracking and recording their writing minutes so they know every minute counts.

As an added boost of writing energy, participating in writing sprints with others super-charges the writing energy and help writers stay on track. You still have to come into the writing session or sprint with a clear intention, but the good news is that if you’re writing every day or near daily and working on one main project at a time, that’s pretty easy to do because you tend to stay clearer about what your next steps are. You can do writing sprints online or in person.

Two Caveats About What Counts As Writing Time

I have two caveats when it comes to what counts as writing time.

  • Caveat #1: I recommend tracking research time separately from writing time. Research can become a black hole, so it’s important to make sure you’re not endlessly researching as a form of procrastination or perfectionism disguised as procrastination (this is where you’re so worried that you’ll get it wrong that you try to read everything in your field to make sure you’re not leaving anything out). I like what Steven Pressfield recommends in Do The Work* — a “research diet” of no more than three books on your topic before you begin writing, and permission to do more research later once you’ve written your first draft and truly know what else is needed to flesh out the story. 
  • Caveat #2: Be clear on what you’re doing for development and know when to call it done so that you’re not endlessly perfecting the story before you start writing. This isn’t exactly a counting issue but it’s an important one to pay attention to. It’s easier for me to write “be clear” than it is to actually achieve that, I realize! It’s a very iterative process and knowing when you’re done requires a full-on gut check.

    YOU know deep down if you’re procrastinating on starting pages or if you still need to work on your deeper structure and meta work for the story. And there’s a real spectrum here too: Many of us are so nervous about spending overly long on development and self-monitoring for procrastination that we’re constantly and internally pushing ourselves to rush into pages, while others of us get stuck in perfecting mode.

    A good clue is this: What’s driving you to keep working? Is the story working for you, but you’re telling yourself it’s not good enough or thinking that other people won’t like it? You may be trapped in perfectionism. Take a good hard look at your work and see if there are any key issues you can work on elevating and then move forward.

    Alternatively, if you’re thinking to yourself something like, “I don’t quite feel good about this yet but I really need to start pages,” you may want to give yourself permission to spend a little more time on the development work. Ultimately even story development and actual page writing become an iterative process themselves, so it’s true that some working out happens on the page.

    There’s no one right answer here (with writing, there rarely is) but tuning into your own inner knowing about what’s really going on can be illuminating.

Next time I’ll share my current list of the development steps I’m using with my screenplays (and novels, it looks like!). In the meantime, if you’re holding a limited definition of what counts as writing in your own mind, I invite you to expand it. Here’s the list of everything I can think of that “counts” as writing. Hopefully it will free you up to relax a bit more into your writing process.

What Counts as Writing

  • Concept brainstorming
  • Writing loglines
  • Writing premise lines
  • Developing character profiles
  • Structuring
  • Plotting
  • Outlining
  • Writing a synopsis or treatment
  • Brainstorming and mind mapping
  • Writing scene cards
  • Writing actual New Words
  • Revising
  • Editing
  • Wordsmithing and polishing

What else would you include on this list? Have I forgotten anything? Let me know in the comments.

 

 

* Affiliate link

It’s our 5th anniversary… and we’re having a sale!

As I promised in yesterday’s post, we’re having a special sale to celebrate the 5th anniversary of my Called to Write Coaching Circleand it starts today!

Waaaayyyy back in 2011, we launched our first ‘beta test’ group for the Circle. Now we’re running five groups, with a talented coach at the helm of each one.

To celebrate, we’re offering an ongoing savings of 10% on ANY of our subscriptions, whether a single-session, a four-session, or our popular annual subscription when you sign up using the coupon code HAPPYANNIVERSARY.

You’ll love how good it feels to take action on your writing and make your writing life happen right now

When you join us, you’ll have access to our coach-led group writing sprints to boost your writing energy, coaching calls to help you keep writing (led by yours truly), and daily, personalized coaching support from your small group writing coach.

You can find out more and register for the Called to Write Coaching Circle here. Just make sure you register by MONDAY, September 12 before 11:59 p.m. Pacific Time to join us and use coupon code HAPPYANNIVERSARY to save 10% on the subscription of your choice. Your rate will be locked in for the life of your subscription.

We can’t wait to write with you!

Warmly,

Jenna 

Got Questions?

If you have any questions about the Circle, feel free to ask! The fastest way to get a response is to email us at circle@calledtowrite.com or use our online contact form here. We’ll get back to you ASAP.

I’d Love to Get Your Feedback On a New Writing Program

I’m planning to run a short-term Writing Intensive this fall (specific dates to be determined), and I’d love to get your input on it.

My vision is to create something along the lines of NaNoWriMo but with a smaller group, more support, and direct interaction with a writing coach. The purpose of the Writing Intensive would be to pick one specific project that you’ve been wanting to do a push on and focus on moving it forward significantly for the duration of the Intensive.

Unlike NaNoWriMo, we wouldn’t necessarily have a shared goal (in NaNo, everyone aims to write 50,000 words during the month of November), but rather start off at the beginning with a specific stretch goal that you personally want to meet, and have a structured timeline within which to meet it. We’ll have a collection of support tools to help you get there that may include things like: daily check-ins online, a special chat group for discussion and interaction, writing sprints, frequent teleconferences, and more (I’m refining the specifics about this on the basis of your feedback, hence this post).

I’m currently planning to use the platform I use to run my Called to Write Coaching Circle, but with a different focus (intensely focused on heightened productivity rather than daily writing habit building and ongoing productivity), additional tools, and even story coaching if warranted. 

If you’re interested in this and you’d like to give me your input on it, I’d really appreciate it! I’ve set up a survey here.

You’re also more than welcome to leave comments here on the blog.

Thank you so much! I appreciate it.

6 Takeaways From Rewriting “The Seventh”

I can’t believe it, but I’ve worked on two different screenwriting assignments this year, all while taking care of my little toddler, who just turned two in May. It hasn’t been exactly easy, but it’s been incredibly inspiring. There’s nothing quite like working on a screenplay with a deadline to shift one’s motivation into high gear. ;)

I recently shared that I’d overhauled my character profile template in the course of working on this latest assignment. Now I want to share some of the other things I learned through the process of working on this gig. This was a rewrite project, so it was almost like being hired as a script doctor, but since I’m also sharing writing credit for the project it’s a little different than being a true script doctor, which is often uncredited work. The project is called The Seventh, and it turned out to be incredibly fun to rewrite someone else’s work (not at all like rewriting my own!).

Here are six unexpected takeaways I gained from working on this project:

  1. Reverse-outlining pays off. Before I dove into the actual rewrite, I reverse outlined the entire script. I exported it from Final Draft into Scrivener and then into Numbers (the Mac version of Excel) so I could have a spreadsheet I could easily study all in one place. I like the Navigator in Final Draft and the outline view in Scrivener, but for this, I wanted something I could easily see in one place and control in ways that I wanted.

    Once I had the scene headings from Final Draft imported into Numbers, I went through each scene and summarized what happened in a few short sentences. Then I made notes about issues I noticed as I worked through. I also numbered the scenes. The beauty of doing this work is that it highlighted story issues, pointed out plot holes, and helped me get clear on the natural story breaks and sequences, and how well they were working, or not. Since I like to work in mini-movies (approximately 15 minute sequences) it helped me to see how well the script was working with that pattern and showed me where I needed to tweak it.

    What made this so fun was that it was like being a sleuth, digging in, finding what was working and what wasn’t. Very satisfying!

  2. Backstory matters. I knew this before. But now I KNOW it. Working on someone else’s project gave me more courage to dig deep into the how’s and why’s of everything. I couldn’t write it unless I understood it. With my own projects, I’ve been more cavalier about understanding where everyone comes from and why they’re doing what they’re doing, thinking I’d figure it out along the way (and of course I learned more about these characters even as I worked with them).

    But there was something about delving into all the details and leaving no stone unturned when it came to even the slightest motivation or plot hole to get our story strong and straight. This is, of course, particularly important with a complex sci-fi world such as the one in The Seventh, but as I’ve watched and read other stories lately it’s gotten crystal clear — the characters exist before they come onto the scene in our stories. They have histories. Issues. Relationships. And all those come to bear on the decisions they make and the motivations they bring to the scenes they’re in.

    We went through several different iterations of the backstory, and the feeling of finally getting a lock on it was thrilling, particularly because we didn’t give up on it until it truly worked.

  3. Having a rewrite plan helps, but it’s not set in stone. We went into the rewrite knowing we had a certain number of days to accomplish it (40 days). And we calculated approximately how many days I could spend rewriting each 15-page section of the script to hit our deadline. But as we went into it, we found ourselves spending more time on the backstory and world building than we’d anticipated. QUITE a bit more. Which meant that I had to compress my timeline.

    The other unexpected variable was that the script got longer, due to a variety of factors. So my calculation of a number of pages per day didn’t exactly match what I actually had to write. So again, I adapted.

    A third monkey wrench was what one of the writers in my program calls a “black hole” section, where the whole thing just takes a lot longer than expected to sort out. Not all 15 page sections are created equal, after all!

  4. Tracking progress helps keep the ship on course. Despite the shifts in the winds of rewriting, because I carefully tracked my progress, I was able to see where I was, and where I needed to end up. In the graphic below, you can see my revision plan in the upper table, essentially starting on June 3rd. We’d intended to start much earlier, but as I mentioned, the backstory and world building work ended up taking 14 days. In the lower table, you can see the number of pages I worked on each day or block of days.

    This is one of those things I geek out about — watching my progress build, seeing how I’m staying on track (or not) helps make it exciting and fun and keeps me from getting lost in the “I’ll never make it” doldrums my inner critic likes to dish out. And I could easily tell my writing partner how close I was to being on schedule at any given point.
    The Seventh Rewrite Process

  5. Having a great writing partner is huge. I was thrilled to work with my co-writer on the rewrite, the original author of this script. I did all the rewriting work, but we worked closely together throughout the process. It was a huge source of fun and delight for me to have someone to bounce ideas off, run problems by, and generally dig deep into the story together. My co-writer was particularly good at keeping his ego out of the way and working hard with me on making sure the story improved. It was inspiring and impressive. Plus it turns out it’s just wicked fun to help make someone else’s writing that much better.
  6. Screenwriting every day for 40 days was empowering. Since having my second kiddo, I’ve been interspersing stretches of screenwriting with other writing (blogging, course writing, product writing, etc.) and while that’s been easier for me to manage, it’s been a little disorienting. I loved the feeling of ending each day feeling like I’d really USED my brain for my truest deepest calling — writing fiction. That expression “die empty” felt very apropos. Each evening, as I went to bed, I felt complete in way I don’t feel when I’m not writing fiction. It was amazing.

Interestingly, when I was first offered this writing gig, I turned it down, based on my level of busyness as a mom, as a writer of my own projects, and as an entrepreneur. But in the end, it was a delightful experience all around and one I’m truly grateful to have been asked to be involved in. I can’t wait to see what happens with The Seventh as it continues to evolve!

 

Get Steven Pressfield’s latest book for free

If you haven’t seen the news yet, Steven Pressfield has a new book out called Nobody Wants to Read Your Sh*t: Why That Is and What To Do About It.

You can download a copy of the ebook for free for the next week or so (click this link to go to the download page). There’s no email opt-in required.

I love this for so many reasons. Among them:

1. I adore Steven Pressfield’s books about writing. He says this one picks up where The War of Art takes off, which is one of my all time favorite books about writing and always gets me to sit up a little straighter when I read it. My other all time favorite is one of his other books Turning Pro. So you can imagine that I’m thrilled to read the next one.

2. It’s a very cool marketing strategy. Steven Pressfield and Shawn Coyne, the co-founders of Black Irish Books, take the long view when it comes to publishing and marketing. They believe in building a loyal audience and spreading by word of mouth. They believe in the value of what they publish and know that getting it out there is a huge part of the process.

3. They’re taking a casual approach to their offer. They’re not forcing an opt-in (though there is certainly a time and place for that when building a list and a platform). And they’re leaving the decision as to how long the offer stays open up in the air a bit. This speaks to their confidence and experience in a powerful way. These guys are comfortable about what they are doing, and it shows.

4. It’s got a great title. I’m reminded of the oft-shared article, “I Will Not Read Your F*cking Script”, which had me in stitches when I read it. This title speaks to the angst we writers experience over trying to get our stuff looked at … and WHY people may not want to, something we all could use a little education about, I’m sure. I can’t wait to read it.

5. Because I’m a lifer when it comes to being a Pressfield fan, it’s fun to get to share this with you. Ordinarily I wouldn’t share a book with my audience without reading it first. But because I know, like, and trust Steven Pressfield and his work, I’m happy to put it out there. When we think about this from a marketing perspective regarding our own work, there are lessons to be learned in spades here.

Go forth and download!

Enjoy. And let me know what you think when you read it. I’ll be diving into it soon myself.

Warmly,

Jenna

Coming Up

Coaching CircleThe next session of the Called to Write Coaching Circle starts on Monday, June 20th and the last day to register and join us is TODAY, June 16 by 11:59 p.m. Pacific Time.

Find out more and register here: http://JustDoTheWriting.com. Join us!

  

 

fittingwritingintoyourlifeI’m leading a one-week intensive called “Fitting Writing Into Your Life: Becoming a Productive Screenwriter ” at Screenwriter’s University starting on August 11th and running for 7 days. It’s a three-part online recorded video presentation from me and plus online discussions, interaction, and support from me. Find out more and register here. *

* This is an affiliate link, which means I’ll earn an extra commission in addition to my teacher’s pay, if you register through me.

Our Stories Are Our Ladders to the Stars

I just watched Donovan Livingston’s Harvard commencement address. It’s truly stunning.

If you haven’t seen it, it’s worth watching, thrice over.

You can also read the full text online here too.

He spoke to the deepest part of my heart and soul, where it comes to writing, to education, to believing in ourselves and in our children and in our capacity for greatness.

I loved this:

I was in the 7th grade, when Ms. Parker told me,
“Donovan, we can put your excess energy to good use!”
And she introduced me to the sound of my own voice.
She gave me a stage. A platform.
She told me that our stories are ladders
That make it easier for us to touch the stars.

Write your stories.

 

 

 

News

The Sci-Fi Rewrite: I’m DEEP into the sci-fi rewrite I mentioned in my last post. It’s been a fascinating dive into world-building, shoring up plot holes, digging into character, and more. The project is due June 29, so I’m hoping to emerge a bit more from my writing cave then. 

New Logo Design: The fabulous Giulietta Nardone and I have been working on a new logo design for my CalledtoWrite.com website. Donovan’s speech could have been written about many of the images we’ve been working with. I cannot wait to see what we come up with. Giulietta is an amazing artist, writer, muse, and fearless explorer.

Delicious New Ideas: I’m coming with all kinds of new ideas and exciting projects. I’ve been talking with a few of my Circle members about beta testing a writer’s platform building program, among other things. I can’t wait!

Coming Up

Coaching CircleThe next session of the Called to Write Coaching Circle starts on Monday, June 20th and the last day to register and join us is Thursday, June 16 by 11:59 p.m. Pacific Time.

Find out more and register here: http://JustDoTheWriting.com. Join us!

  

fittingwritingintoyourlifeI’m leading a one-week intensive called “Fitting Writing Into Your Life: Becoming a Productive Screenwriter” at Screenwriter’s University starting on August 11th and running for 7 days. It’s a three-part online recorded video presentation from me and plus online discussions, interaction, and support from me. Find out more and register here. *

 

* This is an affiliate link, which means I’ll earn an extra commission in addition to my teacher’s pay, if you register through me.
Photo by Greg Rakozy, used under the creative commons license.

What if you don’t want to write every day?

As the proprietress of an online program designed to help writers build a daily writing habit, every once in a while someone says to me, “But Jenna, what if I don’t want to write every day?”

My answer is, “That’s okay.”

If….

The reason we advocate daily or near daily writing in my Called to Write Coaching Circle is that most of the time, the writers who come to us are flat out struggling to write  — at all. And it turns out that the more frequently you write, the easier it is to sustain the habit.

Some writers CAN write on a different schedule and it works perfectly well for them. That’s completely fine. I have no objections. Because if you’re someone who can write two to three times a week and keep that going over the long haul, that’s great! Or if you like to go for months without writing and then have no problem cranking out a book without getting burnt out or frazzled, all the more sparkle bright ponies for you. Really.

But if you’re someone who wants to write but isn’t, or isn’t living up to your desired level of productivity and completion, or keeps getting burnt out in binge-writing frenzies, or is wrestling with procrastination, burnout, perfectionism, or writer’s paralysis, you might want to try our daily/near daily approach. It just makes it so much easier to break the patterns you’re stuck in.

The thing is, a tremendous amount of paralysis that can build up for writers. It’s all founded in fear — fears of not writing well enough, of succeeding or failing, of public humiliation or ridicule, and more. All that fear builds up in our unconscious minds and sends us in an entirely OTHER direction than writing. But when we first break that pattern of writing-aversion and turn toward writing again with a small, doable step like writing for five to fifteen minutes, we can build new neural connections that reinforce writing as a positive thing in our lives. And if we do it again the next day, it makes it easier and easier to keep going. And once we build our writing up to habit levels, we start operating out of a whole new paradigm, one where taking a day off here or there doesn’t throw us completely off track.

No matter what though, the bottom line is this: Do what works for you. There is no one right way to write. There’s no one right answer to how to write. Different approaches work for different people. Find yours.

News

My latest news is that I’ve just signed a contract to rewrite a sci-fi feature for a producer, which I’m very much looking forward to. We’re kicking off the project tomorrow. I have a busy 40 days ahead of me!

And on the personal front, my littlest one just turned two yesterday — I can hardly believe it. And my older boy is about to finish 2nd grade. Time really flies.

Coming Up

Coaching CircleThe June session of the Called to Write Coaching Circle starts on Monday, May 23rd and the last day to register and join us is Thursday, May 19 (that’s today) by 11:59 p.m. Pacific Time. Find out more and register here: http://JustDoTheWriting.com.

  

fittingwritingintoyourlifeI’m leading a one-week intensive called “Fitting Writing Into Your Life: Becoming a Productive Screenwriter” at Screenwriter’s University starting on August 11th and running for 7 days. It’s a three-part online recorded video presentation from me and plus online discussions, interaction, and support from me. Find out more and register here. *

 

* This is an affiliate link, which means I’ll earn an extra commission in addition to my teacher’s pay, if you register through me.

 

 

Why I Don’t Recommend Cramming 15 Minutes of Writing In While You’re Waiting In Line or For Appointments

There’s this idea floating around that the way to find time to write is to cram writing time into every square inch of your life. Just write while you’re waiting for your dentist appointment! Just write while you’re standing in line at the grocery store!

I don’t think that’s sound advice.

The thing is, we already lead crazy, busy lives. Most of us have plates filled to overflowing as it stands, and cramming writing into every tiny pocket of time feels like it will be the thing that finally breaks the dam.

Writing like a maniac looks like a recipe for burnout and stress to me, rather than a graceful fulfilling of one’s true calling. I don’t know where we got this idea that productivity and just doing more are the same thing. Many proponents of the just find 15-minutes method of writing seem to have bought into this idea.

Having said that, I do advocate writing in 15-minute (or smaller) blocks of time in the following circumstances:

  1. When that’s all the time you actually, truly have to write. Look, I’m a writer, a mom, and a business owner, I get it. There really is only so much time to go around. It’s okay with me if you say, I have to write, this is what I have, so I’m going to make the most of it. But, and this is important: Ideally, you’ll do it in a scheduled, planned part of your day, not as something you race to cram in during a stolen moment somewhere. I wrote a script in 15-minute increments of time, and I’ve got two writers in my Called to Write Coaching Circle who recently finished projects in 15-minute chunks: one mom who wrote her first novel and the other a coach who wrote her parenting book. It’s a perfectly valid way to write!
  2. When you’re building a writing habit. When you’re first setting out to build a writing habit, it pays to start small. Most of us with big dreams to write have commensurately-sized fears that stop us in our tracks and have us come up with all kinds of excuses not to write. Writing in small increments of time helps us sneak past the fear, kick the excuses to the curb, and get our butts in our writing chairs. There’s nothing that says you have STICK WITH 15-minute increments of writing time in the long term, it’s perfectly fine to build up to more once you’ve increased your tolerance for writing (in other words, once the blue meanies stop screaming quite so loudly in your head). Having said that, again, see #1. If that’s what you’ve got, work it, baby.
  3. When you’re re-building a writing habit. If you’ve fallen off the writing wagon, for whatever reason (travel, illness, loss, etc.), you can reboot yourself with a 15-minute writing sprint. If I ever find myself off track with my writing, I usually say something to myself like, “I can at least write for just 15 minutes.” And then I set my timer, and I’m off. Note that I usually don’t write past the 15-minute mark on a reboot day but just use that to get myself into motion again. I’ll often write longer the next day and build back up from there. (The reason not to go past the goal is that you end on a high note and in a positive place for the next day.)
  4. When you actually feel like writing while you’re waiting for something. Rather than feeling like you “should” be writing at every moment, notice when you want to be writing. Lately, as a tired mom of a now 23-month-old toddler, sitting and staring at nothing while waiting in the doctor’s office is a luxury I’m reluctant to give up for just about anything. But pre-baby #2, I happily wrote while hanging out waiting for appointments because I wanted to. In other words, do it if you want to, not because you “should.”

Your writing is your biggest dream. Treat that dream with reverence.

Rather than squeezing writing into the interstices of your life, take a look at its importance to you and give it a proper place in your day. This might mean taking a good hard look at the way you’re prioritizing your time and what you’re choosing to do with it instead of writing, and it might mean getting creative about how you’re scheduling yourself, but I’d much rather see you having moments to breathe AND moments to write.

Let me know what you think.

Coming Up

Coaching CircleThe May session of the Called to Write Coaching Circle starts on Monday, April 25th and the last day to register and join us is Thursday, April 21 by 11:59 p.m. Pacific Time. Find out more and register here: http://JustDoTheWriting.com.

  

fittingwritingintoyourlifeI’m leading a one-week intensive called “Fitting Writing Into Your Life: Becoming a Productive Screenwriter” at Screenwriter’s University starting on April 28th and running for 7 days. It’s a three-part online recorded video presentation from me and plus online discussions, interaction, and support from me. Find out more and register here. *

 

 

* This is an affiliate link, which means I’ll earn an extra commission in addition to my teacher’s pay, if you register through me.

 

 

Free teleclass: Setting Motivating Writing Goals & Intentions

The fourth and final class in my free Master Your Creative Productivity series was last night and the recording is now available! 

If you missed the series, you can still sign up to get the recordings, which will only be available for another week, through Friday, April 8. You’ll get instant access to the recording archives when you register.

Here’s what we’ve covered in the class series:

Part I: Powerful Tools to Help You Write Productively

  • Defining what being productive means.
  • 3 writing productivity principles.
  • 5 time principles to help you be more effective with EVERYTHING you do.
  • 7 writing productivity power tools you can put to use right away.

Part II: The Anti-Creativity Cycle and How to Break It

  • Defining perfectionism and 5 thoughts about the role perfectionism plays in our writing lives.
  • The Anti-Creativity Cycle of perfectionism, procrastination, and paralysis and a laundry list of ways it shows up.
  • Other creative blocks and obstacles like impostor syndrome, fear of success and fear of failure, and more.
  • 15 solutions and antidotes for the Anti-Creativity Cycle and other creative blocks.

Part III: Keeping Your Creative Energy Vibrant for Optimal Writing Productivity

  • The trick to managing the emotional ups and downs of a long-form writing project.
  • Simple but important ways to take care of your physical body AND your creative mind.
  • 3 energy boosting strategies.
  • 3 nifty techniques to balance and recharge your energy.
  • 5 creative recovery skills for whenever (or if ever!) you get off track.

Part IV: Setting Motivating Writing Goals & Intentions

  • 5 ways to set yourself up for success with your goals in advance.
  • Smart goal setting that works.
  • Reverse engineering your writing timelines.
  • The power of a plan for revisions.
  • Using intentions to supercharge your writing sessions.
  • How to set motivating rewards and celebrations.
  • BONUS: Managing distractions.

I’ve been getting terrific feedback from the writers who have participated and I’d love to have you take advantage of this opportunity too. You’ll find that the series is packed with practical tools and strategies you can put into place right away to help you boost your productivity as a writer.

 

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