Ask the Coach: Who Owns the Sequel Rights to My Script? – On Script Mag

Welcome to the latest installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about who owns sequel rights to your screenplay and why adding an entertainment lawyer to your team is beneficial when negotiating screenwriting contracts.

“I’m writing a script which has obvious sequel potential. If I am fortunate enough to sell the script, (assuming boilerplate contract) who will own the rights to the sequel, me or the studio? Asked in another way, when I sell the script, am I selling the brand as well? I have several script projects with sequel potential, so this is a big question for me.”

Such an intriguing question, and I’m sure one many writers share. Since this is ultimately a question for an entertainment lawyer, I reached out to Michael Saleman of www.movielaw.net for his expertise. To a degree, the answer about how these types of rights work can be dependent on a writer’s leverage.  [more…]

 

Whether you’re wondering about sequel rights or making sure you’re signing a good option agreement for a single script, having a lawyer on your writing team is an excellent move.

 

Read the article on Script Mag here:
Ask the Coach: Who Owns the Sequel Rights to My Script?
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Scott Graham on Unsplash
 

Ask the Coach: Help! Do I Abandon My Current Script for a New Idea? – On Script Mag

Welcome to the next installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about whether to abandon a current script in favor of a new idea, or not:

“I recently committed to working on a particular script idea, and almost instantly became fascinated by another story entirely. Should I move to the new idea? Or is this a distraction getting in my way?”

Great question. Ultimately, this is a choice no one else can make for you, but here are some possibilities about what’s going on, and some possible strategies to consider.  [more…]

 

When it comes to choosing what to focus on, and possibly letting go of a current idea, there’s a lot to reflect on. Brand, career, preference, genre, instinct, market, and more. And because there’s often a fine line between recognizing resistance versus intuition, pay attention to how and when new ideas come cropping up. The beauty of writing is how it begets new ideas. It’s your job as a creator to corral that surging herd into a manageable strategy that works for you.

 

 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by AbsolutVision on Unsplash

Ask the Coach: Do Experts Help or Hinder Writers From Reaching Their Goals? – On Script Mag

Welcome to the next installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about whether or not writing and marketing experts and gurus help writers or just get in the way:

“With so many claiming to have the secrets to either writing or marketing, is this just another layer keeping new writers from their goals?”

My short answer: It depends — not necessarily — but there are some things to look out for.

Here’s my longer answer.

When writers endlessly pursue study or looking for the “right” mentor with “right” secrets, we can absolutely keep ourselves away from the best and truest learning ground for writers — writing. Particularly if we’re seeking system after system to plot a novel or develop a script or learn to market our work without taking our writing projects all the way through to completion, we’re doing ourselves a disservice.

There IS a lot to learn

Many if not most of the folks out there teaching writing and the marketing of writing are doing it from a sincere desire to help writers (as well as making a living) and much of it can be valuable. There’s insight to be gleaned from various systems and experts, and as you study, you’ll develop your own methodology (and in an ironic twist, perhaps, might even someday end up with a process you want to share with other writers yourself). Sometimes one expert will nail one piece of the writing puzzle that fits just perfectly for you, and another expert will arrive with another one. The process of trying and testing other people’s methods gives you the chance to explore what works for you and what doesn’t, and assemble your own approach bit by bit.  [more…]

 

One important rule to keep in mind: There really is no one right way to write, and anyone who tells you they know the only or the best way is either egotistical or selling you something or both. At best, you can learn their method and take from it what you like. Be mindful of being swept into the orbit of gurus who never teach you how to do the work yourself but hold themselves out as the only one with all the answers.

 

 

 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Ron Lach from Pexels

Ask the Coach: How Can I Find an Idea Person for My Story? – On Script Mag

Welcome to the next installment of my “Ask the Coach” column on Script Mag!
 
This month’s question is about getting past feeling stumped and how to find an “idea person” to help make that happen:
 
“My writing style is that I get an idea and start writing to see where the story goes. I don’t do outlines. I’ve gotten ideas for stories from thinking up a name, or a killer last line comes to me, or from a writing prompt. I’ve written complete novels from those particular starts. A few of those I set aside for months (or years) before the idea for where to take the story comes to me. On one I’m working on now, I’m about 10,000 words in and stumped. I need an idea person. My question is: are there idea people who can take your progress and give you thoughts for where the story should go? I write really well if I have a direction to go. I don’t need someone to write the story for me, I just would love a shove in the right direction.”
 
I love the many rich layers in this question. Let’s dive in.
 
To start, there absolutely are “idea people” out there. From writing coaches to story experts to script mentors, you can find someone to help you tackle story problems and figure out what comes next. Sometimes it’s incredibly helpful to have someone to bounce ideas off of and get input from to help us move past the places we get stumped.
 
And I want to plant the seed that this may be a place to grow your structure and development skillset as well. Even if you’re not a writer who likes to outline, you may still benefit from sorting out the big moves in your story so you can write toward them as you pants your way through your actual writing. [more…]
 

 

 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.

 

Image by Pixabay from Pexels

Ask the Coach: When Should I Give Up On a Script? – On Script Mag

Welcome to the next installment of my “Ask the Coach” column on Script Mag!
 
This month’s question is specifically about finishing, and when — or if — to give up on a project:
 
“How can I deal with the indecision that comes with looking at what I’m writing and reaching a point at which I say, “I never should have started this in the first place — no one will care about this, this is unoriginal, this has no chance of selling, what was I thinking?” I don’t see a point at continuing and then go on to the next potentially shiny object. Very frustrating and totally within my control. What do you recommend?”
 
Great question! In order to help you answer it, I have some questions for you.

 

“The first thing to consider is whether or not this inner voice speaking up is the voice of resistance, or the voice of intuition.”

 
For my four questions to consider and my full answer,
read the article on Script Mag here:
Ask the Coach: When Should I Give Up On a Script?
 

 

If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.

 

Image by Gerd Altmann from Pixabay 

Ask the Coach: Not Three-Act Enough? – On Script Mag

Welcome to the first installment of my new “Ask the Coach” column on Script Mag!
 
This month’s question is specifically about the three-act structure in screenwriting:
 
“What I’m running into is the common criticism that my stories are not strongly three-act. They have a beginning setup, mounting problem, and ending resolution — good stories, I’m told — but tension doesn’t build in common cinematic form. Yet, I watch produced movies even less three-act structured. What am I missing?”
 
As your coach-of-the-moment, here’s how I’ll approach this question with you. Let’s look at the core components inherent in the question: how films get made (to address your comment about the produced movies), the source of the feedback, the value and strength of the three-act structure overall, and the impact of your own work.
 
“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”
— Neil Gaiman
For my full answer on three-act structure, how to look for a note beneath a note, and digging deeper into improving your next draft
read the article on Script Mag here:
Ask the Coach: Not Three-Act Enough?
 
 
Image by Lukas Bieri from Pixabay 

 

 

 

Ask the Coach: Your Writing Questions, Answered – On Script Mag

My new “Ask the Coach” column on Script Mag launched this week!

As a writing coach, I answer a lot of questions for writers about how to make the work of writing actually happen. As you may already know, I specialize in helping writers get out of their own way and back on track with what they were put here to do.

In this monthly column, I’ll be answering your questions, anonymously, about navigating the ups and downs of writing, being a writer, and living a writer’s life, specific to your unique circumstances.

This is a judgment-free, guilt-free zone. It doesn’t matter what you have or haven’t done, so far.

What matters is what comes next. Ask me your most pressing questions, and my goal will be to help find a solution that works for you.

For a sampling of topics writers often ask about and to submit your own question
read the article on Script Mag here: 
Ask the Coach: Your Writing Questions, Answered

 

 Photo by Olya Kobruseva from Pexels

Sensitive Writers, Keep Fulfilling Your Calling, Even In Difficult Times – in the 2021 Empowerment Guide for Sensitive People

 
“… it’s so very valuable to keep working to fulfill your calling.”

 
 
My article, “Sensitive Writers, Keep Fulfilling Your Calling, Even In Difficult Times,” was featured in the 2021 Empowerment Guide for Sensitive People. As you may know, a prior incarnation of my coaching career was coaching highly sensitive people (HSPs). Many writers fall into the category of sensitive and/or introverted people, though of course not all.
 
The article marries my understanding of HSPs and writers, and shares suggestions about ways to keep writing — and why — even when we’re living in a time of crises. You can find a link to the article below. 
 

“We can’t know for sure what the future holds. But we do have the power to make a choice to continue to write in spite of the challenges we face — or perhaps even because of them.”

 Read how (and why)
on the Sensitive Evolution website:
Sensitive Writers, Keep Fulfilling Your Calling, Even In Difficult Times
Image credit: Photo by Darius Bashar on Unsplash

How to Write All Year Round, The Pandemic Edition (+ Tuesday’s the Last Day to Join!)

This is the third and final article in our “new year to write” series! This article is about some of the lessons we learned in 2020 about writing all year round even in the most difficult and unexpected circumstances. 

In our Called to Write community, it feels like we’ve been through it all together — it’s always an incredible place for learning and growing in a powerful way. 2020 really put our collective writing mettle to the test and I’m grateful for all we’ve learned. 

Here’s what we learned at Called to Write in 2020 about how to keep writing year-round, even in the middle of a pandemic, to bring forward with us into 2021.

Writing with others helps TREMENDOUSLY.

Isolation has been a terrible problem for so many people during the pandemic. And since writers struggle with feeling isolated too? Double whammy. What we’ve found at Called to Write is that having a tight-knit community of writers committed to the cause of writing — even on the days when it just, well, flat out sucks — really helps us see it through. And the thing is, the bad days are so much less important when they’re surrounded by better days. Writing regularly in the company of other writers ends that sense of isolation.

Between our online writing sprints and our weekly, organized Zoom meetings, we have a sense of being in it together. Thank goodness. 

Tip: Find, create, or join a community of writers to help you stay motivated to write. (Hint: Join us!)

Creating MORE structure around writing helps with the timelessness we’ve been experiencing.

Yes, some of us believed having tons of enforced time at home under lockdown would result in equally epic tons of writing time (King Lear, anyone?), but quickly found that was NOT the case.

If anything, we struggled with a disorientation of time and place that felt impossible to manage. Whether you were home alone on your own or in a house filled with unexpected constant companions, making a regular writing schedule happen was Just. Not. Working. 

Oddly enough, in our community, we quickly learned that adding MORE structure for our writing than we usually use was what solved this problem. We added extra writing sprints (we went from one per day to four per day). We shifted to weekly meetings instead of twice monthly, and switched over to Zoom so we could see each other’s faces. We added Progress Journals to track our work and create extra accountability. And what we found is that adding extra structure and support for our writing made it easier to rebuild and maintain our writing momentum.

Tip: Set up designated writing time and lots of extra structure, support, and accountability to help you see it through (as much as you need).

Your “lights out” and wake times really matter.

Getting enough sleep is so important. But so is getting up early to write. These pandemic days are blurry. They squidge together in the most unpleasant way. Grabbing each workday by the horns and showing up to write, usually early, makes it far less important if the rest of the day goes off the rails with distance learning, weird shopping challenges, or other issues.

This is one reason why we ran our Morning Writing Challenge even in the middle of election week. We knew it was likely to be stressful, incredibly distracting, and possibly upsetting, but at the same time, I was determined not to let the state of our republic stop me from writing. And the big way I’ve been doing that — election week and otherwise — is getting up earlier and earlier to write, and going to bed earlier and earlier as a result. 

Here’s the big reason why: Early in the morning, we’re far less likely to get sucked into news, drama, or Other People’s Stuff. Putting your focus on your own work (keeping your eyes on your own paper, so to speak), keeps your writing moving forward, regardless of what’s going on in the rest of the world. 

Tip: Figure out how much sleep you need, and design your schedule around it.

Bonus: Get up early to write and reap the rewards of quiet writing time. 

Small increments of writing (still) work.

Something we’ve always taught about at Called to Write is the power of working in small increments of writing time, as a way to build or reboot a regular writing practice. And, as Vizzini from The Princess Bride says, when something goes wrong, you go back to the beginning. Well, some things went wrong this year. So we go back to the beginning. 

If you got off track with your writing in 2020, use the tool of working in small increments of time — even 5 to 15 minutes — to rebuild your writing practice. You can also experiment with working with small sections of your book or project too, if you’re revising, for example, which doesn’t lend itself as well to small increments of time. I jump-started my script revision by focusing on 15 page chunks; far less overwhelming than imagining tackling the whole thing in one go. It’s just a Jedi mind trick but it works, so I’ll take it. :) 

Tip: Use small increments of writing as a tool to help get yourself going again. 

Remember why you’re writing.

This has been a rough year. I know I’m not the only writer who wondered whether it was even worth it to keep writing in the face of the massive challenges we’ve been dealing with globally. It’s impossible not to question our actions when faced with life-and-death circumstances, oppression, and political crisis. What’s important? How should we be spending our time? Will our writing even have a place to end up? What will readers, viewers, publishers, and producers even want, after all this?

My perspective is that all writing is needed and has a place (I’ll make an exception for hate speech). As creators, we entertain, heal, inform, and grow through writing, and we do the same for our readers and viewers. And it doesn’t matter what we’re writing. Fiction entertains, comedy lightens hearts, feel-good movies lift spirits. Serious pieces offer food for thought. Non-fiction teaches. Our writing has a place and a purpose, and if we’re called to write, we simply have to trust the muse and seek to fulfill that calling.

Tip: Remind yourself why you’re writing and what’s important to you about it.

 

It’s a New Year to Write!

Let’s design our 2021 writing vision and goals together.

Even if you haven’t had the successes you wanted in 2020, it’s the perfect time to think ahead to what comes next and how you’ll get there. 

When you join Called to Write, you’ll have access to the Make This Your Year to Write course materials and our live course events, including two Zoom gatherings and one live chat event to help you work through the steps and refine and share your writing vision and goals. You’ll have all the support, camaraderie, and accountability you need to help you work through the course materials and design an actionable vision and goal plan for your writing in 2021. 

Our events start on January 5th!

Here are the steps we’ll be working through together:

  • Step One: Reflect On Your Writing Life & Career So Far (this lesson today, which we’ll review and discuss together on January 5th)
  • Step Two: Notice Your Writing Patterns, Challenges, & Lessons
  • Step Three: Tune Into Your Vision For Your Writing Career and Life
  • Step Four: Tap Into What You Want For Your Daily Writing Life
  • Step Five: Examine the Gap In Your Writing Life
  • Step Six: Set Goals for Your Writing Year
  • Step Seven: Design Your Writing Plan
  • Step Eight: Create Your Support System

Ready to join us? Find out more and register here: https://calledtowrite.mn.co/

Tuesday’s the last day to join in time for the kickoff Zoom event. 
 
 
First photo by Olya Kobruseva from Pexels
Second photo by Sharon McCutcheon on Unsplash

 

7 Mistakes Writers Commonly Make With Goal Setting & Writing Resolutions

Since it’s the first day of the year, and like many writers you probably have goals and resolutions on your mind, I want to highlight a few common mistakes writers tend to make when setting goals for the year, to save you the trouble of possibly making them and stymying yourself or creating unnecessary frustration or disappointment. 

Know in advance that I *am* a fan of goal setting when it comes to writing (and that’s what we’ll be doing with our Make This Your Year to Write process), while at the same time I also know it benefits from forethought.

Here are some considerations to take into account as you plan your goals and resolutions.

7 Mistakes Writers Commonly Make With Goal Setting & Writing Resolutions

Mistake #1: Setting page count or word count goals in a vacuum.

It SOUNDS great to say you’ll write 250 or 1000 words or 3 script pages a day (I’ll write a book/3 scripts a year!), but is it really that great?

When you set a goal for the entire year’s worth of writing focused on a word or page count goal, you’ll most likely be neglecting the reality that writing projects typically also require all kinds of OTHER work that is critical for moving a writing project forward (and counts as writing), like research, development, editing, revising, plotting, structuring, character development, and more.

What happens when you set a word count goal but you’re at a place in your book where you need to edit and revise? Do you end up writing “new words” even when they aren’t relevant to your book… and end up feeling like you’re spinning your wheels? 

What happens when you set a page count goal but you need to restructure your script in order to move it forward? Do you work on two scripts at once… and thwart your forward progress as a result?

The issue I have with word and page count goals set in a vacuum is that they have the potential to create an inherent conflict with yourself; if you focus on meeting the goal, you’re not doing the work you actually need to be doing to move your book or script along. Or if you go ahead and ignore the goal and do the work you need to do, you create an uncomfortable tension within yourself and feel like you’ve let yourself down.

👉 Antidote #1: Design SMART goals that reflect what you’re currently working on and the stage you’re in.

Mistake #2: Focusing on don’t break the chain resolutions.

I gotta be honest, I’m not a fan of “don’t break the chain” resolutions and strategies. I’ve seen too many writers triggered into an obsessive, uncomfortable place trying to keep their streak going. These kinds of goals and resolutions don’t account for days when life goes sideways on us, like getting sick or even just needing to take a day off.

Plus I find that often writers using these streak maintaining methods can end up feeling rebellious and grouchy being locked into something, not to mention a horrible feeling of “losing” all their progress if they miss a day. If anything, breaking a streak, accidentally or otherwise, can quickly become a major deterrent to writing. Once the streak is broken, writers sometimes use it as an excuse to give up on themselves and their goals. 

👉 Antidote #2: Set goals that match your life, are flexible, and allow you to pick yourself up and get back to work if you miss a day here or there or get thrown off track for whatever reason.

(I focus my writing time on weekdays and take most holidays off, and take vacation time off as well.)

Mistake #3: Not setting realistic, achievable goals.

Another common mistake is not setting goals that are actually attainable. I love Jon Acuff’s advice in his book Finish, where he recommends either halving your goal or doubling the time you give yourself to accomplish it. 

All too often writers set “high” goals that don’t allow for real life to happen or put so much pressure on themselves that they more or less implode, giving up on their goals entirely and feeling discouraged and disappointed. 

Having said this, sometimes I see writers who only seem to be able to give themselves permission to write when they are under pressure or in special circumstances (think of binge writing to meet a deadline, only writing during a writing intensive, during NaNoWriMo, or on a writers’ retreat). If you’re wired this way, you might want to consider working with a coach to identify the underlying reasons you’re afraid to write the rest of the year. It’s extremely likely that some level of resistance is getting in your way and that designing a regular schedule with small increments of writing will be a bridge to a regular writing habit and a path to making writing happen more consistently and productively, without the associated burnout that binge writing usually produces. 

👉 Antidote #3: Make your goals so easy they’re pleasurable to fulfill. 

Mistake #4: Not studying your past lessons.

One of the greatest disservices we inflict on ourselves is not giving ourselves time and space to learn from what has worked for us and what hasn’t.

If you set writing goals, and didn’t achieve them, rather than chalking it up as failure and resolving to push through a second (or tenth) attempt, instead reflect on where things went awry.

It usually isn’t what you think it is.

You’re not lazy, or too busy, or don’t have enough time (common myths that stop people from writing).

Odds are you instead set goals that weren’t achievable or didn’t have a workable action plan to help you write all year round or didn’t know how to handle the natural and common resistance that emerges when you’re pursuing a big dream like writing. Or maybe you hadn’t actually picked a clear project to work on yet! There are many, many reasons why writers don’t follow through on their goals, and taking time to learn from those experiences helps you set goals that actually work this time around. 

👉 Antidote #4: Review what worked and what didn’t this year and see what you can learn from it (and yes, you get something of a pass because of the pandemic — and — I’m sure there’s still something to be learned.)

Mistake #5: Setting goals you can’t control. 

Another common mistake writers run into with goal setting is choosing goals they don’t have control over. “I’m going to sell my book (or script) this year!” isn’t an outcome you can control or predict. You can, however, set a goal to send out 50 query letters. Or to make a list of 100 possible publishers for your book. Or vow to submit your script to a specific contest deadline or make 50 pitches. These are goals you can set and control. 

👉 Antidote #5: Put your focus on goals and outcomes you can take action on by yourself. 

Mistake #6: Not reverse engineering your goals to create an action plan. 

Related to mistake #3, not setting realistic, achievable goals, many writers neglect to reverse engineer their goals and make sure they actually work. Often this involves a fair amount of fantasy thinking around how long it actually takes to fully develop a story, do a read through of a script while taking notes, design a full revision plan, or assess how much work there actually is to revise a draft.

So if a writer says, for example, “I’m going to revise my NaNoWriMo draft by the end of January!” when they haven’t read through their November draft yet and don’t really know what they have, or what it’s going to take to get through a revision, it can be pretty discouraging to realize that revising the draft chronologically isn’t going to get them very far, and almost certainly not by the end of January. 

Plus, if you don’t have a plan, you may find yourself procrastinating well into your completion timeline because you haven’t properly assessed all the steps required to get you from A to Z. 

Want to finish a book revision by September 1st? Or write two screenplays by December 1st? Work backward from your intended deadline and map each stage of work to a calendar and writing schedule to see what seems doable. Adjust the goal as needed. Then pad the heck out of that schedule so you’ve got some flexibility for real life to happen along the way. 

👉 Antidote #6: Map your goals to your calendar so you know what to do when, and are motivated to see them through. 

Mistake #7: Not setting goals that align with your bigger vision.

From my Make This Your Year to Write course: “It’s important to start with a long-term vision before setting goals, because [you] want to make sure that your shorter-term, year-long goals are in alignment with your long-term vision.

“Think about it. If you set goals for the coming year that have nothing to do with where you want to ultimately end up, you can end up in an entirely different place than you intended. That may sound obvious, but I can’t tell you how many writers I’ve worked with who set goals that take them to the wrong place, often because what they think they should be doing or what someone else wants for them isn’t necessarily a match with what they want for themselves.”

Antidote #7: Design your overarching career vision first, then create your goals. (Hint: we’ll be doing this in my Make This Your Year to Write course.)

 

It’s super important to me to help writers set goals that work so we can make regular, consistent progress toward finishing all our writing projects and getting them out into the world where they belong. 

 

It’s a New Year to Write!

Let’s design our 2021 writing vision and goals together.

Even if you haven’t had the successes you wanted in 2020, it’s the perfect time to think ahead to what comes next and how you’ll get there. 

When you join Called to Write, you’ll have access to the Make This Your Year to Write course materials and our live course events, including two Zoom gatherings and one live chat event to help you work through the steps and refine and share your writing vision and goals. You’ll have all the support, camaraderie, and accountability you need to help you work through the course materials and design an actionable vision and goal plan for your writing in 2021. 

Our events start on January 5th!

Here are the steps we’ll be working through together:

  • Step One: Reflect On Your Writing Life & Career So Far (this lesson today, which we’ll review and discuss together on January 5th)
  • Step Two: Notice Your Writing Patterns, Challenges, & Lessons
  • Step Three: Tune Into Your Vision For Your Writing Career and Life
  • Step Four: Tap Into What You Want For Your Daily Writing Life
  • Step Five: Examine the Gap In Your Writing Life
  • Step Six: Set Goals for Your Writing Year
  • Step Seven: Design Your Writing Plan
  • Step Eight: Create Your Support System

Ready to join us? Find out more and register here: https://calledtowrite.mn.co/

 

Stay tuned

for the next article in our New Year to Write series, coming on Sunday, January 3rd, about setting yourself up to write all year long (even in the middle of a pandemic!). 

 
First photo by Olya Kobruseva from Pexels
Second photo by Sharon McCutcheon on Unsplash