How to use your inner wisdom to choose your next writing project

October 30, 2015 by 2 Comments

So let’s return to our topic of choosing your next writing project.

In my first post in this series, I wrote about where and how writers tend to get stuck choosing writing projects.

In my second post in the series, I wrote about using “decision criteria” to make choices about your next writing project. I should clarify here perhaps, that I’m specifically talking about long form writing projects (a novel, a feature script, a book, etc.). This is because long form projects tend to trigger a different kind of stuckness than short form projects which require less commitment (though there are certainly plenty of ways we can get stuck with short projects too).

In this third post, let’s talk about some additional approaches I like to use when it comes to putting projects in order of “best fit” to “least best fit for now” and also about some intuitive approaches to choosing a project.

Let’s start with project ordering.

** Check out the newly updated version of this series available
for download here (or scroll to the end of this post) **

Putting your projects in “order”

I help my clients get through project choosing paralysis by helping them think about which project comes first. This is important because many writers who are overwhelmed with choices and concepts and ideas feel attached to all of them and petrified by the idea of “giving up” any of them.

It feels like letting someone you love die, or choosing to marry one suitor and rejecting the other.

But this is more like having serial, monogamous relationships. It’s about choosing which project you’ll work on now, all the while holding in mind which one will come next, and then next again. 

And yes, this works when you’re working on a series, but it also works even if you’re working with stand-alone, single-title projects.

The core idea here is to develop a project queue — a list of your projects in an order that you’ll work through. (And yes, of course it can and will change over time, it’s just to help you choose the first one NOW, and to have a sense of what comes next, to calm down the part of your brain that freaks out about missing out on something.)

To put them in order, you can use a number of a different methods, including using decision criteria like those I described last time (like those being the operative phrase; it’s important to come up with criteria that work for you, your brand, your writing career, your lifestyle, etc.).

You can also use intuitive decision making methods instead of or in conjunction to the decision criteria that help bring forth your own best inner wisdom about what comes next.

For me now, a lot of this happens semi-consciously, because I’m constantly sorting and sifting through my projects in the back of my brain, but it’s worth discussing in detail if you’re struggling with a choice.

Using intuitive decision-making methods

  1. My head says / My heart says. One of my favorite ways of helping my clients choose projects is to hold their collection of ideas in mind and then verbally fill in the blanks of these two statements, in turn, SAYING OUT LOUD THE FIRST THING THAT COMES TO MIND.

    For the first statement, “My head says,” keep your eyes open and complete the sentence out loud: “When it comes to choosing my next writing project, my head says … ”

    For the second step, “My heart says,” take a deep breath, let your head drop to your chest, put your hand over your heart, close your eyes and complete this sentence, also out loud, “When it comes to choosing my next writing project, my heart says …” Just notice what comes and notice how it feels. Sometimes they’ll match. Sometimes they won’t. But your heart will have the true knowledge, if you allow it to speak.

    Note that this exercise works best when you have someone to listen and hold the space for you, like a coach, mentor, or trusted friend. Deeper truths tend to emerge in the presence of a caring witness. (Thanks to Sonia for this one.)

  2. Follow your fear. Another one of my favorite methods comes from Steven Pressfield. In a video interview I saw of him, he said, “Figure out what scares you the most and do that first.” The wisdom here is that our fear can be an incredible guide to exactly the next best place we need to go to grow as writers. We would not be experiencing the resistance and fear unless there was something very important lurking in that direction. So you check in with your project list to see which one scares you. Consider heading in that direction first.

    I can still remember facing what I thought was my biggest fear, working on a non-fiction project, when a friend of mine said to me, “I don’t think that’s the one that scares you the most, I think it’s the fiction project.” And of course when I looked deeper, she was right. So I turned to writing my first script instead, about a painful issue that was so terrifying to me I had gone numb to it. (And that is one of the stultifying effects of fear by the way — it can make you believe you don’t care or feel nothing when in fact you feel “too much”, so again, having a witness can be an important part of this process.)

  3. Light / heavy. With an unordered or ordered list of possible projects, without overthinking, zip down your list and make note of which projects feel light and which feel heavy. The “lighter” projects are usually good bets and you can move them to the top. Keep in mind that in relationship to method #2, “light” doesn’t necessarily mean not scary, nor does “heavy” necessarily mean it is scary. Try using these two methods separately and see what happens. Oftentimes there’s a useful overlap that is quite clarifying, and although they may seem counter to each other on a logical level, remember that we’re using intuitive methods here. :) (Thanks to Isabel for teaching me this one.)
  4. Project into the future. Have a little chat here with your future self, about which is the next best project for you. Remember that s/he is already living it, so s/he’ll have the perfect 20-20 hindsight to best advise you. Close your eyes, imagine meeting your future self in a cozy spot, and just ask, “What’s my next, best project?” The answer may surprise and delight you — and may knock all the other projects well down the totem pole! (This happened to me just a few nights ago.)
  5. Pay attention to what catches your eye. As you hold your list of projects in mind and move through your day and your life, notice what shows up, whether through other people’s words, what you read or watch, or things you see in your day-to-day world. Sometimes a little nudge of clarity is all we need, and when we pay attention to the confluence of information and ideas and experiences we have, something will crystalize into a “Yes!” for a particular project above the others.
  6. Do something repetitive. One of the best ways to access your own inner wisdom and intuition is to do something repetitive. So ask yourself, “I wonder what my next project will be?” or “What’s the next best project for me?” and then go for a walk, take a shower, scrub the floor, work out, or do something else that’s physical and repetitive and just let your brain give you the answer whenever it’s ready. Part of this is about trusting the process, giving it time, and knowing that the next project will be clear in its own right and perfect time.
  7. Notice which project bubbles up to the top. My favorite way of choosing a project is to just let them all circulate around in the back of my brain and see which project(s) start attracting new ideas and clarity and bubble up to the surface. Certain projects just seem to have the energy and drive to rise above the others. I’ll usually have a favorite or two, a sense of which seem like the best candidates, and then wait to see what happens, and usually one emerges, just in time for the next writing rodeo.

Can you imagine using any of these tools to help you choose your next project? 

Now that we’ve come to the end of this series, do you have any lingering questions or specific challenges about how to choose your next project? Ask me a question in the comments section on the blog and I’ll be happy to try to help!

And if you’re catching up, start here:

Thanks so much for reading!

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Download the Newly Updated Guidebook Version Here

There’s an updated version of this post and the two others in the series, assembled into a How to Choose Your Next Book (Or Screenplay) Guidebook with an overview of the process in a PDF format, along with a workbook in a PDF and RTF format. You can import the RTF into Word or Scrivener and work with it there.

Click the image below to download the Guidebook now.

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Choose a writing project with decision criteria

October 14, 2015 by 4 Comments

Today I’m continuing a series I started last week about choosing writing projects. This is the first post of the series where I’m delving into HOW to choose a project. In the last post I wrote about the issues and challenges that tend to come up for writers around choosing a project and what underlies them (spoiler alert, it’s often some kind of perfectionism!) so that we can start to shift how we’re thinking about it.

** Check out the newly updated version of this series available
for download here (or scroll to the end of this post) **

More on mindset first

But first, a bit more on mindset before we explore “decision criteria”:

I remember when I started the ProSeries at ScreenwritingU in 2011. I was concerned about picking the “right” project to work on. And I remember that our instructor (Hal) seemed to be relatively unconcerned about my choice, which at the time I found somewhat disconcerting. Hindsight being 20-20, however, I can see now WHY he was unconcerned. He knew that — especially for someone like me, a then newbie screenwriter — it didn’t actually matter that much what I chose. It would be a learning script, and if I continued screenwriting, which is of course an assumption of the program, it would be one of dozens of scripts I would write.

It’s hard to hold that in mind when we’re choosing projects, especially because of the things we talked about last time (“It’s so much work!”  “What if I choose the wrong one?!” etc.), but if we take an eagle’s eye view of our writing careers we can see that yes, this next project will be just one of many projects we work on in our lifetimes. Will it be a best seller or a runaway hit? Maybe, maybe not. But you can see that if you try to choose on that basis alone, you might get somewhat paralyzed.

Enter criteria

Hence the concept of criteria.

When you use criteria to select a project, you systematically narrow your field of ideas using a list of criteria that you choose in advance to help you make the decision.

Everyone has to choose their own criteria, there’s no point in me telling you what they “should” be. I can, however, share with you some of the criteria I use and think about (and why) so that it might spark your thoughts about your own.

(Side note: I’ll write about OTHER methods to choose projects in the rest of this blog series, including some intuitive methods. So if this particular method doesn’t resonate for you, not to fret, there’s more to come.)

Okay, so on to project selection using criteria.

Start with where you are right now

The first step is to think about where you are in your writing career and what you are hoping to accomplish. 

For instance, are you trying to:

  1. Establish yourself as a writer?
  2. Figure out your brand?
  3. Choose your first project?
  4. Build an audience?
  5. Break into Hollywood?
  6. Something else?

I think you can see that each of these intentions have different outcomes, and so a project to fulfill them would ideally be picked with a specific intention in mind. And since the project you might choose to build an audience may be very different than the one you might choose if you are working on figuring out your brand, you’ll use different criteria depending on what you are hoping to accomplish in order to narrow the field.

Have a list of projects

Also, assuming you’re a writer with a ton of ideas you’re trying to pick from, you’ll want to have a list of projects that you can refer to as you make your decision. (If you’re a writer who is struggling to come up with an idea — any idea! — that’s a different issue that we’ll have to tackle another day.)

Choose your writing project criteria

Here are some ideas I’ve used for writing project decision criteria (and I like to frame mine as questions). Although I’ve listed quite a few possible criteria, I ask my clients to come up no more than three to five criteria to when we make their project choice. More than that and they just get overwhelmed.

I’ve listed more than three to five here to give you some ideas of various criteria I’ve used at different times to get you thinking about possibilities for yourself.

  • Would I be thrilled to write this project? First off, I want to think about my attachment to the project. As long as I’m committing to a long form project, I want to ENJOY myself. This is my life after all, and it’s too short to waste doing things I don’t feel excited about. (You can also use the question from The Life Changing Magic of Tidying Up, “Does this spark joy?” as an alternate here.) This is about thinking about your level of passion, curiosity, interest, and attachment to a particular idea.
  • Does this project have a high level of clarity for me? Even though I love most of my project ideas, certain projects have more clarity for me. I know what they are about. I know why I want to write them. I know who the characters are. I know what the basic story is. If I don’t know those things, perhaps I still have a good sense of the concept and feel that it will be relatively “easy” to develop, as opposed to something that has a lot of blank spots in it and feels hard and/or overwhelming.
  • Is this project marketable and/or high concept? Going in, I want to have a sense that the project will have legs in the marketplace. This can mean a number of things, for instance, that there’s a trend or market interest in a specific genre, or that there’s kind of a built-in audience with a high level of demand for a specific kind of project. Personally, I’m not that thrilled about chasing market trends because I know that they can change and/or that I might not catch the wave at the right time (I’ve read that what’s on the marketplace book-wise right now was bought 18 months ago). However, I do like to know that there’s a potential audience for what I’m writing, like time travel (my favorite!). I also like to know that I have a high concept if at all possible — a project that people instantly “get” and want to know more about.
  • Does this project fit within my brand? Although there’s a lot of resistance to branding, it’s particularly helpful in the screenwriting world. This is because it helps potential buyers of your work recognize you in the field of writers. Without a brand, you’re just one of many in a sea of thousands and thousands of writers. With a brand, people start saying things like, “Oh, yeah, I know a sci-fi writer, you should talk to Jenna Avery.” So it behooves me to stick with projects that support and enhance my brand.
  • What’s the potential budget for the project? If I’m picking a screenplay to work on (as opposed to a novel), I’ll look at the potential budget for the project. I do this because I want to flesh out the slate of work I have available. Right now, I have two spec scripts that are on the high end for budget, so for my next spec script, I’ll want to choose something in the low- or mid-range. Other writers might choose to always write high or low budget. Remember, I’m not suggesting that everyone should do what I’m doing here, but I’m rather sharing the things I think about with the hopes that they spark ideas for you.
  • Does it lend itself to adaptation? As a sci-fi screenwriter, I’m looking at writing novels and novellas that lend themselves to the screen, in that they are cinematic stories, structured like screenplays, and lend themselves to future adaptation for the screen. I’m exploring this option because oftentimes it’s easier to pitch a screenplay in Hollywood (especially a big budget script) that already has a loyal audience in book form.
  • Does this project challenge me as a writer and will it help me grow my writing skill set? I like to choose projects that help me grow. For instance, writing low budget sci-fi brings a whole new set of challenges (it has to be more character- than plot-driven). I had a fabulous time writing a low budget script on assignment over the summer simply because it pushed my edges as a writer and expanded my writing repertoire significantly. 
  • Will this project be easy to write? and/or Will this project be fun to write? On the other hand, sometimes when I’m on the more tired side, perhaps because I just pushed myself to write a complex, dark, or heavier project, it’s nice to pick the next one to be on the “easier” or lighter side (notice I said easier, not easy) to create a sense of balance for myself. 

Notice that most if not all of the questions have fairly simple Yes/No answers, they either are or are not true. And again, I wouldn’t use all of these, I’d pick three to five to use, depending on what I was hoping to next accomplish in my writing career.

From here, I’d narrow my field of questions, then go over my list of potential projects, and see which of them meet the criteria. Then I’d sort them into an order and see which of them, if any, naturally rise to the top and/or fit the most criteria. 

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Over the next post or two, I’ll write about putting projects in order of “best fit” to “least best fit for now” and a few more intuitive approaches to project decision-making. In the meantime, let me know what you think about using criteria to choose your project. Can you see any questions or criteria emerging for you that might help you choose what’s next for you?

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Download the Newly Updated Guidebook Version Here

There’s an updated version of this post and the two others in the series, assembled into a How to Choose Your Next Book (Or Screenplay) Guidebook with an overview of the process in a PDF format, along with a workbook in a PDF and RTF format. You can import the RTF into Word or Scrivener and work with it there.

Click the image below to download the Guidebook now.

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Where Writers Get Stuck Choosing Writing Projects

October 8, 2015 by 6 Comments

An issue a lot of writers get stuck on is choosing.  Choosing what to write, what to focus on, which project to start with. I’ve seen writers longing to write but feeling paralyzed about making a choice. They come up with endless numbers of ideas but reject one after the other upon closer examination, or commit but then quickly run away screaming, or commit but then self-sabotage by hopping between projects or ditching it altogether and starting something new. This is the first in a series of posts about choosing writing projects and different ways of approaching it, and we’re starting with how it happens and why it’s a problem. As with most things with writing, I don’t think there’s one right way to do it, but it’s worth talking about because for a certain brand of writer, it’s a huge issue. (Other writers don’t seem struggle with this at all, but face other challenges!)

** Check out the newly updated version of this series available
for download here (or scroll to the end of this post) **

Where we get stuck choosing writing projects

Let’s talk about where writers get stuck choosing writing projects.

  1. Being afraid of choosing the “wrong” project. This is sort of the blanket, one-size fits all category for writing selection paralysis. It usually ties into a fear of one of the other issues following, like worrying that we’ll get into a project only to find that it loses its gleam and then we’ll wish we’d chosen a different one, or being afraid of wasting time and energy on something that doesn’t have legs, or being afraid the best selling project will be the one we DON’T choose. The idea here, is that there is somehow a “right” answer or a “right” project to choose. I take comfort from a notion I came across once that we must learn to trust that ALL our projects share a convergence of theme, thought, or concept (they come from us after all!) and that whichever project we choose at any given time will become the “right” vehicle for us at that point in our writing careers.
  2. The potential disappointment of giving up on another project or projects. Usually writers with this “I don’t know which one to choose” issue have tons of ideas and interests and project concepts and they are terrified to let any of them go.What I’ve found most useful so far for dealing with this concern is the idea of a “project queue”, that is, having a running list of projects in an approximate order that you’ll work on them. Sure, they might jockey for position a bit and one might miraculously appear that knocks the others down a peg or six but it reshapes the terror that we must choose ONE project to work on into choosing the project we will work on FIRST.
  3. Being afraid of investing a ton of time and effort into a project only to have a (or yet another) project that doesn’t go anywhere. This is a big one, especially for those of us who have been around the block a few times with writing projects. We know what rewrite hell looks like, up close and personal-like, and it’s no fun. So we hesitate about diving in the way we might have been willing to do earlier in our writing careers.Thankfully, I’ve noticed for myself that as my writing skills grow, my ability to write cleaner drafts (closer to what I intended for them to become) is increasing. I’m also noticing that I have less fear about how long something will take, now that I’ve learned how to outline better, break things down into smaller chunks, track my work, and just plain old write faster. So there’s that. And yeah, it’s a ton of work, there’s no getting around it. For me, this falls into the category being willing to invest in myself and my writing. As far as something possibly not going anywhere, well, I’m starting to think that’s the price of admission to a writing career. There are no guarantees — this is art after all. We can rewrite, we can do our best to consider marketability, and we can elevate our projects as much as we can. And sometimes? Sometimes it’s just a learning project. 
  4. Worrying that a project will not be marketable or good enough. Speaking of marketability, I also see writers getting paralyzed by whether or not there is a market for their idea or if they will be able to write it well enough. The marketability piece seems easier to me to address with some research and study of what’s selling in your genre or form.As far as being “good enough” goes though, the only way out is through (that means actually writing and then writing more). I console myself on this front with Malcolm Gladwell’s 10,000 hours rule for mastering a craft. I also think we have to find a balance of pursuing what appears to be marketable (I’m not one for chasing trends, but rather understanding what makes a book or a script work for an audience) and following our own curiosity (Thank you Elizabeth Gilbert!) and interests and ideas into the places they are calling us.

What underlies these issues is fear, of course, which is pretty much the only problem that gets in the way when it comes to writing. And a big clue here is the word paralysis. Underlying paralysis we will often find its close cousin, perfectionism. And perfectionism is, of course, driven by fear.

The perfectionist’s safety net

What happens when we don’t choose a writing project to focus on is that we hop from project to project, always starting something new and never finishing anything. Or we try to juggle multiple projects at once, working a little bit on this one, a little bit on that one. The result is the same with either approach — no finished project, no feelings of completion and accomplishment. Also? The world doesn’t get to see what you’re creating. And there’s the safety net — if we don’t finish, we don’t have to share, and we don’t have to face possible rejection, ridicule, or failure. Not finishing (and sometimes not even starting) is a perfectionist’s safety net. That’s the “upside” of not choosing. 

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In my next post in this series, I’ll share some ideas about HOW to choose projects. 

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Download the Newly Updated Guidebook Version Here

There’s an updated version of this post and the two others in the series, assembled into a How to Choose Your Next Book (Or Screenplay) Guidebook with an overview of the process in a PDF format, along with a workbook in a PDF and RTF format. You can import the RTF into Word or Scrivener and work with it there.

Click the image below to download the Guidebook now.

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The opposite of resistance is insistence

September 21, 2015 by 2 Comments

Overcoming resistance to writing requires more effort initially than it does later on, particularly if you build a writing habit and get into the swing of doing it every day without question, like brushing your teeth.

Before that — and sometimes even after you have a writing habit in place — one of your best tools for fighting resistance is insistence.

I suppose it’s a kind of willpower but I think of it more as a blazing piece of magic and determination that tells resistance: “YOU SHALL NOT PASS!”

Insistence means drawing a line in the sand and saying, “I WILL write today!” even if that looks like aiming for your rock bottom minimum of fifteen minutes or 350 words or whatever you’ve identified as your “no matter what”.

Insistence doesn’t have to be a ruthless warrior either. She can also be a gentle goddess, coaxing you to the page, kindly insisting that yes, indeed, you can write today, even just for five minutes. She’s the one that helps you set the timer and get the file open and start typing.

There are days when insisting that I write feels exhausting, like one more thing to do on my overly full plate. But there’s a deeper part of me that feels relieved and satisfied when I show up and do it.

Release the joy

I believe that writing is a calling. Something we can’t not do. It doesn’t come easy for all writers. For many of us, resistance is so overpowering that we begin to believe perhaps we just don’t care enough about writing to actually do it.

Here’s the thing. Where there is resistance, there also is passion, secret joy, energy, enthusiasm, and delight just waiting to burst out, to be freed from its prison.

You are the one with the power to release it.

Gently insisting that you will write today, even just a little bit, begins to break down the dam that holds back all that joy.

Is writing always joyful?

Will you feel joyful while you write?

Maybe not.

Perhaps it’s the pessimistic side of me but I often feel more like a terrified deep sea diver putting on her scuba gear when I sit down at my desk to write. And while I’m underwater I focus on doing the work, as if the sharks and other unseen terrors might be show up at any time. And it’s hard work too, extracting ores and hauling buried treasures back to the surface. It’s only once I’ve returned to the surface, pulled off my gear, and taken a breath of fresh air that the relief and joy erupts through me.

I’m okay with that. But sometimes, I need a little insistence to help me get past the fear of facing all that hard work. :)

 

What about you? How does insistence help you show up and do the work?

 

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Today is the perfect day to clean your writing desk

September 9, 2015 by 2 Comments

Ordinarily I recommend writing first and cleaning later. I stand by that today, too. Do your writing, then clean your writing desk.

But today is still a good day to clean your desk.

Here’s why.

As Fall takes shape, you’re likely to start experiencing that “back to school” energy we all usually start feeling around now. You’re probably even be feeling it already.

If you’re like me, you’re might be right between that lazy summer-just-ended feeling and sensing the forces of Fall coming down the pike. My older boy just started school and I can tell that I’m about to get swept up in the wave of production that usually strikes around now.

But it’s not quite here yet, at least not for me — today might actually be the first time I’m really starting to feel it as opposed to just knowing that it’s coming.

Whether you’re still in that in-between place, or ready to Get Moving, cleaning your space of the accumulated muck that’s built up over the summer is a perfect way to transition into this productive phase and be ready to make the most of it.

For desk cleaning, here are a couple of tricks that work for me when I have limited time:

  • Triage the mess and sort it into what-goes-where piles. Hopefully a lot of it will go straight into the recycling bin. One of my favorite tricks from Miriam Ortiz Y Pino is to use a “Belongs Elsewhere” box that I can toss things into that belong elsewhere in the house but have snuck into my space over time (those evil little monsters!). 
  • Put away what you can right now.
  • Put the rest into a stack to sort later.
  • Clean the desk surface.
  • Behold the magnificence of your clear workspace.
  • Get back to the writing. :)
  • Over time, develop a system for the what-goes-where issues you discover as you clean and so the mess is less to deal with next time. (Miriam is great at helping with this. One of the best things about my office is that even though it’s messy on top right now it’s well organized underneath the chaos.)

And while you’re cleaning, here’s something to contemplate.

It’s also a really good time to think about what you want to accomplish between now and the “end” of the year.

And let’s be realistic about that for a moment, shall we? 

It’s not really December 31st for most of us that marks the end of the year. Realistically, it’s more like late November or early to mid December somethingth. Because Thanksgiving rolls around, the kids are out of school for a couple of days, then suddenly you’re in holiday mode. And sure, you’ll still get stuff done (I always do something special to mark the end of the year for my online Writer’s Circle coaching program for instance), but let’s face it, you’ll also have one foot in holiday parties and shopping and the like.

(Unless maybe you’re a true writer-hermit type, in which case you’ll probably benefit from everyone else being so busy since you’ll have all kinds of quiet time to yourself. :) ) 

So really, it’s a great time to not only kick it into high gear with this back to school vibe, but it’s also smart to think about what you’re hoping to accomplish before 2015 rolls out like the tide.

You’ve got about three and a half months, give or take, before the holidays really start taking over the collective.

What are you aiming to accomplish before then?

While you’re cleaning your desk, you call mull that one over and think about where you’d like to be at the “end” of the year.

And you’ll have a nice, clear space to get to work in, too. :)

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Join the Writer's CircleIf you want to make the most of the coming months in terms of your writing, consider joining the Writer’s Circle. One of my writers just today told me what a magical place it is for her. I couldn’t agree more! Writers who’ve struggled for ages to write regularly find that if they commit to showing up daily in our online program, it doesn’t take long before they are moving mountains with their words. Come join us. The next session starts on Monday, September 14th, and registration closes THIS THURSDAY (that’s tomorrow). Find out more and register here: http://JustDoTheWriting.com

 

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Survey says . . . !

September 7, 2015 by Leave a Comment

I haven’t really taken a proper day off this Labor Day weekend, though we did get to take the boys swimming up in warm Sacramento on Saturday, which was lovely. I hope you’re having a terrific Labor Day if you’re off work today. 

What’s been preoccupying me lately is been looking over the results of the survey (and packing up books for our winners, so fun!).

It’s been fascinating to see how the answers spread out in response to the question, “Do you struggle with any of the following with your writing?“

Here’s a look at all the survey results for this particular question (click the graphic to open it up into a larger window):

Do you struggle with any of the following with your writing?Survey Results

 

Over 71% answered “procrastination,” which doesn’t surprise me. Interestingly, 71% of you also said you felt called to write “without a doubt”.

Isn’t that an interesting statistical match up?

The statistic that really stands out to me though, is the second one in the list, which comes in at 44% — “Jumping from project to project and never finishing anything“. 

It’s worth talking more about why this happens and what to do about it, but I’ll give you a hint right now about what underlies that “habit”: Perfectionism coupled with self-doubt and normal resistance (but perfectionism takes the lead).

And of course “Wishing you had more time” comes in close behind it at 38%.

The next batch of highest ranked challenges makes an interesting collection too:

  • Thinking you aren’t creative enough or don’t have good enough ideas, 35%
  • Not feeling like a “real” writer, 35% 
  • Being too busy with work, 34% 

Followed closely by:

  • Struggling to find big blocks of time to write, 31%
  • Feeling that you need more training, 29%

Can you relate to any of these?

Some of these are “trick” questions of course, and I’ll be telling you more about why that is when we talk for the teleclass. (N.B. I’m postponing this class until later in the fall and will keep you posted!)

The answers that were “other” included things like:

  • Insecurity and self-doubt
  • Being afraid to finish because of being unsure what to do next
  • Feeling like no one will want to read what you write
  • Feeling under-skilled and ignorant
  • Failing to set firm boundaries around your writing time
  • Feeling depressed because of other life issues
  • Not getting up early enough or scheduling writing time 
  • Struggling with organizing and editing 
  • Perfectionism
  • Not enough income

And of course I have thoughts and suggestions about how to deal with all of these too, which I’ll aim to discuss in the teleclass.

Thanks to everyone who participated! 

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Join the Writer's CircleIn the meantime, if you’re struggling with any of these challenges, my best solution (and/or doing private coaching with me) is my Writer’s Circle group coaching program. The next session starts this coming Monday, September 14th and we’d love to have you join us! 

 

 

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Cool (and free) expressive business writing retreat this Friday

August 24, 2015 by Leave a Comment

Isabel ParlettMy colleague and friend Isabel Parlett is hosting a very cool (and free!) business writing retreat this Friday, August 28th starting at 9 a.m. Pacific Time (noon Eastern) that I want to make sure you know about. It’s designed to help you “wake up your writing and get the words flowing,” and I think you will love it if you’re looking to write business copy more freely and with more fun.

Isabel is amazing with “message” work — helping business owners find the deeper core message of what you are here to do with your business, and as a dancer, she also is incredibly inspiring about how she gets writers to free up their bodies and write more from their hearts and souls when it comes to business related writing.

You can expect to dance, move your body, and WRITE for much of the half-day program.

You can find out more about the program and sign up here: 
http://soundbiteshaman.com/express-your-wild-spirit-retreat-2015

 

Note: I’m not an affiliate and I’m not receiving compensation for this. I’m just telling you about it because I adore Isabel and I think you will love her work. :)

 

 

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Share your input + be entered to win

August 12, 2015 by Leave a Comment

I’m working on prepping a class called “Called to Write: How to Align Your Daily Actions with Your Soul’s Deeper Purpose” and I’d love to have your input.

If you can spare a few minutes of your time to fill out a short survey, I would be grateful!

Everyone who participates will be entered into a random drawing to win a print copy of The War of Art or Turning Pro, two of my favorite books by Steven Pressfield. Multiple copies are available, courtesy of the lovely Callie Oettinger at Black Irish Books, so there will be multiple winners!

The drawing will be held on Wednesday, August 26th and winners will be announced then.

You can enter the drawing and participate in the survey by clicking here.

Thank you so much!

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What if you treated your writing like a business?

August 5, 2015 by 4 Comments

I seem to have a business mindset at the forefront right now (see my post from last week about criteria for bestowing grants), which isn’t surprising when you consider that we’re going through a marketing phase in my screenwriting master class at ScreenwritingU right now.

Sonya commented on last week’s post saying, “[this] is very close to the same list of things investors want to see when considering an investment in a business; a book and author are no different for a grantor (or publisher, for that matter)! They are an investment, and a risk, to manage.”

It fits right in with this idea that’s been swirling around in my brain: What if we treated writing like a business?

When I was in my early 20’s applying for jobs, my father taught me to look at myself as a asset that I was bringing to the job interview. As if I was the CEO of my own small company, and it was up to me to make smart business decisions based on my skills, talents, and abilities, and to communicate about them objectively to my prospective employers. He also taught me to consider whether or not that employer was a good fit for me, not just whether or not I was a good fit for them. 

In other words, it had to be a good match for everyone.

It occurred to me that it might be interesting to think about our writing endeavors as their own kind of enterprise. After all, at the end of the day, many of really are writer-entrepreneurs, even those of us that get traditional publishing deals. 

I’m sure there are artists out there right now rolling their eyes, talking about art for art’s sake and all that.

But I don’t really mean this in a grasping, heavy-handed business-y / gross marketing kind of way. (Though I do believe in grounded, sustainable marketing as a valuable thing — I do not subscribe to the belief that all marketing is evil and wrong.)

What I mean is this:

  • What if we look at every writing project we take on as an investment, with pros and cons and viability to consider ALONG WITH our level of passion and artistic interest and commitment in it?
  • What if we make real, practical choices about developing our skills in order to do our best work, by evaluating our writing skills not with a fixed mindset, but with a growth mindset, and pursue training and mentoring accordingly?
  • What if we treat our writing like a professional commitment and show up every day to do the work?
  • What if we set specific goals for our writing projects and careers and check in on them monthly, quarterly, and yearly to see how we were doing?
  • What if we think about a project from start to finish, including how we will take it to market?
  • What if we wrote because we said we would, and didn’t wait until we “felt like it”?

Again, I don’t say any of this to suggest “selling out” or becoming overly commercial.

To me it’s more about the mindset of being a professional and taking our work seriously.

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And, as I write this, I also know that I love exploring the side of writing that puts the focus on the joy and passion of it.

I believe there is a lovely hybrid of business and pleasure that feels like a sweet spot for each one of us. That’s what I mean when I use the word “calling“. More about that to come in a future post.

I’d love to hear your thoughts in the comments on the blog.

 

 

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What would you require to give a writing grant?

July 30, 2015 by 8 Comments

I got to thinking today, after hearing about a writing grant opportunity recently, that it would be amazing to one day be able to fund and operate a writer’s grant program. Maybe even a residential one.

And instantly I started contemplating what I would want to see come in from prospective candidates with their applications.

Here’s what’s crossed my mind so far, in addition to the usual “proof of need” one might expect:

  • A specific writing project and a description of its current status, i.e. concept development, rough draft, in rewrites, etc.
  • A plan and timeline for completing it.
  • A pitch for the concept that gives a sense of its marketability, audience, and reach.
  • An outline of the writer’s plan for marketing the project.
  • Possibly also a slate of ideas for future writing projects.
  • An amazing writing sample demonstrating the writer’s potential.
  • A personal introduction that gave a strong sense of who they are as a person, in terms of their spirit, drive, passion, and personality.

I imagine this might be something similar to what a publisher would want, though that’s an area I haven’t explored yet. Some of these things might be of interest to a screenwriter’s manager as well.

What would be on your list?

I’m curious, if YOU had the money to give, what would be on your list of what you’d want to see from prospective candidate for a writing grant? Or if you were advising me on how to make sure I would attract and select writers best suited for making the most of a writing grant, what would you suggest?

Don’t get me wrong, I’m not accepting applications yet nor will I be in a position to do something like that for the foreseeable future but I’m interested… :)

Can we use this now?

… Because:

What if we had those things right now for our current writing projects?

Would they help move us forward with a clearer sense of purpose, drive, and momentum? Or not?

What would it be like if we did?

 

I’d love to hear what you think.

Tell me in the comments!

 

 

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