Ask the Coach: Odds & Ends – Finding Your Voice, Getting Unstuck, and Abandoning Scripts for Books – On Script Mag

Welcome to the latest installment of my “Ask the Coach” column on Script Mag! This month, I’m addressing a collection of shorter questions about Finding Your Voice, Getting Unstuck, and Abandoning Scripts for Books.
 
“I think I need the most help with networking and finding my voice as a writer. What are some ways to find your voice and churn out script after script?”
 
“I have the concept of my script and my characters broken down but when I’m writing I get stuck at times. What can I do to keep my creative juices going in the process of writing my script?”
 
“How do I know if I should just ‘give up’ screenwriting and focus only on writing books? I’ve been writing screenplays on and off for 10 years… so tired of all the ‘It’s not ready’ B.S. but I still have many screenplay ideas. Thanks!”
 
As writers, we have a lot to navigate, from sorting out who we are and want to be on the page, to getting unstuck and keeping our creativity alive, choosing our creative projects, and more. My intention is to give you perspectives, tools, and questions to help you keep moving forward as a writer. [more…]
 
As we write, we build confidence in ourselves, which is expressed through our voice on the page. Therefore, to find your voice as a writer, writing itself — frequently — is the best pathway to pursue.
 
 
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Lum3n from Pexels

When to Write and When to Call It a Day

I’ve been sick too much this year, and thought it worth revisiting one of my favorite articles from 2013 on “when to write and when to call it a day.” Here’s an updated version for you:

During a live coaching call for my Called to Write community, a writer once asked about how to know when to push through and write if you’re not feeling well versus how to know when to focus on regaining your well-being.

In my opinion, the answer depends a bit on the circumstances, so let’s look at some specific scenarios.

1. You’ve just come down with a wicked cold or flu.

Assuming you have a solid, regular habit in place, when you get really sick or you’re just those early stages of wretchedness, it’s okay to take a few days off from writing, knowing that you’ll get back to it as quickly as you can.

When I’m feverish, wiped out, or worse, I know the most important thing I can do for my body is to rest and heal.

I have found myself writing even while sick at times — because I felt truly drawn to work on my piece — but in this case my focus is very much about listening to my body.

This is very much like being an athlete, and knowing whether or if to train when you’re sick or injured, and when to take a day off.

I also trust myself enough deep down, after months of regular writing, to know that I’ll re-establish my habit as soon as I am able, usually within 2 to 3 days. The longer you’re away from your habit, the harder it is to get going again, so it will behoove you to pay attention to starting again quickly, even if you start small, such as in 15 minutes a day.

2. You’re going through a rough patch in your life, you’re generally tired or run down, maybe you’re not sleeping very well, or maybe you’re mildly sick.

On the other hand, if the chips are down and you’re having a rough time in your life, maybe you aren’t sleeping well, or maybe you’re getting better from that wicked cold or flu, I’m inclined to recommend that you simply ease up on your writing time a bit, but still keep writing. When I’ve gone through particularly difficult phases in my personal life, I’ve made a point NOT to stop writing, but to carry on at my “rock bottom minimum” level of writing.

As a writer, it’s worth knowing what that minimal level of involvement is with your work for you — the amount of writing that will keep you engaged and connected to the work. For me, it’s a minimum of 15 minutes of writing a day, even if it’s morning pages just to keep writing flowing, though ideally it’s on my main project. For another writer, it might be 5 minutes or 60 minutes. It varies between individuals, but the point is, know what YOU need to do to sustain your connection to the work even during a challenging phase.

I gained tremendous confidence and strength from seeing myself commit to and show up for doing the work every day, no matter what.

In concert with easing back to your minimum, when you’re going through a phase like this, make a point to ramp up your self-care. Put sleep, healthy food, good hydration, fresh air, and exercise at the top of your list and get yourself back into balance. But do stay connected to the work.

3. You’re in a bad mood or someone said something terrible to you and your confidence is shaken.

A common refrain among writers — particularly those of us who are more sensitive and easily affected by other people and experiences — is “I’m just not in the right mood to write today.” This can particularly come up if you’ve lost confidence because of something someone said about your writing or if you’ve been hooked by the Comparison Monster (“Everyone else is doing so much better at this than I am!”), or even if you’re just in a crummy mood.

Hear this now: There’s a difference between self-care and mood.

Being in a bad mood is NOT a good reason not to write.

Let’s face it, you wouldn’t be here, right now reading this, if writing was easy to do.

As Steven Pressfield says, “It’s not the writing part that’s hard. What’s hard is sitting down to write.

Don’t let a bad mood or a rough day become an excuse not to write.

There are far too many reasons to resist and procrastinate about writing, and if anything, I think we need to err on the side of writing more regularly and consistently than not.

As Brian Johnson says (via Jack Canfield), “99% is a bitch. 100% is a breeze.” So hang in there, do the work, and make it easier on yourself. (A side note: A weekdays-only practice at 100% works.)

You’ll most likely be pleasantly surprised that your level of productivity and your ability to create are not at all related to your mood.

In fact, you may find — as many of our Called to Write members do — that your mood may well shift when you write anyway, and if even if it doesn’t, you’ll still have demonstrated your commitment to yourself, which is deeply affirming and happiness-building.

(See also my post called “You Can Change Your Life in a Split Second.”)

4. You’re going through a painful period of loss, grief, or personal anguish.

At another end of the spectrum is experiencing an extreme loss — like a death of a loved one. When my grandmother died in 2012, I felt as though I was in another world — approaching the veil of life and death on some level — and I found it very difficult to write fiction in yet an entirely different world. So I choose to take a few days off from “real” writing, though I did do a tiny bit of tinkering with my script one day.

On the other hand, Steven Pressfield recommends writing even during times of “personal anguish” in his excellent post of the same title.

He says, “I’m not saying pain is good. I’m not advocating screwing up our lives for the sake of art. I’m just making the observation that our genius is not us. It can’t be hurt like we can. Its heart can’t be broken. It’s going to send the next trolley down the track whether we like it or not.”

My experience is that those few brief days of being between worlds while in grief are the only spans of time in which I have felt truly unable to write, and then, just as I’ve said above, I still get back to writing as quickly as possible.

5. You need to refill your creative well.

All this said, I am a firm believer in taking big “put my feet up” days off. I love to pick out a day on my calendar when I can feel the need building up, that I block off “just for me.” I take my son to school, and then proceed to do whatever I feel like doing, which usually involves some combination of a fantastic herbal or decaf beverage, a movie in bed, a nap, maybe a meal at a favorite restaurant. It might also involve going shopping at a beloved and inspiring store, like an art store or museum shop. Whatever it is that feels inspiring and uplifting.

On these days, I fully, completely enjoy my Not Writing time, and I know I’m replenishing and rebuilding to dive back in the next day.

Your Turn

The bottom line, for me, is that each one of us needs to experiment, listen to our own bodies and inner selves, and find what works best for us. And, like I said, given the massive opportunities for resistance, fear, avoidance, procrastination, and self-doubt, my strong recommendation is to find a way to stick to your work as regularly and consistently as possible. What do you think? What works for you? Leave me a note in the comments.

Warmly,

 Jenna

You may also be interested in:

This article was originally published in January 2013 and has now been republished with revisions.

 

What to do when you come up empty

naomi dunfordNote from Jenna: This is a guest post by Naomi Dunford, my friend and business consultant who runs IttyBiz.com.

Although she’s writing from the perspective of business writing or blogging, her wonderful ideas for how to cope with “coming up empty” are useful for writers of all sorts.

Take a look and see what resonates as useful for you.

diamonds

Today, I completely ran out of things to say.

I wrote the introductions for my next seven newsletters.

I found quotes for the next month.

I wrote 53 emails, planned a trip, and took two sales calls.

And I called my mother.

I should note here that I’m writing this on a Saturday.

I’m sure it comes as a surprise to nobody, but at some point in this process, I completely ran out of things to say.

And poor you! You are sitting there, breathlessly waiting for your next instalment of the IttyBiz daily and I am dry. I got nothing.

Hmm.

It’s weird when this happens. You’re on this crazy roll, getting an absolutely stupid amount of stuff done, and you’re getting accustomed to the momentum. It’s like shopping in a crazy busy mall. You get into a flow of bam! bam! bam! Dodge, charge, pivot, go, turn, and then…

Silence. Motionlessness.

It’s like all of a sudden the people are gone and the stores are shut and you’re not entirely sure what you’re supposed to do now.

What you are supposed to do now

When you are experiencing temporary burnout, you must do something that is not work.

That something should be, at minimum, comparable in time and attention level as a chunk of work. If you would be working for two hours, you should take at least two hours away. If you would be working on something mentally engrossing, you should do something equally engrossing.

This seems obvious to those around you, and yet completely counterintuitive to you. You think that you should stay busy, stay occupied, get something useful done. You think that you should try harder, or get a coffee, or stare at your computer screen for a while in case that solves the problem.

Nope. This is one of those few situations where the majority is actually right.

All your idiot friends who tell you that you need to take a little break, step away from the computer for a while? Those ones who just don’t get it?

Yeah, unfortunately, it’s you who doesn’t get it. (Please bear in mind here that when I say “you”, I mean “me”.)

Time for some practical examples!

If you were going to work on outlining your next project, and it was going to be mentally taxing, you need something that will not only utilize a completely separate area of your brain, but something that will actively restore you. A movie, perhaps. A run, maybe, as long as you’re not the type who thinks while you’re running.

If you were catching up on your emails and it wasn’t going to be taxing, you can just do something dumb and brainless. Candy Crush: Soda Saga is a nice choice here, but if you’re stuck on a level, you’ll only get five minutes. But the movie option still works. I routinely TiVo Jeopardy! for situations like this one.

If you’re doing something that’s making you numb, like taxes, you’re going to need something energizing. Some kind of personal treat would be a good idea, ideally something that gets you far away from the source of the problem. Drop in on a yoga class or get an ice cream. Bonus science points if you go somewhere you don’t normally go – it activates the novelty parts of your brain and makes you more alert for a good while afterwards.

Some tips for taking a break:

1. One thing that I find really helpful here is setting a little intention before you take your big break. I say something like, “OK, I’m going to go watch Legally Blonde so I can give my brain a chance to fully restore. That way I can come back rejuvenated and ready to kick some ass.”

I avoided doing this for a long time because I thought it was cheesy. Then I tried it and it worked. Then I tried it again and it worked again. Once the third time succeeded, I had to admit that it was a good strategy for me. I value science over ego, and if it works, it works.

2. If you hate the task, you may want to admit it to yourself. I don’t hate this task, I love it, but there are plenty I don’t love. When I was recording launch multipliers in month 11 of BIG LAUNCH, after I’d already done it once before but my computer wiped the files? Yeah, those are the kind of situations made for “Oh my God I ****ing hate my ****ing job and I ****ing hate this ****ing product and I swear I am moving to Costa Rica tomorrow.”

Sometimes, saying exactly how you feel is remarkably cathartic.

3. On the other hand, if it’s just standard issue fatigue, try to put a positive frame around your break. This is not the end of the world. You’re in a line of work that drains your resources. Being periodically drained is hardly a state of emergency. Sitting around saying you’re soooooo drained and soooooo tired and juuuuuust caaaaaaan’t work is not helpful.

Pretend you work for a moving company. Those guys are tired at the end of the day, and they probably can’t lift one more thing. You know what they do? They drink some beer, watch some baseball, and put their feet up. They do not put in an emergency call to their life coach, claiming existential catastrophe.

Sit down, enjoy your Strictly Ballroom, and smile. Your rejuvenating, not injured.

4. Plan for it. If you’re in a periodically draining line of work, this is going to happen. It might be a good idea to have a plan and some supplies on hand so you can immediately shift gears when you’re feeling the signs.

People with diabetes plan for crashes. Parents of preschoolers plan for crashes. Don’t get superstitious about this.

The more you plan for a crash, the faster you can recharge, and the faster you can get back on your feet.

diamonds

Thanks for reading! Be sure to check out Naomi’s other guest post here about writer’s block. 

 

 

sleeping over laptop

Writing through exhaustion, sickness, and grief . . . or not?

It’s been a rough couple of months. My mother-in-law passed away at the end of January. I’ve managed to have two colds since then (yes, I know it’s only February 20th), and the second one has been a doozy. I wrote through the first cold. I wrote through her passing. It felt good to write. It became my solace, my place to turn to myself and remember who I am, even in the face of grief and exhaustion. I even finished the rough draft of a new spec script in the midst of all this. But by the second cold (all whilst taking care of a now 9 month old baby), I was pretty fried and quite simply too sick to do much more than a very low rock bottom minimum. 

As I’ve navigated the last 10 days in particular, I’ve found myself focusing on getting well and doing some minimal amounts of tinkering and research to stay in touch with various projects. And now that I’m emerging (finally!) from this Cold From Hell, I’m facing the need to reboot my own writing habit a bit. I’ll make a point to write about that next week. In the meantime, I thought you might enjoy this article (revised and reprinted from 2013) about making the choice about whether or not to write when you’re sick, have hit a rough patch in your life, have shaken confidence, are experiencing a loss or grief, or perhaps are suffering from a depleted creative well.

Enjoy!

During a live coaching call for my online writer’s community, one of our participants asked about how to know when to push through and write if you’re not feeling well, and how to know when to focus on regaining your well-being.

In my opinion, the answer depends a bit on the circumstances, so let’s look at some specific scenarios.

1. You’ve just come down with a wicked cold or flu.

Assuming you have a solid, regular habit in place, when you get really sick or you’re just those early stages of wretchedness, I think it’s okay to take a few days off from writing, knowing that you’ll get back to it as quickly as you can.

When I’m feverish, wiped out, or worse, I know the most important thing I can do for my body is to rest and heal.

I have found myself writing even while sick at times — because I felt truly drawn to work on my piece and it was nagging at me not to — but my focus is on listening to my body.

This is very much like being an athlete, and knowing whether or if to train when you’re sick or injured, and when to take a day off.

I also trust myself enough deep down, after months of regular writing, to know that I’ll re-establish my habit as soon as I am able, usually within 2 to 3 days. The longer you’re away from your habit, the harder it is to get going again, so it will behoove you to pay attention to writing again as soon as possible, starting out small, even just 15 minutes a day, and building back up to your full pre-illness writing glory over a few days time.

2. You’re going through a rough patch in your life, you’re generally tired or run down, maybe you’re not sleeping very well, or maybe you’re mildly sick.

On the other hand, if the chips are down and you’re having a rough time in your life, maybe you aren’t sleeping well, or maybe you’re getting better from that wicked cold or flu, I’m inclined to recommend that you simply scale back your writing time to get through it. I’ve been through many challenging personal experiences over the last several years as a writer, and I find that it’s much easier to keep writing at a rock bottom minimum level than it is to stop writing altogether (this is because it gets harder and harder to restart, the longer the not-writing goes on, as I mentioned above).

As a writer, it’s worth knowing what your minimal level of writing is — how much will keep you engaged and connected to the work? For me, it’s 15 minutes a day — that’s my rock bottom. For someone else, it might be 5 minutes or 60 minutes. The point is, know what YOU need to do to sustain your connection to the work even during a challenging phase.

Along with aiming for your minimum, when you’re going through a phase like this, make sure you increase your levels of self-care. Put sleep, healthy food, good hydration, fresh air, and exercise at the top of your list and get yourself back into balance. It’ll benefit your writing in the long term.

3. You’re in a bad mood or someone said something terrible to you and your confidence is shaken.

A common refrain among writers is, “I’m not in the right mood to write.” This can come up for all sorts of reasons, like having a bad night’s sleep or a bad day at work. It can also be a bit sneaky, and turn up when you’ve lost confidence because of something someone said about your writing or if you’ve been hooked by the Comparison Monster (“Everyone else is doing better at this than I am!”).

And what happens is that we start feeling like we need to take time off to rest or to get ourselves feeling better before we write.

But hear this now: Being in a bad mood is NOT a good reason not to write. 

There are far too many reasons to resist and procrastinate about writing already, we simply cannot allow our moods to be added to that list.

You may even be surprised to find that when you write on a daily or near-daily basis, your level of productivity and your ability to create are not at all related to your mood. Oftentimes writers find that their best writing and most productive days occur when they did not want to write. And besides, writing will often change your mood for the better anyway.

4. You’re going through a painful period of loss, grief, or “personal anguish”.

At another end of the spectrum is experiencing an extreme loss — like a death of a loved one. When my grandmother died in 2012, I felt as though I was in another world — nearer to the veil between life and death — and I found it difficult to write fiction in yet an entirely different world. So I choose to take a few days off from “real” writing, though I did do a tiny bit of tinkering with my script one day.

On the other hand, Steven Pressfield recommends writing even during times of “personal anguish” in his excellent post of the same title:

“I’m not saying pain is good. I’m not advocating screwing up our lives for the sake of art. I’m just making the observation that our genius is not us. It can’t be hurt like we can. Its heart can’t be broken. It’s going to send the next trolley down the track whether we like it or not.”

My experience is that those few brief days of being between worlds while in grief are the only spans of time in which I have felt truly unable to write, and then, just as I’ve said above, I still get back to writing as quickly as possible. I also believe it’s perfectly appropriate — important even — to allow ourselves time to grieve and be with whatever emotions are coming up. When my mother-in-law died recently, writing was my solace, as I mentioned. I also found great comfort in being involved with the writing of her obituary and the letter to our extended family. 

5. You need to refill your creative well.

All this said, I AM a firm believer in taking big “put my feet up” days off. I love to pick out a day on my calendar when I can feel the need building up, that I block off “just for me.” In my pre-baby days, I would take my older son to school, and then do whatever I felt like doing, usually some combination of a buying a fantastic decaf beverage, watching a movie in bed, taking a nap, and maybe going out for a meal at a favorite restaurant. Now, with a little baby in the house, my days off are even a little more home-centric, but still involve similar indulgences (a movie while he naps, something yummy delivered for lunch, and a long bath.)

On these days, I fully, completely enjoy my not-writing time, and I know I’m replenishing and rebuilding to dive back in the next day.

Your turn

The bottom line, for me, is that each one of us needs to experiment, listen to our own bodies and inner selves, and find what works best for us. And, like I said, given the massive opportunities for resistance, fear, avoidance, procrastination, and self-doubt, my strong recommendation is to find a way to stick to your work as regularly and consistently as possible. What do you think? What works for you? Let us know in the comments.

Warmly,

 Jenna