Ask the Coach: 6 Antidotes for Self-Doubt in Writing – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing a set of questions from a reader about managing self-doubt in writing.

“[My] fear of failure has several prongs for me:

1. What if no one likes my writing? I’m trying to make it as truthful as it is filled with emotion and colorful descriptions, but maybe it’s just me because I relate to it all.

2. I’m currently writing a memoir that involves some memories of my parents and their failures — but good memories also. I feel guilty/disloyal for writing about their failures, but to some extent that’s where the strength of the story lies.

3. What I create in my head as I’m falling asleep never seems to be as great when I put it into my computer.

4. I suffer off and on with imposter syndrome, but I usually like what I write in the end.”

This is a set of challenging questions so many writers wrestle with. It reads to me like issues of self-doubt more than a fear of failure, though the two are intertwined.

First let me say this: In working with writers all over the world, being a writer myself, and reading first-hand accounts of seasoned, professional writers, so many if not all writers deal with self-doubt and fear much of the time (including me).

Here are the 6 antidotes I discuss in my response:

  1. Use self-doubt as a clue that what you’re working on is important.
  2. Trust that truth transcends differences.
  3. Ask yourself empowering questions.
  4. With memoir, write for yourself first.
  5. Embrace the vision while also welcoming imperfection.
  6. Trust the process.

The real key to all of this is learning to manage the doubts and the fears so they don’t stop you from writing, and so that they don’t make the experience of writing miserable along the way, by triggering overwhelming negative self-talk, habitual procrastination, perfectionism, and even shame.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

The Many Faces of Procrastination, Part II

Last week I shared Part I of this post about the many faces of procrastination, and the underlying reasons it shows up. It’s not necessarily “just” writer’s block or laziness, which are the common explanations I hear.

There are actually a number of variations on the theme of procrastination, and it’s usually driven by something deeper, like feeling stuck, being overwhelmed, being hooked by perfectionism, or wrestling with past creative wounds that need addressing — some of the examples I wrote about last week.

Let’s look at a few more of these writing-stoppers that show up as procrastination.

You’re creatively confused.

Creative confusion is one of the most fascinating causes for procrastination I’ve come across (perhaps because it’s one of my personal “favorites”). Creative confusion will have you spinning in circles, not sure which direction to go with your story, considering multiple ideas and perspectives, and feeling unable to decide among them. It’s as if everything suddenly has equal value and there’s no differentiating them. 

Part of the issue here is empowerment. When you forget that you’re the architect of your story and that there’s not necessarily a “right” way to write it, it’s easy to get confused. Confusion can also be a smokescreen for the fear that you’ll get it “wrong.”

Antidotes: Make the shift into action by being willing to do the work of sorting through your ideas by putting them on paper and evaluating them as objectively as you can. One of the ways creative confusion keeps you stuck is that it all happens very quickly in your head. Get it down, and figure it out. And remember that you’re the one in charge. It can also be helpful to talk it through with a trusted coach or writing pal who has your story’s best interests at heart (not her ideas for what you “should” do).

You’re feeling apathetic about your book (or script).

Creative boredom or apathy is another one of these super tricksters that can keep you locked into procrastination. You don’t write because it feels like you’ve “just lost interest” in your story. Interestingly, this usually happens when you’ve just hit (or are about to hit) a major milestone with your story, or you’re about to tackle the next stage. What’s happening here is that a new level of fear is cropping up and putting the brakes on to minimize your risks of failure.

In other words, it ain’t about the story. 

Antidotes: Keep on keeping on. The only way out is through. While there may be passages in your book that are need work, that’s a storytelling problem, not “time to give up on the whole project” problem. This is the place to commit to finishing, no matter what.

This is also a great time to remind yourself of your Why for the project — why you started writing it in the first place. Sometimes just tracking back to the Why will be enough to get you in action again.

You’re having trouble deciding which book to write.

This kind of procrastination turns up when you know you want to write or feel ready to write but you can’t decide which story to work on, or you decide on one, only to change your mind in short order, usually telling yourself it’s not good enough in some way, then look around for something else to work on, only to dismiss that one too. And the next one after that.

This kind of procrastination can also look like coming up with a bazillion ideas to work with but not being able to choose among them. 

Antidotes: Check out my free downloadable guide about how to choose your next book (or script) using decision criteria and intuitive decision-making skills. You can also try one of my favorite bits of Steven Pressfield’s wisdom, which is to “figure out what scares you the most, and do that first.”

(If, on the other hand, you’re totally drawing a blank for any ideas at all, try Elizabeth Gilbert’s approach of paying attention to your faintest whispers of curiosity and see where they lead you.)

You’ve fallen out of the habit of writing and each day that goes by, it gets harder to restart.

If your writing practice has fallen apart — for whatever reason — procrastination has taken hold and it’s just not getting any better. Each day you tell yourself you’re going to write, but find endless distractions around the house, get caught up in work (or TV or candy crush!), tasks to take care of, or toilets to clean. This is “garden variety” procrastination in my book, but it’s still a doozy.

Antidotes: Set a very small writing goal and meet it. Then do it again the next day. And the next. Keep going until you have the practice in place. Troubleshoot any obstacles that come up — like falling into reading email or getting sucked into other tasks — and find ways to streamline your path to your writing desk each day. If you set a goal, and you’re still procrastinating, make the goal smaller until you actually do it. Get accountability to help you with this if you need it. (Work with me 1:1 or join the Circle, for example.)

You’re dealing with big personal changes.

Look, sometimes big life events happen and the idea of tackling writing at the same time feels (and may even be) impossible. Major illnesses, weddings, new romances, births, deaths, break ups, divorces, moves, and job changes are life changes that can get in the way of writing and then morph into “regular” procrastination even once the dust has settled. It’s okay. It happens. But it’s helpful to know how to deal with it when a big part of your identity is tied into being a writer and you start losing your sense of self while it’s all happening, and then wonder who you are when it’s done.

Antidotes: Be patient with yourself during the upheaval, and give yourself a little time for re-entry. You may want to have a “maintenance practice” of writing morning pages in place during these times, even as a placeholder until you can get back to your book or script writing efforts. Have a plan in place for how and when you’ll reboot your writing once you’ve made it through the thick of the experience. If you find yourself still struggling with your identity after the fact, do some journaling or coaching work to help get you back in touch with yourself as a writer.

You’re an adrenaline addict.

One of the most fascinating parlor tricks I see writers engaging in is creating an endless series of non-writing emergencies, deadlines, and disasters that make it impossible to write. This is procrastination at its peak form, because it becomes inarguable. Whatever “it” is, has become such an emergency, that it has to be done right now. At this point, it actually does. But when a writer lives this way, chasing from disaster to disaster, writing always gets to stay (safely) at the bottom of the pile.

The trickiest trick of all is that the purveyor of these hijinks deep down revels in the sense of excitement and in being the rescuer of the situation from certain doom. It turns out, writers who do this to themselves are addicted to the rush of it all, and they’ll even design it so they “get” to write this way too (at the last minute, in a mad panicked rush).

This strategy does two things. It’s a brilliant way of getting off the hook for doing your best work, because you simply can’t, not with all those emergencies to take care of. It’s also very clever way of getting an adrenaline boost of energy to face the terror of writing. 

Antidotes: Admit the addiction. Make a conscious choice to stop this behavior. Learn to pace yourself — with everything, including your writing — and get ruthless about cutting out anything and everything you don’t have to do. You don’t have to do everything and you don’t have to do it all perfectly. Cut some corners! 

You’re just plain tired.

Maybe you’re not exhausted, but “just” tired. Maybe you haven’t reached the point of creative burnout, like I mentioned last week, but maybe you have other non-writing commitments that tax you. Some of these are avoidable (volunteering for committees) and some are not (having little kids or an aging parent), but either way you’re tired. This tiredness becomes an excellent excuse for procrastinating. “I’m tired,” you say. “I just don’t have it in me today to write. I’ll do it tomorrow.”

Antidotes: I’ve always loved the quote from David Whyte on this subject, “You know that the antidote to exhaustion is not necessarily rest? … The antidote to exhaustion is wholeheartedness.” When it comes to the daily sort of tiredness that can leave us feeling run down (as opposed to massively burned out), writing regularly — even just in small amounts — is often the cure. Also, take a look at how you’re investing your precious life energy and see where there might be energy leaks you can shore up. Look for where you’re not feeling a “Hell, yes!” about the things you’ve committed to and think about letting them go. Work with a friend or coach to inventory your commitments and see what you can release for someone else to handle.

 

So… what did I leave out? What other ways have you seen procrastination show up?

Tell me in the comments section below. 

 

 

Photo by Igor Ovsyannykov on Unsplash

The real reason you don’t have time to write

Today I’m reprinting a revised version of a favorite article that appeared on the blog in January 2012. It’s just as relevant today as it was then. Enjoy!

One of the most common excuses I hear from people who say they want to write but aren’t doing it is that they don’t have enough time.

If you’re attached to that excuse, you might not want to keep reading. :)

I see frequent articles on the web about “how to find time to write” — and I’ve even written one of them myself for my ebook (it’s good — you can check it out here). But despite the plethora of advice out there about how to find the time, many aspiring writers are still not getting their butts in their seats and their fingers on the keys. And I know it’s NOT because they haven’t read the right “find the time” article yet.

So what’s happening instead?

What you’re telling yourself instead of writing

If you’re wanting to write, but not doing it, you’re probably telling yourself something along these lines:

I’m too busy — I have too much on my plate already.

Even though I really want to, I just don’t have enough time to write.

I have to have a big block of time to write, and that’s impossible given my schedule.

I’m already exhausted, I can’t add one more thing.

You might even be telling yourself you have more important things to do. You’ve got an endless to-do list, right? And obligations and commitments that are Really Important.

You might be waiting for a whole day off or a Big Block of Writing Time where you can finally sit down and focus on your writing, but when that time comes, you remember that the laundry really needs to get done or that you promised Jane you’d go with her to that party and you don’t have anything to wear so you have to go shopping and while you’re out you remember that you forgot to… Well, you get the picture.

You might also be thinking you need to get farther along in your career and save some money (or get the right writing room or the right computer) before you can devote yourself to your writing career. 

But none of these are the real reasons you aren’t writing.

Let me tell you what is true

The real reason you are not writing is because you are scared.

You are scared that you don’t know how to write, or what to write about.

You are scared that your writing won’t be good enough, original enough, or that maybe someone else has already said it better.

You are afraid that your new book concept isn’t going to hold up or that you’ll lose interest part way through.

You are scared to do the hard work of writing, and overwhelmed by the thought of such a big project.

You aren’t sure where to start or what to write about.

You are afraid to do a new kind of writing or venture into new territory, that you won’t be able to do it justice.

You’re scared you might hurt people if you write your truth. Or disappoint them.

This thing about time is just a story

You can go on telling yourself the story that you don’t have time to write if you want to, but we both know it isn’t true.

If writing means as much to you as you say it does, you must learn to overcome your fear so you can make it happen.

Stop looking for TIME and start looking for COURAGE. 

(If you want help check out my Writer’s Circle.)

You can do it. I believe in you.

Jenna

Your top “7’s” writing posts from 2014 (your favorite one is no surprise!)

Apparently I think in sevens a lot, at least when it comes to writing about writing. 

As I was reviewing the most-read posts of 2014, apparently sevens were appealing to you, too. 

These “7’s” posts were among the most popular last year, counting down to your favorite (and there’s no surprise to me there about why that one was the favorite — it’s something we all deal with!)

So, in reverse order, our lucky sevens:

7 steps to recovering from creative burnout

reclinerWhen you get burned out, it’s hard to do anything, let alone be creative. In this article, I outline seven steps you can take to go from creative burnout to creative recovery, so you can bring back the joy you feel when you create. This is an important skill to master because sometimes — even when we’re doing our very best to keep the creative well filled and do our writing at a sustainable pace — resistance, deadlines, life, and fate conspire to the point where we’re scrambling to finish a project under a big time crunch, binge-write, and exhaust ourselves as a result (sometimes doing so for days, weeks, even months on end). And once we’ve hit that bottom of the creative barrel, writing anything sounds entirely miserable. Read this article to find out how to bring yourself back into creative balance.

7 ways to recommit to your writing

writing wordle 3Sometimes as writers we get into a good writing practice but still manage to become complacent about actually FINISHING projects and moving on to the next one, rather just making small amounts of progress or endlessly rewriting and editing. When that happens, it’s time to recommit, and raise the bar of our own expectations. In this article, I discuss seven ways to stop phoning it in and require more of yourself as a writer. Read this article to find out how to to recommit to your own writing

7 ways to overcome fear and uncertainty about writing 

Overcome fear and uncertaintyIn this terrific guest post, Writer’s Circle coach and produced screenwriter Sarah Newman talks about how to stay in action and keep moving forward with our writing even when fear and uncertainty rear their ugly heads. She shares a list of seven great ways to get unstuck and keep writing that I’m sure you will find both handy and inspiring. Read her article and discover how to get into action with your writing.

My 7 part series, “Make 2015 your year to write”

reflectionOur most recent “7’s” post was my seven-part series, called “Make 2015 Your Year to Write”. If you missed it, it’s not too late to work with the writing prompts in the series that will help you design and create goals and resolutions for your writing year (2015 or otherwise!) so that they are well-aligned with what you want in the big picture. That way you can make sure you’re working grounded in the reality of where you are right now as a writer and where you want to end up. 

7 tips for staying motivated by self-created deadlines

ticking clocksThis article ties in neatly with the article on recommitting, because self-created deadlines can be a powerfully motivating when it comes to hunkering down and doing the work. In this piece I talk about seven strategies you can use to make your inner deadlines actually mean something. Hint: It often involves turning those “inner” deadlines into outer ones. Read more about mastering your self-created deadlines here. (And see if you can guess which one is my favorite!) 

And your favorite “7” post: 7 ways to beat procrastination 

If the goal is too big, make it smallerThis article was your favorite “7” post, and it’s one of mine too. And it’s no surprise. Procrastination is one of the biggest things we struggle with as writers. In the piece I talk about the most common reasons for procrastination and seven ways to beat it, including some things you may not have thought of, like setting super small micro goals, telling others about what you’re doing to create accountability for yourself, and knowing when to STOP writing. Check it out here and bust your own procrastination habit while you’re at it

Enjoy, writers!

I hope your 2015 is off to a great start.

Happy writing.

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3 ways to change your inner conversation about writing

As I mentioned in a recent post, as writers –particularly undertaking big writing projects like a book, novel, screenplay, or even NaNoWriMo! — we need to be mindful about our self-talk and keep it as encouraging and self-supportive as possible. 

This is because one of our main tasks (aside from doing the actual writing) is preventing the freaked out voices of fear, self-doubt, and even a little panic (!!!) at times, from stopping us. Those voices may be loud, scary, and intimidating, but it doesn’t mean they are right. As writers, we have to learn not to take them seriously and how to kick them to the curb so we can keep doing what we were put here to do.

1. Use the power of yet

I read a powerful post the other day called, “The Power of Yet”.

The core idea is to add the word “yet” to a negative thought.

Like this:

  • You might catch yourself saying, “I don’t know how to solve this plot problem.”
  • You can quickly add “yet”, to make it, “I don’t know how to solve this plot problem yet.”

Isn’t that interesting?

It takes a defeated “fixed” perspective and cranks it sideways to make room for possibility. And I’m a firm believer in the power of our subconscious minds to help us solve unsolved problems. A “yet” sets the stage for room to solve, grow, learn, discover. You may not know how yet :), but you will!

I love the power of this simple mindset strategy to change how you’re approaching your writing life.

  • “I’m not good at plotting.
  • “I’m not good at plotting yet.

Or

  • I don’t write characters very well.
  • I don’t write characters very well yet.

It’s an “I’m still learning” stake in the ground against the forces of darkness and negativity.

I love it!

2. See fear and doubt as familiar visitors you know how to handle

We all have a particular conversation that comes up when we’re feeling the doubt and facing the fear head on. It sounds different for each person, though there are common threads.

You might hear things like:

  • You’re not good enough.
  • This is too hard.
  • You’re unoriginal.
  • I’m bored with this.
  • I’m not cut out to handle this.
  • You’re doing it wrong.

The thing is, most of these comments come whizzing through our brains at lightning speed and kick us in the gut before we even know what happened. 

And then we’re feeling bad, not believing in ourselves and our work, and pretty soon we’re not writing for the day or even blocked. It’s like, BAM, day over.

How to change it up

The way to change this whole pattern is to NOTICE it.

Notice what your particular conversation is.

Write it down. 

That’s right. Put it on paper in black and white so you can really see it.

You might notice that’s not even true!

You might also notice that you’ve been hearing those same thoughts over and over and over again.

No surprise there. It’s your familiar visitor, one you’ve seen before (and one you will see again).

Why this even happens at all

Here’s why this happens: When we take on a big dream through the auspices of a Big Damn Writing Project, the fearful, amygdala-driven part of our brains FREAKS OUT. “What? She’s going to put herself out there like that? Is she crazy? We’ll be ridiculed and exposed again, just like that time in second grade!! Oh no!!” And then the inner critic kicks into high gear, damage-control mode. “WHOOP WHOOP WHOOP”, go the sirens. “RED ALERT! ALL SYSTEMS ON LOCKDOWN!”

That’s what’s going on behind those mean, horrible things you’re saying to yourself. 

They are cleverly, evilly, insidiously designed to SHUT YOU DOWN so you don’t “get hurt”.

But big surprise, inner critic, you actually WANT to do this project. :)

So your job is to say, “Oh, hold on, I see that you’re equating this project with that painful experience in high school when you had to speak in front of the entire class and everyone laughed at you in a way that felt like you were going to melt into a giant puddle of liquid shame-goo, but this isn’t the same thing. I’m a grown up now, and I actually want to do this project. So I’m going to take care of you, and me, and I promise we’ll be okay. We can do this thing.”

3. Reframe your negative messages

One of the most powerful things we do on a daily basis in the Writer’s Circle is to use our online journaling system to reframe the negative messages that show up each day.

The first step is to note what the negative message is.

For example: “I’m not fast enough.”

The second step is to take a look at that message in all its black and white glory and ask yourself, “How can I reframe that with a more positive perspective?” You might even want to pretend your best friend came to you saying that about herself. What would you say to her?

It might be something like, “I’m writing as fast as I’m capable of right now, and I’ll only get faster over time.”

Isn’t that a bit kinder?

You might even try “yet” here, though I’d probably change it to something like, “I’m not as fast as I want to be yet.”

What’s your inner conversation like?

Here’s an invitation for you. If you’re feeling brave, tell us a self-directed negative thought you’re holding about yourself as a writer by posting it in the comments. Then see how you might be able to reframe it or add the word “yet” to change it. If you need help, just say so and I’ll be your coach for the day.

And don’t miss our Writer’s Circle special for new writers in honor of NaNoWriMo for our session that starts on Monday. (No, you don’t have to participate in NaNo to use the coupon!)

NaNoWriMo Writer's Circle special

You may also be interested in:

7 Ways to Overcome Fear and Uncertainty About Writing

Sarah NewmanNote from Jenna: This guest post is from one of our excellent Writer’s Circle coaches and screenwriter, Sarah Newman. I’ve been thrilled to have Sarah as a coach over the last year and a half, and her group participants absolutely adore her (as do I). She brings a compassionate, listening spirit to her coaching and she is an excellent role model with her strong writing work ethic. In her own writing, Sarah primarily works on TV pilots and features.

Today Sarah has written about several clever ways she and her group members have discovered to get themselves unstuck, past any fear or uncertainty, and stay in action with their writing.

Take a look and see what might work for you!

7 ways to overcome fear and uncertainty about writing

by Sarah Newman

One of my favorite aspects of working as a coach with the Writer’s Circle is how my group participants and I learn so much from each other by sharing our writing processes and challenges in our online progress logs on the Writer’s Circle site. 

Through this work together, we’ve learned a great deal from each other about how to get going with our writing in spite of any  fear, doubt, or uncertainty we’re facing.

Here are seven of my top methods to keep the writing moving that we’ve embraced in my group:

1. Work outside the document

One of our favorite ways to overcome fear or uncertainty with a section of writing is by working on it “outside” of the main document.

When I use this technique, it might look like opening a new blank document (sometimes I label mine “scrap” to really take the pressure off) or putting pen to paper. I find this gives me a greater sense of freedom to try something out and to write more boldly.

When working on rewrites, I’ll sometimes take a scene I’ve written and paste it into a new blank document to experiment with combining it with another scene or to make changes and cuts. It feels less set in stone and safer, knowing the original version is there if I want to revert back to it.

One of my group participants put her own twist on this by doing what has come to be known in our group as a “literal cut and paste”, where she’ll print and cut out sections of her chapter and move them around to assess the flow and to determine where cuts or additions can be made.

2. Have a conversation with yourself on the page

Some of my participants and I find ourselves ruminating on our projects in our morning pages or keeping a project journal to record thoughts and reflections. Having a safe place to explore our writing can lead to important insights and breakthroughs.

We journal in response to questions about content, like:

  • What’s the worst thing that could happen to my protagonist at this point?
  • What would be the most interesting location for this scene?

Or we dialogue with ourselves about issues coming up for us around the writing itself, by answering questions like:

  • Why am I shying away from digging deeper here?
  • What initially drew me to this project?
  • What do I need in order to keep going?

It’s about having a conversation with yourself and writing out all possible answers, no matter how silly some may seem. We find that this process helps us get past our inner critic’s judgments and back into the flow of writing.

3. Remind yourself that no writing is wasted

We have a “no writing is wasted” motto in my group.

Whether we end up changing the material or cutting it completely, it still has value in moving us forward . . . even if it feels like it moved us backwards or sideways!

Trying something, anything, is often better than trying nothing at all and can get us going again with our writing. Mistakes are valuable. Those “wrong” turns often lead us to the “right” path.

4. Sit with the mystery

It may be uncomfortable at first as the cursor blinks tauntingly, but the process of writing itself often generates connections and ideas that will help us find our way. We don’t have to have all the answers up front.

I love when my group participants report that by sticking with it and giving themselves permission to just write, they were able to have a breakthrough.

Reframe your self-doubt and uncertainty as a call to adventure with possibilities to explore.

5. Walk it out

And then again, sometimes it can be helpful to know when to get up and take a break.

Going for a walk is a common practice in my group. My participants often report finding inspiration out in nature.

For myself, I find many ideas are born and problems solved while I wander the streets of New York City. Not to mention the added bonus of overhearing potential tidbits of dialogue. :)

6. Make friends with a timer

Solo writing sprints are part of many of our writing routines, in addition to the daily scheduled group sprints through the Writer’s Circle. With the help of our trusty timers we fight the good fight against procrastination and resistance. On days when it’s difficult to start, perhaps we’re distracted or perhaps we’re facing a particularly challenging piece of the writing, we’re able to coax ourselves to get going by setting that timer for a small, doable amount of time.

I find I’ve become trained so well now that once I hit that start button, I’m off and writing, and I often find myself resetting it for more time.

7. Trust the process

Recently I noted how it helps to trust the process even when I can’t necessarily see it at work. This is true for my group participants as well. If we continue to show up and chip away, the writing naturally unfolds. As much as we sometimes want to get more done and hurry up to finish, patience with ourselves and trusting the process helps us remain consistent and see things through to completion, even when fear or doubt wants to lead us astray.

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Sarah Newman ia published writer living in New York. She writes short fiction & creative non-fiction, original one-hour drama pilots & screenplays, and zines. Sarah studied dramatic writing at NYU’s Tisch School of the Arts. When she’s not writing, reading, or watching story in all its glorious forms, you can find her on walking adventures around New York City and on Twitter at  @SarahAlexis4.

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Thanks for reading!

We’d love to hear your thoughts in the comments.

Warmly,

Jenna

 

Get your ‘But’ in the seat and write

One of my all time favorite quotes about writing comes from Steven Pressfield, author of what has become my bible for writing, The War of Art*. In it, he says:

“There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing part that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is Resistance.”

As a writing habit and motivation coach, I work with writers all over the world who face and tackle this resistance every single day as they struggle to sit down to write. Very often that resistance takes the form of the word “But”.

  • But I don’t have enough time.
  • But I don’t have enough training.
  • But I don’t know what to write.
  • But I’m not inspired.
  • But I’m not a good enough writer.
  • But I’m not in the right mood.
  • But I need to take care of all these other tasks first.
  • But I’m not making enough money yet to justify taking time to write.
  • But I don’t have a laptop.
  • But I’m tired, I didn’t get enough sleep last night.
  • But I’m too busy.
  • But my day job takes up too much of my time.
  • But I don’t have a private space.
  • But my kids will interrupt me.
  • But my mom might call and need me.
  • But I’m bored with this project.
  • But I can’t decide which project to start with.
  • But I’m stuck.
  • But I have writer’s block.
  • But if I was a real writer, it would come easily to me.
  • But I have to deal with this crisis/emergency/major life issue first.

Guess what?

All these Buts are just stories. They are coming up for a deeper reason.

The deeper reason is fear.

Fear is what truly stops us from writing. The Buts are just the surface level rationalizations for fear. They are convenient excuses to keep your butt out of your chair and doing other things so you don’t have to face the discomfort of taking on your dream.

Pressfield also says:

“Never forget: This very moment, we can change our lives. There never was a moment, and never will be, when we are without the power to alter our destiny. This second, we can turn the tables on Resistance. This second, we can sit down and do our work.”

It turns out that actually DOING the writing is fairly easy. Most of the writers I work with find that once they are actually putting words on the page, they forget about the inner struggle and just do the work. In the Writer’s Circle we run five weekly group writing sprints to help our writers overcome the resistance to sitting down to write (and to curtail the sense of isolation). My other favorite trick is to write first thing in the morning with a timer running. Pushing the start button gives me a “GO” that gets me into gear even when the Buts are loud and pernicious.

The thing to notice here is that fear is a beacon. It guides you exactly where you need to and even want to go, though you may not be aware of that wanting yet. The thing is, if it wasn’t a big, big dream, you wouldn’t be afraid of it.

No, I’m not talking here about naturally protective fear that keeps you safe from lions, tigers, and bears — that’s GOOD fear — I’m talking about the kind of fear that’s a holdover from when you were a kid, the kind that’s trying to keep you safe from any kind of personal humiliation or risk. This is also the kind of fear that’s keeping you “safe” from achieving your dreams.

I didn’t quite mean for this to become an ode to Steven Pressfield, but he has so much genius on this subject I can’t help sharing a few more of my favorite quotes from him about fear:

“Fear is good. Like self-doubt, fear is indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.”

And:

Figure out what scares you the most and do that first.”

So it’s time.

It’s time to stop listening to the Buts, the fears, the doubts, and the rationalizations. It’s time to site down and do the work, to coax yourself through the fear with lots of support and promises of rewards, to feed your own well of creative inspiration so you feel consistently nourished and ready to write, and to learn whatever you need to learn so you feel equipped to do the writing. But above all else, it’s time to write.

Build the habit to overcome your own resistance

Join the Writer's CircleIf you’re a writer struggling to overcome your writing resistance, join the next session of our Writer’s Circle. We’ll help you build a regular, consistent habit of writing so the battle to overcome resistance each day gets easier. Plus, you’ll have a great community of support, working alongside other writers committed to showing up and doing the work. Find out more and register here: http://JustDoTheWriting.com

Thanks for reading!

As always, we love to hear your thoughts in the comments.

Warmly,

 Jenna

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bored

Bored with your writing project? Or terrified to face it?

One of the cleverest smokescreens in writing is creative apathy.

This is the point with a project where you suddenly get bored or lose interest in your writing. It tends to crop up at key stages in your writing project, like midway through or even just shy of the end.

When you hit it, you’ll start thinking maybe you’re just not that interested in this project and maybe it’s time to move on to something else.

But is that your highest truth?

I call creative apathy a smokescreen because it tricks you into thinking you’ve lost interest. It obscures the fact that you’ve encountered resistance to your project. It sends you off on a tangent, looking for other projects, wondering why you’ve lost interest, thinking maybe you never should have picked the project in the first place.

In my experience working with writers this creative apathy usually comes up as a response to either fear or creative burnout. The latter, creative burnout, comes about from pushing ourselves too hard or too long and becoming creatively exhausted. The former, fear, happens when we bump up against the places in our writing where we feel uncomfortable.

This fear could be as simple as being afraid to do the hard work, not knowing what comes next, or not knowing how to solve a story problem. It can be triggered by not having enough information about how to proceed with a task.

The fear can also arise from beliefs about your ability and talent, like a belief you should already know exactly how to do something before you even try.

I find that many, many writers hold this idea that writing should come naturally. That it should be easy, and that if it isn’t, it is a matter of a lack of talent or ability.

Carol Dweck, in her book Mindset: The New Psychology of Success*, suggests that this belief demonstrates a “fixed mindset” – that we have everything we are capable of having from birth, that we cannot improve or increase our skills, etc. She contrasts this with a “growth mindset”, which says that we are capable of more if we focus on learning and applying ourselves.

I was struck by this comment she made:

“People are all born with a love of learning, but the fixed mindset can undo it. Think of a time you were enjoying something – doing a crossword puzzle, playing a sport, learning a new dance. Then it became hard and you wanted out. Maybe you suddenly felt tired, dizzy, bored, or hungry. Next time this happens, don’t fool yourself. It’s the fixed mindset. Put yourself in a growth mindset. Picture your brain forming new connections as you meet the challenge and learn. Keep on going.”

What if the next time you feel bored with a project, you consider the possibility that fear is coming up and sending you into a fixed mindset place – the very opposite of creativity – and instead choose to believe that you are capable of solving whatever problem you’re avoiding, even if it means getting help, brainstorming longer, or doing research to help you tackle it?

In other words, what if you adopted a perspective that said, “I can do this, somehow, even if I can’t see how yet“?

Perhaps it helps to also hold the belief that if you conceived of the project, you are also capable of seeing it through.

Your turn

Do you fall for creative apathy or forge through it? What’s your approach? I’d love to hear your thoughts in the comments.

Warmly,

 Jenna

 

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When you have nothing left

In my Called to Write community we periodically talk about creative burnout.

In our Western culture we work hard, driven by puritanical work ethics, cultural programming, keeping up with the Joneses, guilt, etc. It’s no wonder we’re exhausted.

We push and push ourselves, expecting our wells of creativity, resourcefulness, and inspiration never to run dry.

And then one day, we turn to the well and find it empty. No ideas. Maybe even a sense of dread and apathy.

The only way out is through

In a recent blog post, Mark Sanderson talks about his experience with this kind of creative depletion and how he recovered from it. Interestingly, his solution had to do with carrying on and doing the work no matter what.

He said:

“Some call it ‘writer’s block.’ I call it sheer terror. When this happens you need to relax and continue to work at your process. I know this too well from experience, but it still proves true every time – the only way to solve specific problems is to sit down and focus on the work.”

It seems the only way out is through.

It takes courage

Writing — for that matter doing anything that calls us to step out of our comfort zone — requires a great deal of courage. A willingness to be uncomfortable often. To sit in it, do the work, and get to the other side.

No wonder we tend to procrastinate rather than facing that terror and doing it anyway.

Procrastination and burnout are close cousins

I’ve observed that procrastination plays a key role in creative burnout — part of a vicious, intertwined cycle:

 

The reason we work past the point of endurance and exhaust ourselves is that we have procrastinated for so long that we are forced to push ourselves. And the reason we procrastinate that we are afraid.

I love what Steven Pressfield says about fear in his book Turning Pro:

“The professional, by the way, is just as terrified as the amateur. In fact the professional may be more terrified because she is more acutely conscious of herself and her interior universe. The difference lies in the way the professional acts in the face of fear.”

Coming up in future posts: Recovering from creative burnout and creating a cycle of creative renewal.

Tell me what you think

I love to read your comments on the blog.

Warmly,

Jenna

 

 

 

The deep vulnerability of being seen creatively

If you’ve ever felt called to doing something artistic or creative, you’ve probably also realized by now that it can be pretty uncomfortable to share that work with other people.
 
There’s a deep vulnerability that comes with sharing our voices, art, words, acting, performing and other creative expression that can be so unnerving that many people never quite get past the word “Go” and instead sit on the side lines, reluctant to put themselves out there.
 
  • I see it with coaches who don’t feel ready to make offers yet or put off setting dates for their workshops and classes.
  • I see it with writers who never quite seem to finish their writing projects or stall when it comes to developing plans to get their work into the world.
  • I see it with actors who are terrified of going to auditions and postpone calling their agents until they “feel ready again.”
  • I see it with artists who hide their work away in their studios and never make a sale.
  • I see it with entrepreneurs who can’t decide what their niche is or never seem to get all the details just right before they launch.
I have something to tell you.
 
This is all driven by fear.
 
Fear that you aren’t good enough, won’t measure up, don’t have something new to say, that what you say won’t be liked, think you’re being presumptuous to think you deserve a place at the table and more.
 
How do I know this?
 
I know because I feel ALL of those things myself. Every single one of them.
 
The key is to not to let the fear stop you. I like to help you look directly and compassionately at the fears and old wounds that hold you back so you can move forward more comfortably and courageously. Usually those fears aren’t so scary when we nudge them out into the light.
 

An experiment

If you want to experiment with this, write down a fear that’s swirling around in your head right now (I’ll wait, and yes, I really do want you to write it down in black and white on paper).
 
Okay, now ask yourself, “Is this true? Do I know this for sure?”
 
Then ask, “How can I reframe this belief?”
 
Here’s an example:
  • The fear: “My script isn’t good enough.”
  • Is it true?: “No, I don’t know that for sure.”
  • Reframed: “I’m going to focus on the strengths of my script and do my best to make sure they shine.”
 
 
I wrote a blog post today about the difference between a spotlight Life Purpose marking and a spotlight Gift Marking. That question keeps coming up.
 
The bottom line is that it doesn’t matter which marking you have or if you have one at all, really.
 
If you are called to the spotlight and you aren’t doing it — no matter how scared or reluctant you feel about it — you are going to feel unfulfilled, stuck, confused, spinning in circles, lost, and apathetic until you do it.
 
At the end of the day, one way or another, you need to do your spotlight work.
 

Expand your Spotlight Comfort Zone
With practical and spiritual tools to help you get there
In a safe, sensitive-friendly 6-week study group

If you want to summon your courage and step into YOUR spotlight, join my upcoming Spotlight Study Group, where we’ll have a safe, sensitive-friendly, small, intimate coaching group to clear up the fears, doubts, old wounds, and other obstacles to claiming your place in front of your audience — where you belong.
 
Starts May 1. Early registration ends Sunday, April 15th. Details are here.
 
 
Questions? Email my team.