Author Insights: On Publishing Personal Essays with Janis Brams

December 19, 2017 by 2 Comments

It’s time for another installment of our “Author Insights” series. In this series, I’m introducing you to writers who’ve taken their writing all the way to the finish line of publication, and they share their “lessons learned” with you. There’s nothing quite like learning from a writer who has made to the other side.

Meet Janis Brams, personal essayist and author of The Event

I’m so happy to introduce you to Janis Brams. Janis has been a member of my online Called to Write Coaching Circle since the beginning of 2014, and is a personal essay writer. Over the years of working together through the Circle, I’ve been delighted to watch Janis develop a number of personal essays and pursue getting them published. While she’d had already had pieces published in an anthology and elsewhere, this was a big win for her for a number of reasons, including how unexpectedly satisfying it was for her to be published online.

I asked Janis to share her insights about her writing process and having this essay published. 

Janis Brams on Publishing Personal Essays

Janis Brams

Sometimes we wake up to find our lives racing down a path we haven’t chosen. In March 2014, I opened my eyes to discover Michael, my husband, sitting on our bed unable to speak. The challenges that ensued became the topic for a personal essay I wrote, called, “The Event: Two Perspectives.”

Through the process of writing, revising over time, and finally publishing the essay in July 2017, I learned a number of valuable lessons.

1. Allow time to walk away from emotionally charged writing before declaring it ready for others to see.

I began “The Event: Two Perspectives” soon after my husband suffered his stroke. In many ways, I think the writing process served as therapy, a way to work through my doubts and fears. Although I wrote a number of drafts before declaring the piece “ready-to-go,” I hadn’t allowed enough time to pass between our initial trauma and my decision to submit my essay for publication. After several rejections, I was discouraged and shelved my story until I felt better equipped to deal with such challenging subject matter.

2. Focus on the writing process and not how others might react when reading what you’ve written.

After a year passed, I revisited my essay. At the time, even the title was different, “Perimeters of Love.” I remember thinking the title didn’t work, and I’d included too many paragraphs explaining what I felt instead of showing readers. I also decided I’d provided unnecessary back-story, sharing information that didn’t contribute to the narrative.

I made revisions and then posted the new draft while participating in an online class. After receiving comments on the draft, I made more changes and continued to do so until I felt at peace with what I’d written. Still, I made no move to submit my new “final” draft; something seemed to be missing.

While workshopping my piece, I posted about my progress in the Circle and discussed my hesitancy to submit my latest effort. The members in my group and Jenna, during conference calls, supported my decision to sit with my revised draft longer.

At some point, I recognized that an important part of the story was missing, Michael’s perspective. After all, he’d been impacted most. If I was to share an authentic retelling, we both needed to be heard. Michael agreed to an interview, and I used what he shared to write the second part of my essay, his “Silent Monologue.”

3. Researching where to submit a piece takes a lot of time and emotional energy.

Having researched journals I thought were appropriate venues for this piece once, I was reluctant to initiate that process again. I was working on other stories and felt this was not a good time to move my focus from writing to submitting.

Someone in the Circle mentioned Writer’s Relief, a service that researches venue options for authors and even helps to polish query letters. I decided to pay for their expertise. While I experienced a few glitches, I found them to be responsive when I had questions and easy to work with. They read my essay, sent me a list of twenty-five journals they felt were a good fit along with names of editors, their submission requirements, and other pertinent information.

While I still had to send out my piece, I felt I was using my time wisely, targeting journals that might be better alternatives for my writing.

4. Navigating the acceptance/rejection process presents its own challenges.

After skimming submission guidelines for the journals suggested by Writer’s Relief, I found twenty-two to pursue. I earmarked several days to spend submitting and then waited to see what would happen.

The first seven responses were rejections, but two were what I call “good rejections.” Those journals took time to critique my piece and encouraged me to submit to them again. The editors explained, however, that they disagreed with my decision to include Michael’s perspective and would not be publishing this piece.

I began to question my vision. I shared my doubts with Jenna and my group members in the Circle. They reminded me that this story was mine and suggested that I give myself more time before making any changes. In the end, “The Event: Two Perspectives” found a home. I won’t ever forget how thrilled I was to read “Congratulations” in their email’s first line rather than “I’m sorry.”

Thinking back, next time I submit a story, I may prioritize the list of venues and then stagger my submissions. That way, I’ll have better control over where my work is published.

5. Publishing online was uniquely satisfying.

While I had published in print before, this was my first piece published online. Although having a magazine or journal to hold in my hand was exciting, I realized that more people read my online piece because it was more readily available. All a reader had to do was access the site, and my article appeared. Since my goal for a published piece was to reach as many readers as possible, the online venue was a great option.

6. The replies and comments made in response to my piece reaffirmed my feeling that others would find the topic compelling and that sharing our story was a worthwhile undertaking.

While not everybody who responded to The Event had the same reaction, they felt the need to share what they thought. Most said the topic was difficult for them but appreciated making the journey with Michael and me.

Overall, it was gratifying to hear from readers and have an exchange with them. I was amazed at how many old friends learned about my essay through social media and reached out to share their responses. It was a moving and validating experience because, finally, friends and family who knew I wrote had an opportunity to read something that was mine.

Read “The Event: Two Perspectives”

“The Event: Two Perspectives” is a personal essay written in the aftermath of Janis’s husband Michael’s stroke. The story centers on the first few hours of his “event,” from the time he realizes what is happening to the moment he is airlifted to a University hospital center. The piece is told in two perspectives, Janis’s in the first section, titled “The Storm,” and Michael’s in the second half, called “Silent Monologue.”
 

About Janis

Janis BramsJanis Brams has been published in the High Desert California Writers Club Anthology, The California Writers Club Literary Review, Plymouth Writers Group, and a community magazine entitled View.

Janis holds two master’s degrees, one in Education from the University of Pennsylvania and one in Writing Composition from CSU San Bernardino.

Janis is an educator, having taught students of all ages for over 25 years. Now retired, she enjoys running, yoga, hiking, travel, spending time with her grandkids, and cooking. She founded a book club in her community that has been meeting for over forty years.

Find Janis’s other work here:

* This is an affiliate link, which means Called to Write receives a small commission from any purchases you make using this link, and which we deeply appreciate.
Photo by The Climate Reality Project on Unsplash
Filed Under: Author Insights Tagged With: , , , , ,

Author Insights: 7 Tips From a First-Time Novelist (+ an Autographed Book Giveaway!)

January 12, 2017 by 22 Comments

Happy New Year, writers!

We’re kicking off a new year here at Called to Write with a new author insights series featuring book giveaways. I’ll be introducing you to writers who’ve taken their writing all the way to the finish line of publication, and they’ll be sharing their “lessons learned” stories with you. There’s nothing quite like learning from a writer who has made to the other side.

Plus, if you leave a comment at the end of the post before Tuesday, January 17th, you’ll be entered to win an autographed copy of the author’s book in a random drawing. (You must be located in the United States to win.)

Meet Donna Baier Stein, author of The Silver Baron’s Wife

Let me introduce you to Donna Baier Stein. Donna was a member of my Called to Write Coaching Circle in 2012 when she was working on establishing a writing habit to help her complete her first book. And the proof is in the pudding, because, ta-da, her book The Silver Baron’s Wife came out in the fall of 2016. So exciting! 

I asked Donna to share her greatest insights from writing the novel.

Seven Tips From First-Time Novelist Donna Baier Stein

Donna Baier SteinI chose the historical figure of Baby Doe Tabor as the main character of my first novel thinking her fascinating, event-filled, roller coaster life provided its own ready-made plot. I’d been writing stories and knew that my strength was language, not narrative structure. I’d even spent time in two radically different writing groups—one focused on literary fiction (heavy on characterization and language) and one focused on more plot-oriented genre fiction. I, rather arrogantly it turns out, preferred the literary focus. I was definitely a pantser rather than a plotter.

So I decided to write about a woman whose life story had already been the subject of an American opera – The Ballad of Baby Doe – and several other books. There were so many events to choose from her life: her work in the silver mines of Colorado and first marriage to a philandering opium addict, a second marriage to a man worth $24 million when they married at the Willard Hotel in Washington, DC, with President Chester Arthur in attendance, her years writing down her dreams and marking visitations of spirits on her wall calendar at the Matchless Mine in Leadville. All I had to do was write what had happened in Baby Doe (Lizzie’s) life, I mistakenly thought, and voilà, I’d have a novel.

So I started my research. I researched for years, taking occasional stabs at writing early chapters. But the writing of the novel was far less easy than I’d naively hoped it might be. Here’s what I learned from my mistakes:

  1. A writer can do too much research. I had boxes of hard copy files and dozens of folders on my computer. And in early drafts, I put far too much emphasis on describing the physical details of clothing, furniture, food of the era. I’d say “Bluchers” when saying “boots” would have sufficed, for instance. It was only in the final drafts that I realized I could focus only on the items that the characters came into direct contact with… and see them as they would see them, not as if they were described in a museum catalog.
  2. Narrative arc is key. I discarded many early chapters about Lizzie’s childhood because they didn’t serve to tell the story I ultimately wanted to tell. I had to choose certain episodes of her life, ignore others, and create new ones in order to show the change in Lizzie I wanted to reveal. The novel, unlike a biography, wasn’t just about re-telling Lizzie’s life. Its purpose was to reveal a theme and a transformation in my main character.
  3. When writing dialogue, be inside your characters. At first, I felt intimidated by them. How could I talk like a 19th century woman talked? I did find some historically current slang phrases to toss in, but mostly I wrote dialogue as I heard Lizzie and other characters saying it in my head.
  4. Be inside your characters as they move through a room, too. It was like being an actress on a stage. Instead of seeing Lizzie from an outside view camera, I had to metaphorically go inside her. See what she would notice in the rundown mining cabin in Dogwood or the extravagant villa in Denver. And feel what she might have felt living in such radically different environments.
  5. For me, writing in first person really helped me inhabit my main character. An agent once told me that third person limited narratives were easiest to sell. I rewrote the book that way and though it came close, it didn’t sell on that go-round. I went back to the first person voice I felt most comfortable writing in, and I’m happy with the result. That was the way I wanted to tell Lizzie’s story from the beginning.
  6. It’s hard, though certainly not impossible, to give adequate attention to every phase of someone’s entire life. The next novel I write will focus on a much shorter time frame than 81 years.
  7. Don’t be obsessive about rewriting until you’ve got your story down. I must have rewritten the first pages of the novel fifty times. I thought, mistakenly, that I had to have it exactly right before moving forward. This is not the way to get a novel written.

I’ve already started writing a new novel, and I’m grateful to have the first under my belt. I’m sure I’ll learn new lessons this time, too!

About The Silver Baron’s Wife

silver-barons-wifeKirkus Reviews called the The Silver Baron’s Wife “an artistic, sympathetic imagining of the life of a 19th-century woman who made headlines for all the wrong reasons.” Foreword Reviews gave it five stars and said, “A unique portrait of a time and place populated by fearless people, this reimagination of an uncommon woman is powerful.”

The Silver Baron’s Wife is available on:

About Donna

Donna Baier SteinDonna Baier Stein is the author of The Silver Baron’s Wife (PEN/New England Discovery Award), Sympathetic People (Iowa Fiction Award Finalist), and Sometimes You Sense the Difference.

She founded and publishes Tiferet Journal. She has received a Scholarship from Bread Loaf, a Fellowship from the Johns Hopkins University Writing Seminars, three Pushcart nominations, and prizes from the Allen Ginsberg Awards and elsewhere. Her writing has appeared in Writer’s Digest, Virginia Quarterly Review, New York Quarterly, Prairie Schooner, and many other journals and anthologies.

She is currently completing a new collection of stories based on Thomas Hart Benton lithographs. You can find Donna online at www.donnabaierstein.com.

Enter to Win a Copy of The Silver Baron’s Wife!

Donna has graciously agreed to give away 3 autographed copies of her book to my readers. Leave a comment on the blog about one of your own writing lessons or something you learned from Donna’s insights before Tuesday, January 17th at 5 p.m. Pacific Time and you’ll be entered in the random drawing. You must be located in the United States to win.

 

Filed Under: Author Insights Tagged With: , , , , , , , , ,
Armchair by Jez Timms

This Writer’s Life: A San Franciscan Middle Grade Novelist Breaks Down the Work Into Manageable Chunks

December 27, 2016 by Leave a Comment

Today we’re continuing my “This Writer’s Life” series, in which you get to meet some of my Called to Write Coaching Circle members and take a look inside their writing lives. If you’re just joining us, I encourage you to also check out the pieces about Rebecca, Frani, and Rick.

Today we’re joined by Foenix Ryder, a writer who found her home in Middle Grade fiction.

Meet Foenix Ryder: A San Franciscan Film Freelancer and Middle Grade Novelist

I’ve known Foenix for almost two years now. It’s been such treat to have her participating in the Circle. She’s the kind of writer whose enthusiasm, energy, and positivity is always present, even when the challenges of writing rear up. I love her determination and passion for her writing, and I’m thrilled to be helping her get her words out into the world.

Not only do we work together in the Circle, but I also have the pleasure of coaching Foenix around building her writer’s platform, something I’ll be offering in 2017 to other writers as well. I asked Foenix to tell us more about her writing and what she’s learned over the last several years — including how to break down the overwhelming tasks of a major writing project.

foenix-ryderWhat kind of writing do you do, and where are you in your writing process?

I love Middle Grade and Young Adult stories whether they’re action, adventure, fantasy, coming of age or anything else in those genres. Naturally, that’s what I’m drawn to write: Stories where kids and teens can get immersed and relate — and hopefully be inspired and encouraged when they read. 

Right now I’m on the verge of starting the third draft of my second novel. After struggling for a few weeks with a major element in my story, I realized I needed to pause to study the conventions and expectations of fantasy stories so I can further develop the world I’ve created and the rules within it.

In some ways it feels like I’m “taking a vacation” from my story and avoiding the work. But I’m reminding myself that I am and always will be developing as a writer. The stepping away to learn more about my genre and craft will only empower me to tell the best story I can. And that’s what we are all here to do.

How has your writing practice changed since you’ve been in the Circle?

Oh wow… it’s changed immensely! Before the Circle, over the course of six years, I wrote and revised my first novel. It actually still needs a major overhaul, but it was written in bits and pieces, from different places in the story, and most days it felt like I was struggling just to get words on the page.

Since joining the circle in March 2015, where I was instantly welcomed into a warm community of other writers, my practice has become almost daily. Writing my second novel while in the Circle, I feel like I finally have a rhythm. I create a daily goal, sit down and write, and then check in on the Circle site. I feel grounded and supported by my group every single day, which helped me write the first draft of my second novel in 7 months!

That’s not to say there haven’t been moments when I struggled, but now I have a space with other writers where I can voice my challenges and get encouragement. That helps keep the excitement going when things are great or get it going again when things are difficult.

I also love going to the daily writing sprints where I can jump online, say briefly what I’ll be working on, and completely focus on what I’m working on for one hour. The sprints have created a foundation for me to begin each day while also giving me a moment to think about what I would like to accomplish before diving into the writing.

What have you learned about yourself as a writer ?

I have learned so much over the past seven years I’ve been writing. For instance, I’ve learned that I do my best writing in the morning, and ideally write from 9 a.m. to 1 p.m. each day.

I’ve also learned to create a timeline/calendar for myself at the beginning of each draft, section, or when I’m starting something new to help me stay on track. It helps me see how much time I need to accomplish my goal and what I need to get done each day. I have also learned to let go of worrying if someone is going to like my stories or that I don’t write like other writers that I admire. I can only tell my stories as best as I can. And it is my duty to write these stories.

And something huge I am just starting to take in is that I have a tendency to see a project in its enormity and can get overwhelmed thinking I need to get it all done TODAY! But Jenna has helped me see the impossibility of that and instead break things down into much smaller chunks in order to achieve something in a realistic way. This has taken so much stress off of me while helping me accomplish small tasks that add up to a larger piece of the storytelling puzzle.

How much do you write, and where do you typically write?

I have a unique life as a freelancer in the film industry where I sometimes have 12-hour plus days for a few weeks and then I have a chunk of time off. When I’m off, I have time to dive into my writing and be fully present. So when I’m not immersed in “work work” I typically write four hours a day, Monday through Friday. I find it’s the perfect amount of time for me — anything past 4 hours, I just start to fizzle out.

I write in an artist’s studio in the Mission in San Francisco. It’s a private room I share with another artist inside a building where all types of artists have spaces. My half of the room is like a small apartment with a cozy couch, a soft blanket, some china lanterns, and a cool pirate ship kite I recently bought on the beach in Bali.

In order to get into my writing “dreamspace,” I must be curled up into a ball, legs pulled to my chest, body hunched over, blanket around me, with my headphones on playing the constant rumble and downpour of “Thunderstorms.” This allows me to tune everything out except the adventure movie I see inside my head while writing by hand as fast as I possibly can.

What does a successful writing day look like for you?

A successful writing day is one where I have either gotten through the section I wanted to get through, have worked out some kind of problem in my story, or where I wrote so fast, I felt energy flowing through me, writing while the story just poured from me. Those days, I walk away feeling vibrant and excited and truly feel like “I want to live that adventure!”

What’s next for you with your writing?

I’m planning to finish my novel mid-2017 and submit my manuscript to agents. Between drafts, I’ve been writing a short story which I’ll revise a few more times and submit to magazines for publication. I feel writing short stories is valuable for me in two ways: First, I get new ideas often and want to get them out into the world so this gives me an outlet for writing something in a shorter timeframe, and second, getting a few short stories published will help me build a brand by getting my stories in front of people who would enjoy reading them.

Also! I’m working regularly with Jenna to create my website and writing platform, building my writing brand around my pen name, Foenix Ryder. Having a pen name helps me maintain the energy I feel when writing my stories.

Circle Profile

foenix-ryder

Name: Foenix Ryder
Roles: Novelist, short story writer, screenwriter, film industry freelancer
Location: San Francisco, California
Genre: Middle Grade & Young Adult Fantasy
Current writing goal: 1) Finish 3rd draft of my current novel by February 2017, 2) Build my writer platform including developing and launching my website by January 2017.
Biggest writing challenge: Working myself out of the stressful mind-numbing boxes of what I “don’t know” about my story.
Biggest writing ah-ha: When it was pointed out to me that I write Middle Grade fiction, it helped me understand my writing better and also see that there is a place for the stories I love to tell and that people of all ages can enjoy them.
Go-to writing platform: Writing by hand, Scrivener
Favorite writing spot: My super cozy writing studio that has a comfy couch and a warm softy blanket.

Bio: Foenix Ryder is a Middle Grade and Young Adult storyteller based in San Francisco, California who tells fantastical stories and lives brave adventures. Foenix’s stories explore diversity, confidence, and self-discovery while taking readers on an action-packed ride. 

diamonds

Join the Circle: Get Your Words Into the World

Join the Writer's CircleJoin us in the Circle and get daily accountability and support to make your writing happen. With our special end of the year savings, you can get a whole year in the Circle for less than $100 per session.

It’s the perfect time to join us — our next session begins on Monday, January 2nd so you can start off the new year “write”!

Registration closes on Thursday, December 29th. Find out more and join the Circle here.

 

Filed Under: This Writer's Life Tagged With: , , , , ,
Mountain Sunrise

This Writer’s Life: A Swedish CIO Writes His Historical Thriller at Dawn

December 25, 2016 by Leave a Comment

For your Christmas reading pleasure, today we’re continuing my “This Writer’s Life” series, in which you get to meet some of my Called to Write Coaching Circle members and take a look inside their writing lives.

Hopefully the holiday fervor has died down for you now, if you celebrate Christmas, and you’ll have a few quiet minutes to read about this inspiring writer, Rick, a Swedish businessman and historical thriller writer who recently completed a major novel revision … in the dawn hours. 

Meet Rikard Bergquist: A Swedish CIO and Historical Thriller Writer

Rikard, whom we fondly call “Rick,” has been with the Circle since 2012. Rick is a constant with our group — always writing, never giving up, even through the ups and downs of a major novel revision. He’s just finished his 8th revision and is getting ready to submit his novel to agents after getting some final feedback from his story coach.

You may remember Rick from an earlier guest post when he finished the first draft of his novel after jump-starting his writing habit with five minutes of daily writing. When he joined us he lived in Sweden, but has now moved to Reno, Nevada, where he is working as the CIO of a Swedish startup, raising his family, and writing.

To say that I am gratified by and proud of his achievement is an understatement. Having written alongside Rick for these last four years has been a true gift. It’s so easy when we see people reaching major milestones like this and to compare ourselves to them. But when we are right there with them in the trenches, seeing all the challenges, the highs, and the lows, it’s just a giant celebration for all of us to see him being ready to start submitting his completed manuscript to agents.

Rikard-BergquistWhat kind of writing do you do, and where are you in your process?

When I write it’s mainly fiction but I also do business plans, research grants and business presentations. However, when I refer to writing it is my creative endeavors that I think of. Right now I’m putting the final touches to an historical thriller set in Sweden in the 16th century I’ve been working on for the last five years. I used Storyfix, The Story Grid, and the services of a professional reader in my revision process.

How has your writing practice changed since you joined the Circle?

The Circle taught me about the importance of process and how you can trust that process even when you don’t know where you are or where you’re going with your writing. Keep on writing and roll with resistance. Nearing the finishing of my manuscript I’ve been close to calling it quits a couple of times, but the Circle has gently nudged me forward and pulled me back in. This last year it’s been my happy place when I’ve struggled with the writing. I also feel that Jenna has a set of very hands-on tools to enable me to see through the despair for what it is, handle my resistance, and keep me on track.

What have you learned about yourself as a writer?

Writing is a lonely business and I need my efforts to be seen. Even if not one single person reads my novel, I need someone to share the ups and downs of getting it done with. The Circle provides just that perfect environment of learning about yourself in likeminded company. I’ve learned that writing for just five minutes in a day, isn’t so much about the progress that day, as it is about overcoming the resistance. That is the real achievement and that positive feeling feeds on itself until you’re suddenly writing two hours a day. That’s magic.

Where do you typically write?

I have several places I write in. I feel most comfortable in the places where I can feel undisturbed. I need to be able to shut the world out and go inside of myself. That can be in a café, at my desk a couple of hours before everyone arrives at work, or in the study at home when it’s empty. For some reason I tend to go to busy cafés, where I can look up now and then, and remember that there’s another world waiting for me out there when I’m done.

What does a successful writing day look like for you?

I like to start early, early — preferably in the dark — and write through dawn. Get my hours in before the rest of the world wakes up. Spending the first hours of the day on writing, gives my a sense of accomplishment and I can hit the rest of the day with a smile on my face. I feel like I’ve put what’s most important to me first.

What’s next for you with your writing?

I’m currently outlining part two in my historical trilogy and I hope to have a first draft ready in six months. The big challenge will be going back to first draft mode, after being in the finishing touches phase for the last year. It won’t be long before I miss having a full chapter to revise instead of a empty page to fill. I hope the Circle is ready to roll with my ups and downs once again. (We are, Rick!)

Circle Profile

Rikard-BergquistName: Rikard Bergquist
Roles: Writer, CIO in the healthcare industry, father of two girls, skier, hiker.
Location: Reno, Nevada
Genre: Historical thrillers
Current writing goal: Finish first draft of second book in a trilogy before July 2017
Biggest writing challenge: Not falling into a chasm of despair by looking at how far I am from my goal
Biggest writing ah-ha: Stay connected every day with your writing, even for five minutes, this will keep your subconscious in gear to write your story for you.
Go-to writing platform: Scrivener, Word
Favorite writing spot: Early morning, with a coffee, at a back table in a café

Bio: Rikard Bergquist is a historical fiction novelist from Sweden living in Reno, Nevada, who writes in the mornings and works as CIO for a healthcare start-up in the day. He loves the outdoor life and snow of the Sierra, where he fills his creative well skiing and hiking together with his wife and two girls.

diamonds

Join the Circle: Get Your Words Into the World

Join the Writer's CircleJoin us in the Circle and get daily accountability and support to make your writing happen. With our special end of the year savings, you can get a whole year in the Circle for less than $100 per session.

It’s the perfect time to join us — our next session begins on Monday, January 2nd so you can start off the new year “write”!

Registration closes on Thursday, December 29th. Find out more and join the Circle here.

 

Filed Under: This Writer's Life Tagged With: , , ,
Laguna Madre by eutrophication&hypoxia

This Writer’s Life: A Texas Psychotherapist Revamps Her Life to Write

December 22, 2016 by Leave a Comment

Today we’re continuing my “This Writer’s Life” series, in which you get to meet some of my Called to Write Coaching Circle members and take a look inside their writing lives. Next up is Frani, an action-adventure novelist who joined the Circle in June of 2015.

Meet Frani Bradley: Psychotherapist and Action-Adventure Novelist

Frani is a psychotherapist who lives in Texas, and has impressed me with her dedication to her writing in the time I’ve known her. She leaves no stone unturned when it comes to her writing, getting out of her own way, and honing her craft, and she recently undertook a massive life redesign in order to make more time for her writing.

I invited Frani to tell us more about her writing project and how she has created more space by overhauling her life, work, and even her living situation (including a Great Dane!).

frani-bradleyWhat kind of writing do you do, and where are you in your process?

I am working on the second in an action-adventure novel series.

Right now I’m waiting for beta readers to finish reading my first novel and entering it into writing contests.

Soon I’ll be studying the feedback they give me, and begin the work of incorporating what I want to use.

How has your writing practice changed since you joined the Circle?

I never had a consistent writing habit before I joined the Circle. Before joining the Circle, I had a consistent daily habit of guilt and regret about not writing. Now, most days I feel very good about keeping my daily habit of writing.

What have you learned about yourself as a writer?

I often wondered if I just liked the idea of writing and would never really finish anything, but in the Circle I learned that I am a writer, someone capable of finishing a novel. I owe this to the support of the Circle. Completing my first novel is the manifestation of a dream I’ve held since I was five years old. I told my grandmother a story, and she wrote it down. It was about a witch who rode a hula hoop rather than a broom. My grandmother said, “Francie, you are a wonderful story teller. Someday you will write a book.” She was right.

There are so many levels of happiness and contentment that I have now, seeing my novel in hard copy ready for beta readers. I’m convinced this would never have happened without our group and you, Jenna. So you have literally allowed a life long dream come true. Thank you!

Where do you typically write?

I usually write at my desk at home. Now and then, at a coffee shop with a friend. I also work with my editor online. We collaborate across the internet in real time and over the phone when we’re working together on the novel.

What does a successful writing day look like for you?

A successful writing day for me looks like putting in at least two hours of writing time on the suggestions beta readers have made on my first novel, working on my second novel, and studying a book on the craft of writing or doing research. I feel good when I spend at least two hours involved in something writing related.

How have you shifted your life to make more space for writing?

I’m right in the messy middle of changing my life. Over the last three months, working toward the goal of creating more time and mental energy for writing, I have made an effort to streamline my life. In doing so, temporarily I hope, I’ve created more chaos and extra time and energy drains. Things are winding down now, so I’m beginning to get my sense of humor back about all that has happened. Also, a glimmer of hope has returned, that it’s not been madness to try this. I am beginning to see that my writing life could be as I envisioned it in the New Year. 

I started by closing my office, where I have had a psychotherapy private practice for nearly twenty years. I opened a home office on October 1st. Moving the furniture, changing my address with managed care companies, deciding suddenly I needed to go paperless, adjusting clients to a new meeting space, and all the many boring details of change have snowballed to create extra work. Meanwhile, my home office needed a new driveway and several other changes to create a good space at home for seeing clients.

I also rented the larger home on my two-acre property to new renters and found myself embroiled in figuring out how to successfully house their large Great Dane in a way that worked for all of us (especially me, at night!).

So needless to say, it’s been a bigger project than I’d envisioned. :)

It is December, and seems like much longer than three months since I began the journey of making my life simpler. That sentence really did make me laugh. I am feeling excited right now about how I see things shaping up. My doubts and regrets about starting this are disappearing, and I’m seeing a new writing life forming in 2017. Maybe it’s true that “change is messy.” It’s sure been true for me. In the same moment, I hear the saying, “no guts, no glory” and get happy butterflies.

I’m feeling something wonderful out there with my writing waiting for me to step into it. I can’t wait!

What’s next for you with your writing?

I plan to continue working on suggestions from beta readers for my first novel, entering it in writing contests, and working on my second novel.

Circle Profile

frani-bradley

Name: Frani Bradley
Roles: Psychotherapist, Novelist
Location: Corpus Christi, Texas
Genre: Action Adventure
Current writing goal: 1) Incorporate the suggestions of five beta readers into my 1st novel by April 15th and submit to contests, 2) Complete Outline of 2nd novel by January 31st, 3) Complete first draft of 2nd novel by June 1st.
Biggest writing challenge: Keeping boundaries and commitments in regards to writing time
Biggest writing ah-ha: Two people I trust to give honest feedback have read my novel and enjoyed it as a good read. My ah-ha is that I have a novel that two people have enjoyed. It’s enough to keep me going a long, long time.
Go-to writing platform: The cloud version of Pages for collaborating with my editor.
Favorite writing spot: In my living room, looking out over an inlet of the Laguna Madre, in the company of my dog and the large water birds in the distance.

Bio: Frani Bradley is an action-adventure novelist based in Texas who writes alongside running her home-based psychotherapy practice. She’s a passionate animal lover and has dedicated herself to bringing the spirit of adventure, respect for animals, and spiritual inspiration to her stories. 

diamonds

Join the Circle: Get Your Words Into the World

Join the Writer's CircleJoin us in the Circle and get daily accountability and support to make your writing happen. With our special end of the year savings, you can get a whole year in the Circle for less than $100 per session.

It’s the perfect time to join us — our next session begins on Monday, January 2nd so you can start off the new year “write”!

Registration closes on Thursday, December 29th. Find out more and join the Circle here.

 

Laguna Madre featured image by eutrophication&hypoxia and used under a creative commons license.

 

 

Filed Under: This Writer's Life Tagged With: , , ,

This Writer’s Life: A Berkeley Mama Writes a Historical Fiction Trilogy in 15 to 60 Minutes a Day

December 20, 2016 by Leave a Comment

It’s December, the end of the year. In a continuation of my goal to help you Start 2017 Off Write, I thought you might like to meet some of my Called to Write Coaching Circle members and get a look inside their writing lives. We’ll kick off this series with Rebecca Brams, a local Berkeley writer and longtime Circle member.

Meet Rebecca Brams: Mama, Grant Writer, & Novelist

Rebecca is a Berkeley mom of two boys (we have both of those in common!) and she’s writing a novel alongside parenting and the grant writing work she does. She has been a Circle member for three years. I invited Rebecca to tell us more about her writing and her writing life. 

rebecca-bramsWhat kind of writing do you do, and where are you in your process?

I do several different types of writing, including grant writing for non-profit clients, personal essay, short fiction and blog. I mainly use the Writer’s Circle for my novel work — I’m writing a trilogy of historical fiction novels set during the Inca Empire, in what is today Peru. Since I joined the Writer’s Circle three years ago, I’ve written a draft of the first book in the trilogy and put it through a story analysis process including reverse outlining and mapping. I used two story analysis methodologies: Save the Cat and The Story Grid. I’m now partway through revising the novel. (If you’re curious about the novel trilogy, you can learn more about it in an essay Rebecca published here.)

How has your writing practice changed since you’ve been in the Circle?

I’ve become much more productive and stay on track more easily. I’ve been part of different kinds of writing communities over the years, including when I got my MFA degree, and I’ve found different types of value in each experience. The Circle is unique because of the daily check-in and because of the focus on process, not content. I know that if I get stuck, my coach will offer me a different perspective, and I often use the coaching calls to help me work through issues that come up. Being in the Circle makes me feel like I’m part of a writing community that’s “got my back” and will help get me back on track when I become overwhelmed or lose focus.

What have you learned about yourself as a writer?

I’ve learned to trust the ebb and flow of the creative process. Recording my progress on a daily basis (and seeing my fellow Circle members do the same) has shown me that I can have a fabulous writing day, followed by a humdrum day, and then get back into the flow again in my next writing session. Now when I have a tough day or hit one of those “stuck” spells, I worry less because I’ve realized it’s a normal part of the creative process.

Also: This is life. This is it. Every day we create it with our choices. Every day we choose to write even though urgent things are calling us, we honor our creativity, the Muse, and the unique voices that can only speak through us. Every day we choose to be gentle with ourselves, we create a life of compassion and peace. These two elements can feel in opposition to each other, but perhaps allowing for the coexistence of opposing forces is necessary for a rich artistic life.

How much do you write and where do you typically write?

I try to write early in the day, usually right after I drop my kids off at school, before lots of other to-dos pop up. That probably happens three to five days per week, depending on whether there are school holidays, my husband’s work travel schedule, or if I have a lot of client work. I usually work at home, but sometimes I mix it up by going to a café. About once a week, I go to an in-person writing group.

When I’m at home, I often work at my secretary desk in my bedroom, but when I’m deep into line-edit revisions, I find I work better sitting in bed or on the sofa — it gets me more into the mindset of a reader. When I’m strapped for time and trying to get in a sliver of writing, I will sometimes even write in my car. My coach has called me a “time-stealing ninja” for the different ways I’ve managed to slide writing into a busy schedule over the years.

What does a successful writing day look like for you?

It used to be that 15 minutes a day was all I tried for. Now my minute goals range a lot more depending on what else is happening in my life. I’d love to work for an hour a day or more, but there are so many different elements in my life that it really depends. Locking myself into a rigid schedule tends to lead to stress and guilt. I try for consistency and keeping up momentum more than getting the same amount of time in every day. And I do writing retreats — often solo weekend retreats — to immerse myself and get in big chunks of time.

What’s next for you with your writing?

My big writing goal for 2017 is to finish the second draft of the first book by the beginning of the summer when my kids get off school. It’ll be a stretch, but I’m going to give it my best shot with the help of the Circle.

Circle Profile

rebecca-bramsName: Rebecca Brams
Roles: Grant writer, novelist, blogger, essayist, mother of two boys
Location: Berkeley, California
Genre: Historical fiction
Current writing goal: Finish second draft of novel by June 2017
Biggest writing challenge: Juggling priorities, the unpredictability of young children
Biggest writing ah-ha: Starting is almost always the hardest part.
Go-to writing platform: Scrivener
Favorite writing spot: In bed!

Bio: Rebecca Brams is a writer and mother to two young boys in Berkeley, California. She grew up in California’s Mojave Desert and has traveled extensively in Latin America. She has a B.A. in Anthropology from Stanford University and an M.F.A. in Creative Writing from St. Mary’s College of California. Her fiction and creative nonfiction have been published in Carve Magazine, Literary Mama, Dark Matter: Women Witnessing and on blogs, including her own, www.thismamawrites.com.

diamonds

Join the Circle: Get Your Words Into the World

Join the Writer's CircleJoin us in the Circle and get daily accountability and support to make your writing happen. With our special end of the year savings, you can get a whole year in the Circle for less than $100 per session.

It’s the perfect time to join us — our next session begins on Monday, January 2nd so you can start off the new year “write”!

Registration closes on Thursday, December 29th. Find out more and register here.

 

Filed Under: This Writer's Life Tagged With: , , , , , ,
If the goal is too big, make it smaller

7 ways to beat procrastination

September 10, 2014 by Leave a Comment

Ugh. Procrastination.

We’re all familiar with that simultaneous desire to write and the repulsion from writing that leads us into the nether realm of procrastination. We’re doing something else — ANYTHING else — and it can range from feeling like we’re doing something vitally important to just plain old digging our heels in and resisting.

Sometimes we tell ourselves we need to “warm up” first before we can write, with a little email, Facebook, or even a treat of some kind.

Or we decide we simply cannot tolerate the state of our physical space for a single minute longer — how many offices, bathrooms, and kitchens have seen the plus side of procrastination on a day when writing feels oh-so-hard to do?

Other things come up too, right? All those urgent deadlines, other people’s problems, our kids’ needs, that bit of online research you just can’t wait to do (you know, that one that snowballs into two hours of online nothingness — and yes, I speak from experience), or even bigger things, like that college degree you suddenly have to have.

Understanding procrastination

There are a few of key things to understand about procrastination:

1. It’s (usually) driven by fear. There’s some kind of fear coming up that’s stopping you from writing. You may not be clear on what it is, but trust me, it’s there. Fears of success, failure, commitment, overwhelm, rejection, praise, inability to deliver, etc. are most likely to come up. (When it’s not fear-driven, there’s usually something significant going on, like healing from a traumatic creative wound or recovering from creative burnout, but I would call that a block, a subject for a future post.)

2. Not taking action on your writing will keep you in a low grade state of anxiety, guilt, and shame. I say “low” but it can skyrocket into a full-on painful squirming-in-shame. So even if you’re pretending you are just watching your favorite TV show for a little treat before you get started and that it will help you relax into writing — check in with yourself — are you really, truly, in your heart-of-heart’s feeling relaxed? Or are you twitching with unrest and discomfort inside?

3. It’s a lot easier to fix than you think it is. There are some days when it simply isn’t possible to sit down and power through tons of writing. That’s okay. There are days when you can’t face your draft. That’s okay. But you CAN write, even if it’s just for a few minutes.

And ultimately, making small moves will help you beat procrastination in the big picture.

Beating procrastination

Here are seven ways you can beat procrastination and get back in the writing saddle:

1. Have a short but honest talk with yourself about what’s really going on. This doesn’t have to be a big deal. But it’s worth acknowledging in the privacy of your own mind, “Yes, I’m procrastinating, and it feels crummy. I’m going to do something about it.”

2. Tell someone what you’re doing. Find an accountability partner, a writing buddy, or a writing group (like my online Writer’s Circle) that will help you commit to doing the writing and seeing it through. It helps tremendously to say to another person (even if it’s your spouse or best friend!), “I’m going to write today no matter what.”

3. Make a deal with yourself to write ANYTHING for 15 minutes. I don’t care if you write morning pages, a list of all the reasons you hate writing, or actually work on your current writing project. Just get out a piece of paper or open your Scrivener file or Word document (I’m a Pages girl myself), and put words on the page, even if they are crap. (Using a timer for your 15 minutes is a special bonus tip – it’s like pressing the “GO” button. Try it!)

4. If 15 minutes feels like too much, make it smaller. The goal should be small enough that you find yourself saying, “Well, heck, I can at least do THAT much.” So if 15 minutes sounds daunting, do five. Or write ONE sentence (I’m not kidding). The key here is to get yourself into action WRITING. Period.

5. If you’ve racked up a lot of frequent procrastinator miles, STOP when you meet your goal. There are a LOT of writers I talk to who commit to write for 15 minutes, do it, and then find it so easy they keep on going. That’s great, if you’re just jump-starting yourself after a day or two away. But if you’ve been in the writing desert and the words have been few and far between, when you meet your writing goal for the day, stop and celebrate. Don’t break trust with yourself and keep on writing — you’ll only set yourself up for a bigger challenge tomorrow when you feel like you have to “do better” and suddenly have too daunting a goal to face. 

6. Reward yourself for writing. One of my favorite writers, writer-director Joss Whedon (Firefly, Buffy, The Avengers), rewards himself just for having an idea. Don’t be stingy here. Writing each day is the equivalent of beating back the forces of darkness. You deserve to whoop it up a little once you pull it off. Give yourself a piece of chocolate, a stretch in the sunshine, or even those things you’d normally be procrastinating with. Remember the email, Facebook, and favorite TV shows? Make those your cool downs instead of your warm ups and you’ll be good to go.

7. Do it again tomorrow! You’ve beaten procrastination today, great work!! Now, when you wake up tomorrow, use these tools to make a shorter path to writing. It’ll feel great. Then once you get on a roll, start building up to more over time.

Thanks for reading!

I’d love to hear your thoughts in the comments.

Warmly,

Jenna

 

 

There’s no right time to write

Join the Writer's CircleWe often trick ourselves into thinking there’s a “right” time to write. We plan special writing days. We dream of far-off futures where we’ll have plenty of time to write. But there really isn’t a “right” time — there’s only now. Join the next Writer’s Circle session (new sessions start every 28 days) and get help to beat procrastination and write every day.

Find out more and register here: http://JustDoTheWriting.com

Filed Under: Creative Blocks, Productivity, Writing Tagged With: , , , , , , , ,

Author Insights: It’s Never Too Late to Finish Your Book Now

October 23, 2013 by 3 Comments

TerriMany people have unfinished writing projects that linger for years, but it’s never too late to finish your book. And the time to get restarted might just be now.

I reached out to Terri Fedonczak, a long time Writer’s Circle member, to talk to us about her experience finishing a long-time writing project after 15 years of dreaming and what that’s been like for her. Terri has been such a great participant and gotten so much out of the Writer’s Circle that I recently invited her to join us as a coach for one of our coaching groups on the site.

Read on to find out about Terri’s extremely inspiring project for parents (I’ve seen a preview and it’s terrific!) and how she conquered her writer’s isolation and resistance with the help of the Circle and saw her book all the way through to done.

diamonds2

Terri, welcome and thanks for being here. First, let’s talk about your accomplishment — finishing your parenting book! What was that like for you?

Thanks for having me, Jenna! When I finished my first draft, it was the culmination of a dream I have had for fifteen years. I remember telling my niece about how I wanted to write a parenting book and discussing topics with her; this was in 1996. When I actually finished my first draft, I thought there would be angels singing . . . not so much! What I didn’t realize was the time involved in the editing process — there’s always more!

How long had you been working on the book prior to joining the Circle?

I spent fifteen years working on the first draft, but I had been jotting down ideas in my journal for ten years before that. In the ensuing years, I wrote little snippets in journals and spoke ideas into my portable tape recorder.

You actually finished a rough draft of the book after you first joined the Circle in 2011, is that right?

Yes, my first session of the Writer’s Circle was spent culling all the bits and recordings into a little 60 page book.

Then what happened that led you to completing this new draft?

I interviewed three different editors, and picked Darla Bruno. She read through my first draft and suggested that the book wanted to be more. I hadn’t put my life into the book or any coaching tools. So, I took the challenge and spent the next year or so rewriting it. The completed book is 214 pages, and it’s everything I envisioned back in 1996!

What can you tell us about yourself and about the focus of the book?

I’m the mother of four daughters: three biological and one bonus girl that came to live with us in 2010. I’m a breast cancer survivor; I mention it, because it changed the course of my life. I left my fifteen-year commercial real estate practice to become a Certified Martha Beck Life Coach, writer, and speaker. Breast cancer changed my priorities completely; the threat of losing my life awakened me to the importance of living my right life.

The title of the book is Field Guide to Plugged-in Parenting, Even if You Were Raised by Wolves. It answers the question of how to be a good parent if you have no role models — you know you don’t want to replay your childhood, but you are lost as to an alternative. It’s a compilation of all the parenting and coaching tools I have used successfully with my kids, with some humor thrown in to lighten the load. I walk you through a process to create your own parenting plan, so that your kids will be starting with an infinitely better foundation, thereby ending the wolf-baby cycle forever. Wolf babies is a term I coined to describe those of us who were raised by wolves and suffer from lack-based thinking as a result.

How did you find out about the Circle and what inspired you to join us?

Jill Winski was in my life coach training class, and she put out an ad for the Circle on our Facebook page. I saw it and knew that I needed help with making my book a reality. It felt like divine guidance . . . and it was.

What have you learned about your writing process from participating in the Writer’s Circle?

I’ve learned that there is no magic pill, place, or instrument that delivers a quality product. All it takes is complete honesty, utter vulnerability, and a daily practice of showing up to the page . . . no big whoop!

What were the biggest challenges you faced before joining the Circle? Have they changed? What’s different now about your writing habit?

I think the biggest challenge I faced was the feeling that I was all alone in my desire to write a book. I knew I had an important message, I just didn’t understand how to deliver it. With the Circle for support and accountability, my biggest challenge now is the acceptance that I am a writer. It’s not a fluke or a pipe-dream; I wrote a book, ipso facto, I’m a writer! The biggest difference in my writing habit is that I’m no longer plagued with resistance, so I write every day. Some days it’s just 20 minutes of morning pages in my journal, and some days it’s three hours working on a blog post or outline for the new book . . . but I write every day.

What advice do you have for other writers?

First of all, join the Writer’s Circle! It’s the best way to incorporate writing into your daily life. Secondly, write every day, even if it’s just 15 minutes in your journal. While your logical mind is busy watching your hand move across the paper, the most delightful tidbits will rise up from your creative mind. When one pops up that excites you, expand it . . . like you’re telling your favorite friend a story. You don’t need anything other than a pen, paper, and a bit of quiet time to awaken your creative side . . . and then you’re off to the races!

What’s next for you and your writing?

I’m developing a program that I will be delivering to incoming 9th grade girls called, “Field Guide to the Wilds of High School.” I developed the program while on safari in Africa (jeesh, that sounds so hoity-toity), and it’s based on the power of the pride. I watched the way the lionesses took care of the pride, and how their raw feminine power ran their world. It reminded me of what’s missing in Girl World. So I’m taking the program into schools this summer, and then I will turn the results into a book for teens and a corresponding book for parents on how to survive high school.

Is there anything else you’d like to tell us?

I believe that everyone has a creative person living within them, and that creative energy can turn drudgery into joy. Find some way to nurture your creative side, and your life will blossom in endless and unexpected ways…or at least that’s what happened to me.

About Terri

Terri2Terri Fedonczak has 22 years of parenting experience and is a certified life coach, specializing in parent and teen coaching. After 16 years as a commercial real estate agent, a bout with breast cancer transformed Terri’s life in 2010, making her realize that time with her four girls and patient husband was a much better deal than money and status. It was time to put her mission into action. She left sales and embarked on a journey of spreading the message of girl power for good. When Terri is not writing books, speaking, coaching, or blogging, you can find her paddle boarding on the sparkling waters of Boggy Bayou, knitting to the consternation of her children, who are buried in scarves and hats, or dancing in her kitchen to Motown.

You can follow Terri online at http://alifeinbalance.com and on Facebook here. Look for Terri’s Field Guide to be published in January 2014!

Thanks for reading!

As always, we love to hear your thoughts in the comments.

Warmly,

 Jenna

 

 

Filed Under: Author Insights Tagged With: , , , , , ,

Find your character’s moral problem with the Enneagram

October 9, 2013 by Leave a Comment

Lyons Fin 018Today’s article is a guest post by story and Enneagram expert Jeff Lyons of StoryGeeks.com. His article touches on a often overlooked aspect of story development that many writers miss and their story structure suffers as a result: their main character’s “moral problem”.

Jeff will be teaching us more about how to identify a character’s moral problem in his upcoming workshop here in Berkeley, California (I’m co-hosting) on October 26 and 27 on his method of Rapid Story Development. We’d love to have you join us if you’d like to learn more.

Now here’s Jeff’s article:

diamonds2

The problem is moral

Hands down, the most important and most overlooked story structure element all writers either miss altogether or bungle is the moral problem. This pesky problem is not just a nice perk — it is a make-it-or-break-it story structure component of any good story.

The moral problem is the hole in the heart of your protagonist. He or she starts off the story in some pickle, some predicament of their own making, ideally brought about by the very moral problem to which they are oblivious. This problem is making them act badly in the world. They are hurting people emotionally, mentally, and maybe even physically due to this lack. It’s the hurting of others that make it a moral issue, and not just a psychological one (the distinction is about hurting others versus hurting oneself). The character needs to learn some lesson about how to live in the world so that they no longer hurt others; some lesson that elevates them (hopefully, but not always) to be a better person. They learn that life lesson that makes them moral again.

Good stories have protagonists with this hole in their heart. And the best stories rip out the protagonist’s heart and then somehow heal it again, before the heart gets put back inside (I’m speaking metaphorically, of course — unless this is a Clive Barker horror story).

How to find the moral problem

So, the question becomes: how does a writer figure out how to find one of these heart-holes? How do you assure that your protagonist has a meaningful moral problem and an equally meaningful growth-moment at the end of the story where they see the error of their evil ways? Some writers have a natural gift for this and flawed and tortured protagonists come to them as gracefully as flight to an eagle. For others (i.e., most of us) the process of finding a good moral problem is more like trying to find a taxi on a rainy night.

The good news, however, is that there is a tool that any writer can use to help them crack this problem, regardless of their natural gifts. That tool is called the Enneagram. The Enneagram is a powerful archetypal system that describes the nine core personality drives underlying all human behavior. Each of the nine drives is rooted in thoughts, feelings and actions that largely determine how we interact with the world, for good or ill. Everyone has an Enneagram type — including fictional characters and stories themselves. Writers have used this tool for many decades to develop multi-dimensional characters, but it can also be used as a story development too, when coupled with story structure principles. It is this relationship between the Enneagram and story structure that gives writers a doorway to finding the most dramatically powerful moral problem for their protagonist.

What’s your character’s poison?

Let’s take an example and walk through the problem as a point of illustration:

You just wrote the movie The Verdict. Frank, the protagonist, is a ambulance-chasing, alcoholic lawyer who is constantly looking for the next sucker to scam into hiring him. You know he’s a drunk. You know he’s in pain. But what’s his moral problem? Is his alcoholism the moral problem? Alcohol hurts lots of people. Is his pain the moral problem? If so, what’s the pain? How do you figure out which it is? Writers spend lots of time caught up in this maze of questions and confusion.

Enneagram to the rescue. Each of the nine Enneagram personality styles has something called a “poison”. This poison is the hole in the heart. It is the thing that poisons everything they do, everything they feel, everything they think. So, what’s poisoning Frank? Certainly alcohol is, but that’s mostly just hurting him. It’s not hurting other people. What he’s doing that’s hurting others is that he is using them. He sees people as targets, not people. So, we have the answer, right? He’s using people. That’s the moral problem, right? No, not quite. That’s what he’s doing; that’s not why he’s doing it. The moral problem is the motivation, the thing causing the using.

The Enneagram poison can help you quickly answer this question and find the real moral problem. Of the nine personality styles, the 3rd style (“The Achiever”) is the one who has the poison of secretly feeling that they have no personal worth or value. This fits Frank’s actions to a tee. For him, people have no value; they’re things to be used. He ultimately feels this because deep down he believes he has no value or worth himself and therefore no one else has value either. Over the course of the movie he learns that, indeed, not only do people matter, but that he himself matters and he can make a difference in the world.

And so not only does the Enneagram technique of looking for the poison explain the motivation behind the protagonist’s immoral behavior, it also points to the final self-revelation at the end of the story, where the hero or heroine realizes how to heal the hole in their heart. In this case, Frank realizes he has value and so do other people. He is able to make a new choice as a result.

Moral problem and story structure

As a writer, having this key piece of information — a clear moral problem — is critical for you to not only address your main character’s development and arc, but also to guide you on how best to structure your story so that key story beats, like the inciting incident, low point, and final climax, are all driven by the engine of the protagonist’s moral problem.

This is a deep subject, but a critical one for any writer. The moral problem can make or break your story, and the Enneagram can help you rapidly navigate the difficult questions that might otherwise hang you up and drag out the development process.

If you’d like to learn more, join us in Berkeley on October 26 & 27. Early registration ends TOMORROW, Thursday, October 10. Find more and register here: http://RapidStoryDevelopment.com

Your turn

As always, we love to hear your thoughts in the comments.

Warmly,

 Jenna

You may also be interested in:

 

Thanks for reading.

 

Filed Under: Writing Tagged With: , , , , ,

Using the Enneagram to move from character to story

October 2, 2013 by 3 Comments

Lyons Fin 018In the third and final session of my interview series with Enneagram and story development expert Jeff Lyons (recordings no longer available), we talked about “Bridging the Gap from Motivation to Structure With the Enneagram.” Today’s post is a recap of what we discussed.

His process for “bridging the gap” from premise line to character to story is quite fascinating, and he illustrated it using a breakdown of The Great Gatsby according to the Enneagram.

Bridging the gap

Here’s an overview of the process:

  • Step 1. Write out your premise line and log line.
    (See the last post for more on premise line development.)
  • Step 2. Define the moral problem that best illustrates the story’s premise line.
    (In Gatsby, Nick focuses on trying to fit in and be liked, he isn’t being his truest self, which is a form of lying.)
  • Step 3. Look for the Enneagram type that best represents the motivations (not behaviors) of someone with that moral shortfall.
    (Nick most aligns with the Enneagram type 9.)
  • Step 4. Study the integration and disintegration points for that type to identify what the character is capable of and what they’re greatest opponent might be.
    (Points 3 and 6, respectively.)
  • Step 5. Explore the entertaining moral argument possibilities between those two types.
    (Can you succeed and achieve without giving up your soul?)
  • Step 6. Brainstorm about the communication styles, “pinches”, and blind spots of each of those two types.
    (Nick has various challenges that Gatsby can poke at and wreak havoc with.)
  • Step 7. Map your story using these Enneagram components and correlate them with the visible structure components we discussed last time.
    (This includes the protagonist, moral problem, chain of desire, focal relationship, opposition, plot & momentum (midpoint complication, low point, and final conflict), and evolution/de-evolution and is the more complex step where the story is broken down into a greater level of detail).

diamonds2

Your turn

Have you considered using the Enneagram in your story development? Will you consider using it in the future? We’d love to hear your thoughts in the comments.

Warmly,

 Jenna

You may also be interested in:

Image by © Royalty-Free/Corbis
Filed Under: Writing Tagged With: , , , , , , , ,
Next Page »
Called to Write
Powered by  GDPR Cookie Compliance
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.