Ask the Coach: How Can I Expand My Script? – On Script Mag

October 14, 2021 by Leave a Comment
Welcome to the latest installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about fleshing out a story:

“My problem is, I grew up writing short stories, and now I am trying to write a screenplay. I ‘finished’ my script, and if it is true as they say that one page equals a minute of screen time, I have a movie that is roughly a little over 45 minutes. How do I expand my script without making it boring with just a lot of filler?”

Great question. Assuming you’re writing a feature, yes, 45 pages is short. In your shoes, I’d first focus on making sure I have a story with strong enough legs to last a full feature length, then, I’d dig into the specifics. Let’s discuss.  [more…]

 

The big idea here is to look for ways to deepen the experience you’re creating for your audience, taking them on a powerful journey through the eyes of your primary characters.

 
Read the article on Script Mag:
Ask the Coach: How Can I Expand My Script?
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Ron Lach from Pexels
 
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Ask the Coach: How Can I Find the Right Reader for My Script? – On Script Mag

September 17, 2021 by Leave a Comment
Welcome to the latest installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about finding the right reader for your script and genre:

“Hi, I’d like your advice on how to select a reader who will give you a fair evaluation. I’ve had my script ‘read’ several times by Pros who didn’t really enjoy the Fantasy genre. At least, that’s what seemed obvious to me from their comments. For example, one tried to talk me into writing a murder mystery using the bones of my story instead.

“Should I use a service like IMDB PRO for leads of studios who produce fantasy movies? My story falls into the Field of Dreams, Big, Groundhog Day type stories, each using a fantasy element. I feel that you have to like the genre first to give a fair evaluation. I know I wouldn’t be able to give the same respect to a war movie…”

I feel you on this one. As a sci-fi writer, I want someone who understands my genre expectations to give me feedback on my script, and someone who genuinely loves and appreciates the genre as well. I’m reading your question to mean you’re looking for a professional reader to hire for script notes, not for coverage, and not for a studio executive to query, however, given that you’re mentioning IMDB Pro, let’s look at that too. [more…]

 

“…while it is valuable to have a reader who understands the genre conventions and expectations, your script should still transcend genre and be transparent and legible enough to any reader to be able to understand its story, structure, character, and intent, and to appreciate your voice, tone, and writing…”

 

 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Ron Lach from Pexels
 
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Ask the Coach: Who Owns the Sequel Rights to My Script? – On Script Mag

August 20, 2021 by Leave a Comment
Welcome to the latest installment of my “Ask the Coach” column on Script Mag!
 

This month’s question is about who owns sequel rights to your screenplay and why adding an entertainment lawyer to your team is beneficial when negotiating screenwriting contracts.

“I’m writing a script which has obvious sequel potential. If I am fortunate enough to sell the script, (assuming boilerplate contract) who will own the rights to the sequel, me or the studio? Asked in another way, when I sell the script, am I selling the brand as well? I have several script projects with sequel potential, so this is a big question for me.”

Such an intriguing question, and I’m sure one many writers share. Since this is ultimately a question for an entertainment lawyer, I reached out to Michael Saleman of www.movielaw.net for his expertise. To a degree, the answer about how these types of rights work can be dependent on a writer’s leverage.  [more…]

 

Whether you’re wondering about sequel rights or making sure you’re signing a good option agreement for a single script, having a lawyer on your writing team is an excellent move.

 

Read the article on Script Mag here:
Ask the Coach: Who Owns the Sequel Rights to My Script?
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Scott Graham on Unsplash
 
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