Two conversations about taking a day off from writing

Two inner conversations about taking the day off from writing, in which we explore the inner workings of the procrastinator and the recovered procrastinator. :)

Observe.

Conversation 1. The Procrastinator

Daybreak.

“Oh god. It’s too early. I don’t want to write. Besides, I need a day off. I mean, I’ve been pushing myself so hard and everything going on right now is just so stressful. Plus I couldn’t sleep well last night. I really just need some down time to regroup and get in the mood to write. There’s no point otherwise, right? I’ll just take the morning off and write in the afternoon.”

Later that morning.

“This is great! See, I really just needed some time to goof off. I can write later, it’ll be fine.”

Mid-day.

“Okay, wow, that was great. Maybe I should start writing now. But I better check my email first. And I’ve got to call Kathy too. Plus my desk is disorganized, I’ll never be able to concentrate on my writing, I better clear it off. THEN I’ll really be able to focus.”

Later.

“Where did the day go? I’m exhausted. There’s no way I can write now. I better just start over tomorrow. I can write early, when I wake up. That’ll get me back on track.”

And, repeat.

Conversation 2. The Recovered Procrastinator

Daybreak.

“I get to take today off! I hit that major milestone with my draft yesterday. I’m going to celebrate today by putting my feet up and savoring a full, glorious day of guilt-free indulgence and enjoyment. Then back to the writing tomorrow, until I hit the next milestone.”

And, repeat.

What a difference, right?

And the best part is how it FEELS inside. So. Much. Better.

Your turn

What do you think? How does procrastination FEEL to you? How does truly rewarding yourself feel when you’ve made a major accomplishment? What’s that worth to you?

Share your comments on the blog.

Warmly,

 Jenna

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Are success and failure really opposites?

A couple of weeks ago I wrote a post called “What is failure? What is success?

As I went to publish the post, I searched for a graphic to go with it, and I was so struck by how the graphics I found showed success and failure as opposites — two things moving away from each other.

Here you can see what I mean:

failure & success

Or this version:

Success and Failure Road Sign with dramatic clouds and sky.

Pretty much the same thing, right?

Here’s another one:

Success And Failure Photo

The problem I have with these graphics is that they defy logic. I guess we’re supposed to assume that at a key crossroads in our lives we have to make the “right” decision in order to succeed. If we don’t make that “right” decision, we’ll fail. And sure, I suppose there are some truly right and wrong answers, but particularly when it comes to something like “success”, which can have so many different relative definitions, how can there always be one clear answer?

As I discussed in my earlier article, Thomas Edison made endless numbers of attempts to perfect his lightbulb. Were those attempts “failures”? Sure, I suppose in some sense they are. But didn’t those “failures” ultimately lead him to success?

And doesn’t make these graphics inherently flawed?

When you think about it, showing success and failure existing in opposite spaces is a perfect example of a “fixed mindset” versus a “growth” mindset, like Carol Dweck writes about in her book, Mindset: The New Psychology of Success.*

Dweck says that a fixed mindset is a belief that “your qualities are fixed in stone” and creates “an urgency to prove yourself over and over.” This kind of thinking leads us to believe that we only have a certain amount of talent, intelligence or character and there’s nothing we can do to improve it — save possibly making the “right” choices.

This ties right into this black or white thinking of success and failure existing only as opposites.

The growth mindset on the other hand, is “the belief that your basic qualities are things you can cultivate through your efforts.” This means that “a person’s true potential is unknown (and unknowable); that it’s impossible to foresee what can be accomplished with years of passion, toil, and training.”

If we adopt more of a growth mindset about success, it seems to me, we want a graphic that looks something more like this:

pathtosuccess

Or even like this:

pathtosuccess2

Your turn

What do you think?

I’d love to hear your thoughts in the comments on the blog.

Warmly,

 Jenna

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What is failure? What is success?

I got into a fascinating dialogue with one of my Called to Write Community members the other day, which blossomed into a topic on our live coaching call yesterday, and I just can’t get it out of my head. 

She’d been musing with a friend over  “whether or not failure should be a factor in deciding whether or not to pursue a big project. How big a chance of success do you need to feel energized about what you’re doing? How much do you have to enjoy the task itself in order to keep moving forward when the chance of success is small? What do you do when the chance of success seems very low and you hit a snag that removes your enjoyment of the process?”

In turn it got me thinking about failure.

What is failure?

What is failure really, except one attempt that hasn’t worked?

And if we keep failing and failing and failing again, aren’t we that much closer to “succeeding?”

I’m reminded of Thomas Edison’s many light bulb creation attempts and how he saw each “failure” as information — he had discovered what didn’t work.

I’m also reminded of this excerpt of lines from the movie Contact, one of my favorites of all time:

Executive: “We must confess that your proposal seems less like science and more like science fiction.”

Ellie Arroway: “Science fiction. Well you’re right, it’s crazy. In fact, it’s even worse than that, nuts.”

[slams down her briefcase and marches up to the desk]

Ellie Arroway: “You wanna hear something really nutty? I heard of a couple guys who wanna build something called an ‘airplane’, you know, you get people to go in, and fly around like birds, it’s ridiculous, right? And what about breaking the sound barrier, or rockets to the moon, or atomic energy, or a mission to Mars? Science fiction, right? Look, all I’m asking, is for you to just have the tiniest bit of vision. You know, to just sit back for one minute and look at the big picture. To take a chance on something that just might end up being the most profoundly impactful moment for humanity, for the history… of history.”

All too often, success requires an incredible level of risk, vision, perseverance, and belief — and we have to find it within ourselves to generate those necessary ingredients.

If we define failure as not achieving the results we are pursuing, we can choose to try something new, rather than defining it as a personal failing, or even defining it as a failure at all. We can think of it as information.

We often are told that we have to define success on our own terms.

Perhaps we should also define failure on our own terms.

We each have to know, individually inside ourselves, when it is time to “call it” and walk away from an idea or a project or an attempt and when we need to keep forging ahead. (Seth Godin talks about this more in his book The Dip). My experience is that we’re usually closest to a breakthrough when our inner critics and our fears are screaming at us in the loudest possible voices, which is when we’re most likely to quit.

Those voices usually say something like, “You’ll never make it. You’ll never figure it out. You’ve failed, you’re a failure.”

And I think that if we define failure as a personal flaw or character deficit, we will be more likely to walk away from a project too soon in the process.

And isn’t it really about enjoying the process as well — whatever IT is? Light bulbs, writing, painting. Whatever it is for you.

What is success?

And what is success?

Is it when we get paid? Or paid a certain amount of money?

Is it when we get recognized?

Is it when people like it?

Did Joss Whedon (one of my writing heroes) only really succeed when The Avengers was so financially successful? Or had he succeeded far earlier than that?

Is it something we only know when we get there?

And then what? Isn’t there more after that anyway? It’s not usually like it is in the movies, where we reach a “final” climactic success and the credits roll, right? Life goes on.

Just like it does after a “failure.”

Make your own definitions

When I took a class with Corey Mandell, he talked about defining our successes based on something that we actually have the ability to control, like finishing our projects, writing or working prolifically, picking out skills we want to develop further and strengthen for ourselves, honing our craft, and building a solid writing habit.

When we define successes and failures on extrinsic variables we can’t control, well, as Corey said, “Welcome to hell.”

Your Turn

So how have you defined success and failure so far? Might you adjust your definitions to bring them within your own control? What would that be like for you?

I’d love to hear your thoughts in the comments

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Creating amid chaos

One of the things writers mention often in the Writer’s Circle is their physical environments. Particularly clutter — how to deal with all the paper and more. I’ve promised to have a guest post soon from one of my favorite clutter experts, so stay tuned for that.

In the meantime though, I wanted to bring up this question of clutter from a couple of different meta angles: sensitivity, energy, and life purpose.

Craving the relief from chaos

For a sensitive person, clutter is an energy drain because it’s overstimulating (one of the biggest challenges for a sensitive person). It affects your energy to work in a messy room because there’s so much more to pay attention to.

Mind you, that doesn’t stop me from doing it when push comes to shove, and in fact, my office is messier than I’d like it to be right now. At least on the surface. Underneath though, it’s fairly well-organized, so it’ll be a quick trick to whip it into shape.

Avila Beach Master Plan

One of my “huge” drawings from back in the day. :)

When I create in chaos, I’m reminded of my old urban design days, where I used shuffle piles of huge drawings late into the night, struggling to meet whatever deadline I was targeting. My office mate used to say she loved to watch me “clean up” when I finished a project, because no matter what was coming down the pike (even if there was another deadline looming), I had to stop and put everything away before I could continue.

And I do find that I can work in a cluttered space for a time, but then I crave a certain kind of relief for it, a spaciousness that leaves room for my brain and my creativity to operate more optimally.

The energy of clutter

On an energetic level, sensitive people are more tuned into the stuff around them. I’ve always felt that we “carry” the stuff that’s around us, and as it stacks up, we begin to feel more and more burdened by it. And why wouldn’t we, if we’re carrying such a heavy load?

The cool thing about dealing with clutter is that we can work with it on a couple of different levels — both the practical mundane level and the energetic level. For instance, on the practical level, you can sweep it into a box and hide it temporarily (you’re only allowed to do this if you schedule time on your calendar to deal with it :) ) or you can stop what you’re doing and take the time to put it away.

Or you can approach your clutter on an energetic level and use energy clearing techniques to get the stuck energy broken up around the stuff so that it becomes easier to put it away. Someday I may teach my “space clearing energy skills” class again, but for now, try clapping your hands over the piles of clutter and see if you can dissipate the stuck energy that way.

Are you writing or speaking enough?

Many of the clients I work with have a “Lines of Genius” gift marking, which means they are called to be a “gifted author and speaker with a special message for a large audience,” or they have a “Messenger” life purpose. Very often, people with this gift marking or purpose will be cursed with piles of paper and endlessly shuffling them around, feeling like they’re spinning in circles.

The solution? Write and speak.

Put the clutter away, clear the decks, and start writing. Schedule the time on your calendar to deal with the clutter incrementally, but don’t let it stop you from writing, or it’ll just get worse. :)

diamonds2

writerscirclepostOne of the things we love about the Writer’s Circle is that it really helps you put the focus on your writing, first. If you need a little nudge in that regard, the next session starts soon, and we’d love to have you join us. You can find out more and register at http://JustDoTheWriting.com.

diamonds2

Your turn

We’d love to hear from you in the comments. Is clutter holding you back? How does it feel to you energetically? Is there anything it’s getting in the way of you doing?

Warmly,

 Jenna

 

If this was your wake up call, what would it be?

Seems like every time I turn around, someone I know is going through something big:

… Friends with cancer.

… My father facing health challenges.

… A neighbor’s house catching on fire.

… My cousin’s husband dying.

… Even my own roll-over car accident a few years back now.

The circle of those affected feels like it’s getting closer to me, like a tightening loop.

And it’s got me to thinking…

 

…Is there anything I’m not paying attention to that I want to be?

Am I going to wait for my next wake-up call, or what if I just paid attention now?

 

Change the rules that keep you in the dark.

Last night, we saw The Croods. I loved the message at the end: “We changed the rules that kept us in the dark.” (I love that they really spelled it out; it’s a kid’s movie after all.)

And that got me to thinking even more.

How am I keeping myself in the dark, operating out of fear rather than reaching out for tomorrow? Or living for today for that matter?

As writers and creatives, one of the biggest challenges we face every day is our fear. No wonder we act like we’re confronting our own mortality. On some level we are.

But I don’t like this question.

I’ve never liked how people say, “If you knew were going to die tomorrow, what would you do today?”

Maybe there’s something too cynical about me to fully appreciate that question, but there are things I commit to doing on a regular basis that I’m darn sure I wouldn’t do if I knew I’d be dying tomorrow, but I can’t live like that on an ongoing basis. Things like exercising and flossing and making sure my kid’s lunch is made, that yeah, I don’t think I’d pay attention to if the world was going to end.

On the other hand, I’m okay with it in the big picture.

But what about the big picture of our lives? I’m down with looking at that and making sure that what we’re doing matches with where we want to be now and where we want to end up.

Writing.

It wasn’t too long ago that I got the message, “Write like your life depends on it.”

And I’m writing every day now, which is a heck of a lot more than I was doing at the time. Which was rarely, if at all.

But am I writing like my life depends on it?

Not yet.

So am I going to wait for the next cosmic two-by-four, or am I going to do something about it?

Well, you already know the answer, right?

Do something.

Saturday I got out a pad of paper and started redesigning my schedule to put the focus on more writing. It’s not quite where I want it to be, so I’m going to do some more work on it today. And then I’m going to begin the process of shifting my schedule more and more in that direction. It’s okay with me if it takes a little while to shift; it’s a kind of gradual herding things into the right corrals. But it works.

Having fun.

The other persistent message that I simply have to do something about is FUN.

I’m good at working hard, you probably know that about me by now.

And I’m fairly good at really luxuriating when I give myself the chance. (I just love taking days off and putting my feet up and watching movies and eating great food and treats.)

But I just don’t give myself the chance very often.

I come from a long line of self-sacrificers and workaholics and the buck is going to have to stop here, now.

The funny thing is, I’m still not sure what I truly want it to look like, this fun thing. Writing is fun, but it’s also work.

I think it’s more about lightness of spirit and regular adventures. I hesitate to schedule time for fun. But I also used to hesitate to schedule time for writing, and look where that got me!

What if fun was worth making time for?

That sounds like a ridiculous question even as I write it.

But sometimes my brain needs an excuse to think of things in a new way.

Being appreciative and being present.

And last, I think my perhaps my biggest one, is about appreciation and presence. I’m so good at appreciating things in other people, but not so good at appreciating them in my own life. This is huge, and hard to admit. I’ve got more work to do here.

My recent tech shabbats have shown me about the power of being present and not checked out into my own little world. So I’m getting there. And there’s more. There always is.

What about you?

If this was your wake-up call, what would it be?

What is the voice of your spirit asking you to pay attention to right now?

What have you been neglecting but you know, deep down, you want to attend to?

If the Universe was going to give you a whack upside the head with a cosmic two-by-four, what would it be trying to tell you?

Your turn

We’d love to hear from you in the comments. Anything you’re tolerating? Ignoring? Things you know you want to do but aren’t? What if you chose to tackle them head-on? I’m sure I’ve got a few more of them. Seems like it’s time for an inventory.

Warmly,

 Jenna

Coming Attractions

~> Monday, April 8th. Through April 8th, my OnDemand webinar, “10 Practical Tips for More Consistent Productive Writing“* with the Writer’s Store is on sale. Use the code ONDEMAND413 at checkout to save 50%.

~> Thursday, April 18th. Register by April 18th for the next session of my Writer’s Circle (starts April 22nd). Build a solid habit of daily writing and finish all your writing projects: http://JustDoTheWriting.com.

 

What I'm Up To

~> Writing. I’ve finished my read-through of Progeny and now I’m starting in on the editing and polishing in earnest. I’m also beginning to outline my next project, tentatively called Do Over, which will be a sweet little time travel romance. Can’t you just see it already?

~> Unplugging. Friday sundown to Saturday sundown. Join me!

~> Reading. Finished How to Train Your Dragon: How to Cheat a Dragon’s Curse* with my son. Now we’ve started in on A Boy and His Bot* by Daniel H. Wilson. I also finished Crucible of Gold* by Naomi Novik (loved it!) and then plowed through a re-read of Do The Work* by Steven Pressfield in one afternoon. Next up is finishing Adventures in the Screen Trade* by William Goldman and then tackling Making a Literary Life* by Carolyn See. Or maybe the other way around. I never do like rules. :)

 

Thanks for reading.

 

* Affiliate link

Fighting writing resistance

One of the greatest bugaboos of writers (and creatives of all sorts) is resistance.

Ah, resistance.

Resistance is that unseen force that repels us from writing (or eating our vegetables or doing other good things we know will move us forward in our lives). We’ve talked about resistance here before, including why we procrastinate, especially about the stuff that really matters.

In my Writer’s Circle group we often talk about the ways to face and battle resistance — it’s something that must be overcome pretty much every day, in order to sit down to write. (Or floss. Or exercise. Or take your vitamins. Or keep your resolutions.)

One of the very best antidotes to resistance is creating a solid writing habit. (Just like a habit of going to the gym makes is so much easier to keep going.) Once you’ve got the habit in place, you stop thinking about it, and you just do the work.

But resistance is tricky!

One of our Writer’s Circle writers mentioned the insidious nature of resistance, and how sneaky it is. I was instantly reminded of a story that illustrates resistance all too well and posted it on our forums for our participants. I thought you might like to see it too.

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In one of my favorite fantasy books, Seventh Son by Orson Scott Card (part of his excellent series, The Tales of Alvin Maker), there’s a scene that I think describes how resistance operates very well. Keep in mind that it operates in a positive way in this story, at least from the protagonist’s point of view, but from the antagonist’s point of view, it thwarts him to no end.

Here’s the scene:

Alvin is a young boy with innate magic abilities, a force for good in the world, and a natural “Maker” — someone with a knack or talent for making things. Reverend Thrower, the local preacher deeply opposed to the folk magic Alvin practices in his community, has been instructed to kill Alvin by the “Unmaker.” When Alvin is injured, Thrower is asked to perform a surgery on Alvin’s leg, and Thrower sees his chance. He goes into the room where Alvin is resting to do the surgery with a knife and bone saw, with the intent to kill Alvin with the tools.

But when he gets into the room, he realizes that he’s left the tools outside the room. So he goes to get them. And then goes back into the room. And realizes that he’s left the knife and saw outside. Again. And then it happens again, even with other people trying to go and bring the tools into the room. Somehow this force of resistance simply will not allow Thrower, the knife, and the saw to be simultaneously in the room in Alvin’s presence. And it keeps happening, endlessly, until somehow Reverend Thrower finds himself a half-mile away from the house, walking away from it.

diamonds2

Now again, I realize, this is a positive kind of resistance, because it’s a benevolent force protecting Alvin’s life from Thrower.

But at the same time, I have always been mesmerized by the notion of this man who is so determined to do something, but an unseen force acts against him repeatedly, despite the strength of his intention and will.

This is how I see resistance to writing. An unseen force that will do whatever it can, trick us however it may, into “staying out of the room” or not sitting down to write, as if somehow butts in seats and fingers on keyboards are mutually repellant forces.

Vigilance is required.

The force of resistance must be met anew every single day.

This is why I keep writing every day, pretty much, and doing it early, because it’s SO MUCH EASIER than having to think about it and wrestle my way through the mountain of resistance and procrastination and guilt and shame that comes up when I wait to do it later in the day.

Everyone I talk to about how I get up to write early thinks I’m so disciplined and determined, and it’s true in some ways, I am.

But — think what you will — to me it feels like I am taking the easy way out. I know that sounds crazy. But I feel it inside me, that writing early, having that regular habit, actually makes it easier to keep doing it than it is to stop, and so much of the daily struggle over when I will write or will I write or how long am I waiting to write, etc., it’s just gone.

Gone.

Your turn

I’d love to hear from you. How does resistance show up for you? What are your best tricks to sneak past it?

Build the habit to overcome your own resistance

Join the Writer's CircleIf you’re a writer struggling to overcome your writing resistance, join the next session of our Writer’s Circle. We’ll help you build a regular, consistent habit of writing so the battle to overcome resistance each day gets easier. Plus, you’ll have a great community of support, working alongside other writers committed to showing up and doing the work. Find out more and register here: http://JustDoTheWriting.com

Warmly,

 Jenna

 

The trap we all fall into

I spoke with a sister writer yesterday and we talked about the many, many challenges we face when it comes to completing projects, let alone getting them out there into the world.

As moms and working women, we said, there’s always so much that has to be done, so many dishes to wash, noses to wipe, and deadlines to meet. Then if you start factoring in other people’s needs and wants (especially when you put them first) it’s all too easy to let your precious soul’s work slip to the bottom of the pile.

I’ll get to it later

If you’re like most people, you’re probably going through the day thinking that you’ll get to it later — whatever your “it” is, that creative work you’re endlessly postponing for another day, whether it’s writing or painting or drawing or finally getting the word out about your work — but that later never comes.

Or maybe you’ve promised yourself that you’ll work at the end of the day, but quite frankly, you’re exhausted.

The trap

The trap is that you’re aiming to clear the decks first, thinking your brain will finally have the space it needs for the creative work.

You figure you’ve got to get to Inbox Zero or handle all those administrative tasks or answer so-and-so’s Very Important Message first. Then you’ll be able to focus.

But.

Those things are like tribbles from Star Trek. They multiply at an exponential rate of growth, and if you persist in putting them first? They will literally devour your time.

And right now, you are letting them do that.

It’s time to stop.

How?

Let’s face it. Life happens. Life can be busy. It doesn’t have to be, but it often is, in this culture, in this era.

There will always be more email.

There will always be more to do. More information. “Opportunities.”

And we get to choose how we respond to that stuff, or not.

Do you want to organize your life around it?

Or do you want to organize your life around what is most sacred to you?

Your deepest, soul-level priorities.

What does that even look like?

For me, that is my writing and my family, period.

So guess how I spend my mornings?

I wake up, and I snuggle with my son. When we feel ready, he goes to play with his dad and have breakfast while I write for 30 minutes. It’s not a huge amount of time, true, but I do it 6 days a week.

I’ve also corralled my business, for the most part, into regular, day time hours. Rarely does it spill over into the night or onto the weekends. Why? So I can be with my family in the evenings and focus on my son.

Doesn’t mean my life isn’t hectic. Doesn’t mean there aren’t still things I want to change. But I’m working on them incrementally, moving them to the place I want them to be. Just like a writing project, bit by bit.

The key

The key to all this comes from a few simple notions.

1. Your creative work is what you were put here to do and is therefore of the utmost importance to you, your life, and your soul’s fulfillment (and even as a role model for your kids).

2. In order to fulfill that work, you must design your life around it and make sure its priority level is reflected in the day-to-day choices you are making.  (I can help you with this in my mentoring programs.)

3. Then you must protect that sacred work time — I call mine my sacred writing time — like your life depends on it. It does.

Your turn

I’d love to hear from you. How do you protect your creative or writing time?

Warmly,

 Jenna

Coming Attractions

~> THIS FRIDAY: March 8th at 11 a.m. Pacific — Your Creative Next Steps. If you enjoyed my Creative Productivity TeleClass Series and you’re wondering about the next steps to put what you learned into practice, you’ll want to join me for this free information call next week. I’ll walk you through identifying your next steps and fill you in about details about how I can support you along the way through my 1:1 mentoring programs. Sign up here: https://calledtowrite.com/nextsteps

~> March 21st: Register for the next Writer’s Circle session. Register by March 21st for the next session of my Writer’s Circle (starts March 25th). Build a solid habit of daily writing and finish all your writing projects: http://JustDoTheWriting.com. We’re running four groups of fantastic writers right now and it’s a ton of fun. Come join us!

 

What I'm Up To

~> Daily writing. DONE! I’m done with the rough draft of my rewrite of Progeny!! (And now the real work begins.)

~> Reading How to Speak Dragonese* with my son. Reading Crucible of Gold* by Naomi Novik and Adventures in the Screen Trade* by William Goldman.

 

Thanks for reading.

 

* Affiliate link

Learning from endings

I’ve finished the rewrite of my script.

And I’ve learned so much about endings as I’ve approached this one. It’s a different scenario from the usual drill of having a forced, external deadline. This one has been entirely internally motivated. There’s no due date, there’s no have-to.

Look at the pony show

And the fancy tricks I started to pull at the end were very creative. Hilarious, in point of fact.

As soon as I could “see” the end — when I had it in my sights and knew it was only a matter of about 10 to 15 pages to get there, my insides got all squirrely. I decided I wanted to finish it right then, even if it took me the rest of the day.

When reality struck and I realized I had other work that had to come first (I am running a business here), I found myself wanting to postpone working on it again until I had a Long Block of Time to write (the precise opposite of what I recommend). What a joke! I got myself back onto my regular, moderate, well-paced schedule of 30 minutes a day pretty quickly once I caught on to the dog-and-pony show my inner critic was putting on.

I also found that my inner critic fired up a whole new level of criticism — she’s been pulling out all the stops, laying it on fast and thick, “It’s not as good as the last draft. You’ve wasted your time, it’s still no better. This still isn’t marketable.”

Good thing I know better than to listen to all that.

Creative expression is deeply vulnerable

Here’s what I also know to be true — part of me IS scared, and that’s okay. I just can’t — and won’t — let it stop me. I only need to acknowledge it and move on. It’s a big deal, after all, bringing something into being. It’s bound to stir up fear and vulnerability.

Shame researcher Brené Brown says that there’s nothing more vulnerable than creating something that has never existed before.

She’s right.

I’ve also heard it described as being like taking down your pants, in public, very… very… slowly.

It’s no wonder so many of us hesitate when it comes to completing our work.

It’s all about the fear — and the old wounds

So many of us have been so wounded around our creative expression, it’s no wonder we hold back when it comes to “shipping.”

Shipping, in case you’re wondering, means completing and delivering our work, whether it’s a website, book, ebook, script, painting, or widget.

I can’t tell you how many people I see never shipping their work, full of excuses, not realizing it’s really fear that’s stopping them. (If you want help keeping your fear and doubt from stopping you, my new mentoring programs will help. More on that next week.)

It happens with so many different kinds of projects — getting almost to the completion point and then deciding we’re “stuck” or “bored.” Websites that never go live. Ebooks that never get published. Scripts that languish in endless revisions.

It’s all just smoke and mirrors

Stuck is a smokescreen for fear.

Bored is a smokescreen for fear.

The fact is, we are terrified. Getting to the end of a project stirs up all our issues around being seen, heard, scrutinized, read, listened to, failing, succeeding.

But in the end, isn’t it better to try?

Brené Brown brought this quote from Theodore Roosevelt to my attention, “It is not the critic who counts. It is not the man who sits and points out how the doer of deeds could have done things better and how he falls and stumbles. The credit goes to the man in the arena whose face is marred with dust and blood and sweat. But when he’s in the arena, at best he wins, and at worst he loses, but when he fails, when he loses, he does so daring greatly.”

I’d much rather try and “fail” then never to try at all.

Your turn

I’d love to hear from you. What’s your experience with completion? Do you keep going until the end? Waffle? Run out of steam? Get bored? Are you daring greatly? Dipping in a toe or diving in? Does the fear of failing stop you?

Warmly,

 Jenna

Coming Attractions

~> March 8th at 11 a.m. Pacific — Mark your calendar! If you enjoyed my Creative Productivity TeleClass Series and you’re wondering about the next steps to put what you learned into practice, you’ll want to join me for this free information call next week. I’ll walk you through identifying your next steps and fill you in about details about how I can support you along the way through my 1:1 mentoring programs. More information on its way soon! Watch your inbox for details about how to sign up.

~> March 21st: Register for the next Writer’s Circle session. Register by March 21st for the next session of my Writer’s Circle (starts March 25th). Build a solid habit of daily writing and finish all your writing projects: http://JustDoTheWriting.com. We’re running four groups of fantastic writers right now and it’s a ton of fun. Come join us!

 

What I'm Up To

~> Daily. Working on rewriting my script, Progeny, with my mentor Chris Soth after finishing the ProSeries. Just about done!

~> Reading How to Speak Dragonese with my son. Finished ScriptShadow Secrets* by Carson Reevesa great one!

 

Thanks for reading.

 

* Affiliate link

Write first thing in the morning? Are you crazy?

Back in November 2011, I wrote a post about why I’ve been getting up at 6 a.m. to write. It’s something I often encourage writers to try, especially those that are struggling with resistance and / or struggling to find time to write.

In my Called to Write community, one of our writers found a study showing that your optimal creative time may actually be the opposite of your peak cognitive time. It’s sparked quite the discussion and has inspired some of our members to give morning writing a try. I have it in my mind to write a guide to morning writing, and I thought I’d start off with an article about it first.

The basic principle

The basic principle of writing first thing in the morning is that it’s about doing the hardest work first.

And by “hardest,” we don’t necessarily mean the most difficult, though it may match up.

We’re talking about doing the work that triggers the most resistance at your first available opportunity.

What does “first available opportunity” mean?

When I first started writing daily with Called to Write, my routine was that I would take my son to preschool, get back to my desk around 9 a.m. — my theoretically first available opportunity — and then write. Except not. Because I kept getting sucked into email and work. It was during work hours, and I felt hard pressed not to be focused on income-generating activities.

At least that was the story I told myself.

The deeper truth is that once I was awake for that many hours, my fear — as represented by my inner critic — was a heck of a lot louder by that point in the day when I was fully awake.

So I decide to try the morning writing gig and see how it felt. As an experiment.

Why it’s advantageous to write first thing in the morning

I first came to the notion of morning writing after reading about several writers that swore by it. Since they were pros, I figured they must know something that I didn’t. So I thought I’d give it a whirl and see how it went.

Here’s what I found:

  • The longer I’m awake, the more opportunities I have to procrastinate. Writing first thing helps me circumvent my natural tendency to avoid the very work I’m called to do.
  • My inner critic is much, much more quiet first thing in the morning. I don’t have to work so hard to keep those gremlins at bay when I’m still sleepy.
  • Because I’m writing regularly, it doesn’t take more than a minute to find my place in my work from the previous day and start writing again.
  • I spend the rest of the day in a greater state of calm because I’ve met my goal for the day. It doesn’t hang over my head, nag at me, or make me feel guilty if I haven’t done it yet.
  • I’m wasting a lot less time doing meaningless things at night because I’ve adjusted my sleep schedule to get up earlier.

Common objections to writing in the morning

Whenever I mention this idea to writers — usually the ones struggling most with resistance and procrastination or time management — the most common objection I hear from people is that they are “not morning people.” And it seems like people have natural rhythms they’re naturally drawn to.

The funny thing is that I can tell you truly, I am not a morning person. When I first started my coaching practice, I was delighted to realize I could start my days whenever I wanted to — which was late. I loved the fact that I didn’t have to set an alarm clock and that I could schedule my first clients at noon. I loved sleeping in late and staying up late. It fitted with my natural rhythm.

Now, however, I love being up earlier in the day.

I love the fact that I can get so much done before 10 a.m. and feel like I have the whole day ahead of me.

I also love going to bed earlier (lights out by 9:30 is the target), because I use my awake hours much more wisely. (And by the way, I suspect there wouldn’t be so many night owls if we weren’t “biased” by electric lights.)

Things to keep in mind as you shift your schedule

If you decide to give morning writing a go, here are a few things to keep in mind.

  • Start by setting an alarm clock for 30 minutes earlier than your standard wake up time, then push it 20 to 30 minutes earlier each day until you hit your target.
  • Also give some thought to how much writing you want to do each day. You’ll be able to gauge how early you want to get up depending on your writing goals for the day (and remember, as we teach in my Writer’s Circle, it’s perfectly okay to work in small increments — even 5 to 15 minutes a day is great, especially as you’re building the habit.)
  • I’ve found that it’s easier just to be tired for the first few days and to go to bed early those nights to help myself make the shift. At least for me, it just prolongs the discomfort if I decide to sleep in a few days, take naps, or otherwise try to make the change gradual.
  • Be clear that you will need to go to bed earlier to make this work. I’ve seen other writers still trying to burn the midnight oil AND get up at dawn. That’s ultimately a drain on your creative well, and you won’t be able to run on empty for long. So determine how many hours of sleep you need, and do the math so you know what time you need to go to bed.
  • Give yourself about one to two weeks to get used to the change. It doesn’t happen overnight.

It’s a grand experiment

As you embark on this, think of it as an experiment. See what you notice about how you feel about your work and what you notice about your stress levels during the day after you’ve done your writing. You won’t really know if it works for you or not until you try it.

Join us for the ongoing journey

Called to Write is an ongoing monthly membership community where you can experiment with your writing habit, see what works, see what doesn’t, and end your isolation as a writer by writing alongside other writers committed to showing up and doing the work. Find out more and register here: https://calledtowrite.mn.co

Your turn

I always love to hear from you. Have you ever tried writing (or working) first thing in the morning like this? What did you discover? Share with us in the comments area below. 

Warmly,

 Jenna

 

 

 

When are you a writer?

Writers often come to me saying that they haven’t bought in to the notion of being a writer “yet.”

If you’re feeling that way, the reasons can run the gamut.

It can come up when you aren’t writing consistently.

Or it may be that you feel like you aren’t a “real” writer because you haven’t been published, sold anything, or been hired to write anything — yet. Or that you’re not earning your full time living from your writing yet.

It can also come up in the way that you think about yourself and who you are in the world.

The two most powerful words in the Universe

The two most powerful words in the Universe, according to my spiritual teachers, are “I am.”

“I am” is a phrase we use to define ourselves.

When it comes to writing (or any endeavor of the heart, for that matter), how are you describing yourself?

I shudder when I see people say, “I am a struggling filmmaker” or “I am an aspiring writer.”

I do not think that means what you think it means

My shudder may be more apparent to you when it comes to the first phrase, “I am a struggling filmmaker,” but just in case, let me explain. “I am struggling” is the key phrase in that sentence, not “I am a filmmaker.”

The phrase, “I am struggling” sets you up to experience, focus on, and even seek out struggle. Our subconscious minds are like drive through window servers, saying, “And would you like a side of fries with that struggle?” 

Your subconscious mind doesn’t judge or evaluate the quality of where you are putting your attention or whether it is the “right” thing for you. It simply sets out to fulfill the request. “Okay, struggle, let’s see, how can I create some of that?” And voilà, it’s yours.

Similarly, in the second example, “aspiring” is the key word. When you say you are an “aspiring” anything, you’re coding your subconscious to keep you perpetually in the mode of aspiration — never actually reaching or achieving.

The debate ensues

I’ve had some interesting debates about my point of view with people online on this subject. One writer was very proud of and attached to the notion of struggle. He felt like he never wanted to give up the struggle to write, because it showed his determination to wrestle with the challenge of it all. I can see that.

I’ve also wrangled with a few folks over whether or not it’s “fair” for writers who haven’t been published yet to claim the “title” of writer. To them I say, and what of the script jockey who may never be “published” (if their work doesn’t make it to the silver screen) but are paid for their work? Or what of the writer who toils religiously for years without compensation or recognition? Are they not writers? Are they not engaged in the act of writing?

And what if you’re not writing consistently?

For the writers in waiting who want to write but feel unjustified in claiming the title because they aren’t writing much or at all, the difference will come when you begin writing regularly.

“Writers write” is one of those brilliant truisms that applies best in spirit. By that I mean, the very act — the practice of writing regularly — is what brings truth to the title.

When you want to write

I’ve said before that Joss Whedon (a screenwriter I admire very much who wrote Firefly, Serenity, and The Avengers) almost did me in when I saw that he had said, “You either have to write or you shouldn’t be writing.” At the time I wasn’t writing “enough” (my own standard) and I felt that since I wasn’t driven by passion to write frequently and fervently, maybe I didn’t have what it takes.

Wrong.

What I lacked was the knowledge of the basics about being a productive, consistent writer. I didn’t have the tools I needed to know where to start, or how to manage myself in such a way as to be an effective, regular creator.

Permission is everything — and it comes from within

I also held back from giving myself permission to claim the title of writer.

In the end, they came together. I did some NLP work on my creative identity as a writer and redesigned my life and my work around my writing (I can help you with this too, coming soon).

And once I was taking regular action to write, I became the writer I know myself to be.

Your turn

I always love to hear from you. What do you think, when is a writer a writer?

Warmly,

 Jenna