When are you a writer?

Writers often come to me saying that they haven’t bought in to the notion of being a writer “yet.”

If you’re feeling that way, the reasons can run the gamut.

It can come up when you aren’t writing consistently.

Or it may be that you feel like you aren’t a “real” writer because you haven’t been published, sold anything, or been hired to write anything — yet. Or that you’re not earning your full time living from your writing yet.

It can also come up in the way that you think about yourself and who you are in the world.

The two most powerful words in the Universe

The two most powerful words in the Universe, according to my spiritual teachers, are “I am.”

“I am” is a phrase we use to define ourselves.

When it comes to writing (or any endeavor of the heart, for that matter), how are you describing yourself?

I shudder when I see people say, “I am a struggling filmmaker” or “I am an aspiring writer.”

I do not think that means what you think it means

My shudder may be more apparent to you when it comes to the first phrase, “I am a struggling filmmaker,” but just in case, let me explain. “I am struggling” is the key phrase in that sentence, not “I am a filmmaker.”

The phrase, “I am struggling” sets you up to experience, focus on, and even seek out struggle. Our subconscious minds are like drive through window servers, saying, “And would you like a side of fries with that struggle?” 

Your subconscious mind doesn’t judge or evaluate the quality of where you are putting your attention or whether it is the “right” thing for you. It simply sets out to fulfill the request. “Okay, struggle, let’s see, how can I create some of that?” And voilà, it’s yours.

Similarly, in the second example, “aspiring” is the key word. When you say you are an “aspiring” anything, you’re coding your subconscious to keep you perpetually in the mode of aspiration — never actually reaching or achieving.

The debate ensues

I’ve had some interesting debates about my point of view with people online on this subject. One writer was very proud of and attached to the notion of struggle. He felt like he never wanted to give up the struggle to write, because it showed his determination to wrestle with the challenge of it all. I can see that.

I’ve also wrangled with a few folks over whether or not it’s “fair” for writers who haven’t been published yet to claim the “title” of writer. To them I say, and what of the script jockey who may never be “published” (if their work doesn’t make it to the silver screen) but are paid for their work? Or what of the writer who toils religiously for years without compensation or recognition? Are they not writers? Are they not engaged in the act of writing?

And what if you’re not writing consistently?

For the writers in waiting who want to write but feel unjustified in claiming the title because they aren’t writing much or at all, the difference will come when you begin writing regularly.

“Writers write” is one of those brilliant truisms that applies best in spirit. By that I mean, the very act — the practice of writing regularly — is what brings truth to the title.

When you want to write

I’ve said before that Joss Whedon (a screenwriter I admire very much who wrote Firefly, Serenity, and The Avengers) almost did me in when I saw that he had said, “You either have to write or you shouldn’t be writing.” At the time I wasn’t writing “enough” (my own standard) and I felt that since I wasn’t driven by passion to write frequently and fervently, maybe I didn’t have what it takes.

Wrong.

What I lacked was the knowledge of the basics about being a productive, consistent writer. I didn’t have the tools I needed to know where to start, or how to manage myself in such a way as to be an effective, regular creator.

Permission is everything — and it comes from within

I also held back from giving myself permission to claim the title of writer.

In the end, they came together. I did some NLP work on my creative identity as a writer and redesigned my life and my work around my writing (I can help you with this too, coming soon).

And once I was taking regular action to write, I became the writer I know myself to be.

Your turn

I always love to hear from you. What do you think, when is a writer a writer?

Warmly,

 Jenna

 

 

 

When to look for a mentor — or not

The other day I spoke to prospective client.

She said, “I just don’t know how you can help me. I mean, I already know what I have to do, I just have to do it, right?”

The answer, on some level, is “Yes, of course.”

On the other hand, the beauty of having a coach or a mentor is that you have someone with you to help you through the tricky rough spots, to hold your hand when you lose your way, and to offer a fresh perspective when you can’t see the forest for the trees.

There are many different kinds of support like this out in the world, and the key is knowing WHEN you don’t need help and when you do.

How to decide if you’re not ready for mentoring right now, or maybe it’s time to move on

You might not be ready for mentoring right now, if:

  • You are having trouble listening to your own voice. Sometimes, and this is true for many seekers, we take in so much information, training, and guidance from other people that we lose sight of our own knowing. This is a good time NOT to work with a mentor, but rather the time to take a break, turn inward for a while, and tune into your own voice. The exception to this would be working with a coach or mentor who specializes in helping you access your own inner wisdom, guidance, and intuition rather than directing you with their own.
  • Your mentor has only one right way of doing things and/or isn’t teaching you to “fish” for yourself. Ideally you’ll want to have a mentoring relationship where your mentor is truly imparting the knowledge that will help you fly on your own, someday soon. If you’re working with someone who is just doing the heavy-lifting for you, you won’t get as much out of the relationship as you deserve.
  • It’s not in your budget or it’s not the right program. It is important to invest wisely in mentoring. I’ve seen far too many people invest ridiculous amounts of money in high-end coaching programs that sound good on paper but aren’t specific to their concerns, only to end up in debt and none the wiser for their experience (with the exception of a lesson in more judicious spending). Choose your mentors wisely, and make sure you’re investing in training and support that gets you to the specific outcomes you’re looking for.

How to decide if you’re ready for mentoring right now

You may be ready for a mentoring relationship now, if:

  • Even though you know what to do, you’re still not taking action. It’s one thing to know, it’s another thing to do. When all of your self-sabotaging gremlins rear their ugly heads and trip you up, do you know how to get around them? Do you persevere and get it done? Or do you call it a day? Having a mentor can make the difference between thinking and taking action. And THAT is where the rubber meets the road. In a recent post, I mentioned that I use multiple sources of accountability and mentoring in my life. Believe it or not, I’m not that good about following through on things unless I have significant motivation to do so. I use my mentors, like my screenwriting mentor and my business consultants, to keep me on track with much of my work.
  • You’re ready to stand in equal partnership with your mentor. You’ll want to work with someone who isn’t necessarily “above” you, though they may have more knowledge that you do in a particular area. I’ve learned the hard way to be exceedingly careful about putting anyone on a pedestal. Instead, I look for people to work with that I have the clarity of a peer-based relationship with. When I work with clients, I like to see us standing side-by-side, partnering to address the work at hand together, bringing all our expertise to bear.
  • You lose your way frequently. On the other hand, the beauty of having a mentor is that you have someone to hold the bigger picture for you, even when you lose your way. If you’re at all sensitive, as are many of my readers, you’ll be more likely to flounder when the boat gets rocked. Having a mentor who will remember of all your talents and abilities — especially when you can’t — is a powerful source of comfort and sustenance when the going gets rough.
  • You want to move faster than you can on your own. Having a mentor definitely has advantages when it comes to moving more quickly. In addition having accountability to keep you in swifter action, it’s incalculably faster and more effective to have someone to trouble-shoot, plan, and brainstorm with you than you can usually do on your own, particular if those aforementioned gremlins are throwing their unhelpful comments into the mix. 
  • You want the expertise and knowledge a mentor can offer. I choose to work with mentors who have a particular knowledge and expertise that I lack. Whether it’s writing a sales page or structuring my screenplay, I choose to hire folks I know I can both learn from and can help me do the work. I don’t want theory — I want practice. This is why I’ve always aimed to strike a balance between discussing the work and doing the work with my clients. I walk them through quieting their inner critics, writing proposals, working through detailed project timelines, and designing their writing schedules. Homework will only get you somewhere if you actually do it. Having someone to do the work with you? That’s where you know you’ll get the benefit for sure.
  • You want help applying that expertise to your specific circumstances. So often, we sign up for classes and programs but get lost in the anonymity of groups. When you want help with application of content specific to you, having someone that can focus with you on a precise project can make all the difference when it comes to translating from esoteric idea-land into practical get-it-done land. Which is where I love to live — in that bridge between worlds.

Your turn

I always love to hear from you. Let me know your thoughts.

Warmly,

 Jenna

 

Coming Attractions

~> Creative Productivity Next Steps. If you enjoyed my Creative Productivity TeleClass Series and you’re wondering about the next steps to put what you learned into practice, stay tuned for an announcement about a free information call with me coming soon. I’ll walk you through identifying your next steps and fill you in about details about how I can support you along the way through my 1:1 mentoring programs. Make sure you’re on my mailing list and watch your inbox for details coming soon.

~> Next Writer’s Circle Session. Register by February 21st for the next session of my Writer’s Circle (starts February 25th). Build a solid habit of daily writing and finish all your writing projects: http://JustDoTheWriting.com. We’re running four groups of fantastic writers right now and it’s a ton of fun. Come join us!

 

What I'm Up To

~> Daily. Working on rewriting my script, Progeny, with my mentor Chris Soth after finishing the ProSeries. Working now on Mini Movie Seven!

~> Reading The Rescue (Guardians of Ga’hoole, Book 3).* Watching Downton Abbey* (Season 3). Started up again on Michio Kaku’s The Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel.*

 

Thanks for reading.

 

* Affiliate link

 

 

 

7 tips for staying motivated by self-created deadlines

The other day I commented about how “It’s so tricky to be your own deadline-maker,” in my Called to Write Community site. One of our members wrote back and said, “If you have some tips on how to be more motivated by self-set deadlines, I would love to try them.”

So like last week, I’m continuing my theme of answering questions that have come up in my community that I felt would be useful for everyone to think about. (And before your eyes glaze over if you’re not a writer, don’t worry, you can use these techniques too.)

And here they are:

7 tips for staying motivated by self-created deadlines

As you read through these, see if you notice how I use external forces to keep the internal deadlines moving ahead.

1. Use Jedi mind tricks.

Find a reason to believe in the significance, importance, and the power of the deadline. If you create a deadline, but you internally decide that it’s flexible or not important, you won’t stay motivated by it. So find a reason that makes your deadline compelling.

For instance, my current compelling deadline for the ebook project I’m working on is the result of mapping out my launch calendar for 2013 with my business consultant, and it’s pretty clear that unless I stay more or less on track with it, there will be a rather significant snowball effect of Other Things Not Working, which will have a negative ripple effect throughout the entire year.

Of course, we built some wiggle room and flexibility into the schedule, but knowing that if I don’t meet my “ship date” for my ebook project, I’m only going to create stress and discomfort for myself. It’s highly motivating to keep me on track. (See also #2, taking care of your tomorrow self, below.)

Similarly, even if you don’t have an editor, agent, producer, audience, or manager (yet) clamoring for your latest project, you can find deadlines for it to help you stay inspired all the way to completion, like signing up for a contest and aiming to get your project submitted by their deadline.

In my case, I know I’m attending a series of meetings with producers in Hollywood this summer, so I have a deadline for finishing my script naturally built into my 2013 plan.

We can call these “self-created” deadlines, because we choose them ourselves — we make them extrinsic deadlines to help us stay motivated internally.

2. Take care of your tomorrow self too.

I have learned — finally, it’s been hard — to take care of my “tomorrow self” as well as my “today self.” When you’re tempted to slack off on your deadline, take the long view, and have compassion for the future self who’s about to bear the brunt of today’s workload.

When I’m only looking at things from the vantage point of my today self, even though I’d love to THINK that since there’s no big deadline looming on the immediate horizon, I can take the day to get caught up on small tasks and admin, when I remember to think of my tomorrow self, I know SHE’LL be the one to pay the price for that kind of thinking.

Pacing myself is good for all the versions of me — it keeps me happy now, today, tomorrow, and beyond.

3. If you can’t find a reason for the deadline, invent one.

Alternatively, if you can’t find any more natural means of making a deadline motivating, create one. My favorite tool here is something we call “social accountability,” and it has to do with promising at least one other human being that you’ll be delivering said project on a specific date, ideally at a specific time.

For instance, you can exchange projects for feedback or notes with a fellow writer on a certain date, or invest in a mentoring relationship where your mentor is waiting to review your work with you. I like to schedule appointments with my mentor in advance of having my next 15 pages written — it’s terrifically motivating to get me to complete them.

I also like to let my audience know when they can expect things. For instance, when you sign up for my mailing list, you’ll receive a welcome message letting you know you can expect to receive my weekly blog post in an e-zine format every Wednesday. To strengthen that deadline for myself, I’ve set up my mailing list system (Aweber*) to broadcast my blog post automatically at 6 p.m. Eastern Time, so unless I have it done before then, it won’t go out on time, which means extra work for me.

An accountability party is another powerful way to create a motivating deadline. I picked up this idea from Barbara Sher’s books. The idea is to host a party — you pick the deadline — where you’ll be celebrating the completion of your project with your friends and family.

4. If you don’t have a deadline, focus on taking consistent action.

One of the interesting aspects of my Called to Write Community is that it can help you stay motivated and taking action even when you don’t have a deadline. Writing projects are long-term commitments, and staying motivated by them can be tricky. But if you focus on taking small, consistent, daily action, as we recommend to our members, you WILL eventually reach the end of your project. You actually DON’T HAVE TO HAVE a deadline to get yourself into action.

Personally, I like to use all the methods I’ve described here in combination. I set myself up for the regular daily action, combined with self-selected externally motivated deadlines and invented interim deadlines. The way I figure it is this: The more the better. I use every trick in the book to keep myself going. And it works.

5. Reverse engineer your project and get super specific about the details.

Once you’ve gotten clear on your deadline, start dividing up your project into manageable chunks, whether it’s chapters, word counts, or time periods. You will likely be able to identify a natural increment you can work with. Then map that out over the time period you have allotted for your project.

For instance, with my ebook project, I have three ebooks that I’m aiming to write approximately 15,000 words for each, for a total of 45,000 words. This means that I can look at the time frame I have, divide it up into reasonable increments, let’s say 1125 words per day, 5 days per week, for 8 weeks. (And also, by telling you about it, I’m creating social accountability for myself. See what I did there?)

What’s motivating about this is seeing exactly what it will take to make my goal. That’s a fair bit of work, right? And if I don’t pace myself, I’ll end up paying for it in a big binge and burnout. Not fun, not pretty. And certainly motivating to avoid, albeit in a somewhat “I don’t want that” kind of way.

6. Set up time to actually fulfill the project.

Once you’ve reverse-engineered your project, then create time in your calendar for fulfillment. You can’t “ship” the thing until you’ve created it, right? So get out your calendar and carve out time, ideally first BEFORE you do all other stuff that normally eats up your day — I know you know what I’m talking about, but just in case: email, Facebook, Twitter, games, futzing around, etc — and be realistic about what you can actually accomplish.

I can write 1000 to 2000 words in an hour, depending on the topic, so I know I’ll want to have at least 5 hours per week carved out to meet my 1125 word deadline, working at a fairly brisk pace. Keeping in mind the big picture helps me get serious about keeping my head down and getting to work when that window of time rolls around on my calendar.

7. Do the work.

Once you’ve got the time on your calendar, be prepared for the resistance to show up. It’ll come in all forms — your mom calling just when you’re supposed to start writing, or an “urgent” email popping into your inbox, or the dirty dishes in the sink suddenly becoming alluring. Recognize that long-term projects, even with highly motivating deadlines, are darn difficult beasts to face. There’s always something more we’d rather be doing.

Something that helps me tremendously with this is my Called to Write Community. We write in group writing sprints, where we come online and write collectively for an hour together. I’ve learned to schedule my project writing time with the group sprints, so not only do I have it on my calendar, I also have accountability to actually show up and do the work.

It’s so motivating and helps keep me focused when I would otherwise be tempted to postpone my writing sessions.

Yep, even me.

So be ready, with every trick at your disposal, to fend off the voices that tell you that other things are more important. They’re not. Remind yourself of your big picture deadline, why you’ve designed it that way, and do the work.

Your turn

What works for you? You know I love to hear from you.

Experiment for yourself

If you’re a writer looking for community and support on your writing journey, join Called to Write. It’s like a giant sandbox where you get to experiment with your writing habit, see what works, see what doesn’t, and have fun playing alongside other writers committed to showing up and doing the work. Find out more and register here: https://calledtowrite.mn.co/ 

Warmly,

 Jenna

 

 

 

 

Why I’m not interested in resolutions or themes or chains

It’s the second day of the new year.

I spent a little time yesterday wondering about whether I wanted to make any resolutions and found that the answer was no. What I want to do, more than anything, is keep doing what I’ve been doing, which is making a lasting change in my life a little at a time. I thought it might be interesting to talk about why these other ideas — resolutions, themes, and chains — don’t work for me.

Why resolutions don’t work for me

The idea of vowing to take on improvements in my life from the resolution perspective just doesn’t work for me anymore.

I think it’s because it’s too vague. Maybe it’s the way I think about resolutions. I’m not 100% sure.

What I know is that in the past, when I’ve made resolutions, I’ve failed to make concrete plans for taking steps to achieve them. I didn’t understand the massive levels of resistance that would come up or have the slightest clue about how to deal with it. I didn’t know what specific actions I’d be taking.

I can remember one year when I promised myself that I would eat better, and caved in to a tasty treat on January 1st. I gave up then, figuring that if I couldn’t do it on day 1, I wouldn’t be able to continue.

I can remember another year when I resolved to journal every day, and it maybe lasted for a week before I “blew it.” So I didn’t bother to try again after that.

Now granted, I’ve grown a lot since then and I think I’m certainly more self-aware than I was 20 years ago when I was making those resolutions, but at the time, my thinking was, “I’ve already blown it, why continue? It’s already too late to get it right.”

Inherently, I think the concept of a resolution can be difficult to sustain, and can set us up to feel like we’ve failed.

Why themes don’t work for me

I’ve also taken classes and worked with coaches where I’m supposed to pick out themes for the year. The classes and concepts are lots of fun. We came up with themes like “Focus. Fun. Spirit.”

But I never stay connected to the themes I identify. They don’t have specific meaning for me. Or specific action steps associated with them. Too vague again.

Don’t break the chain?

There’s a neat calendar and article out there created by the Writer’s Store, based on Jerry Seinfield’s idea of “Don’t Break the Chain,” and an even better calendar for 2013 made by my colleague and Twitter pal Graham Jones.

Last year I toyed with the idea of writing every day. As you probably know, I run an online writer’s community — Called to Write — which promotes that kind of regular, consistent writing. But in our community, we ask our writers to write at least five to seven days out of every seven days, not to commit to writing every day.

At first I railed against the idea of taking days off. I figured we “should” all write 7 days per week (and you probably know how I feel about “shoulds” — they are big red flags).

But as we’ve been running the Called to Write community, I’ve discovered a few important things and changed my mind:

  • Resting replenishes my creative well.
  • If I take over one day off from writing per week, I have a much harder time getting started again.
  • If I don’t take off at least one day per week, I get rebellious and cranky and want to quit altogether.
  • Writing every day makes me feel worn out. It’s a grueling path. Marathon runners know the importance of rest days. And writing is certainly a marathon.
  • Taking guilt-free, planned time away from writing keeps my mid-brain calm (that part of your brain that freaks out and puts you into fight-flight / procrastination mode) and allows me to subconsciously work on my project in my back-brain.

Certainly, you and I are different. For some people, writing (or working creatively) every day is a must. For me, it’s a no-no.

Six days a week? Sure.

Seven, not so much. My biggest concern about the “don’t break the chain” idea is that if we DO break the chain, it’s far too easy to fall into the well of despair and struggle to get ourselves back out of it. I’d much rather plan a day off, almost like a “cheat day” with a diet, to keep me from getting mired in perfectionism, guilt, or shame.

What works

What does work for me is taking incremental steps to make lasting changes.

I like to identify my big vision, or my projects, like “rewriting my sci-fi script” or “losing 25 pounds.” If I’m feeling really inspired, I might craft inspiring intention statements, like “I intend to knock this script out of the park” or “I intend to be feel great in my own skin.”

But the most important step for me, as I mentioned above, is to come up with specific, frequent action steps and to work on “cracking my code” for overcoming my resistance to taking those steps.

Layering in new habits

I also like to “layer in” improvements.

An example?

Sure! Glad you asked.

When we started Called to Write, I focused first and only on building the habit of regular writing. I didn’t worry about the quantity of words, or even quality. I also decided not to do more than one kind of habit-building at a time. So I focused on writing for 15 minutes a day, 6 days per week.

Approximately 4 months later, I layered in a new habit of exercising. Over the years, I’ve finally realized (aka cracked my code) that I won’t work out unless 1) I’m paying someone to “watch” me do it, e.g. a trainer or in a paid class, 2) there’s a specific schedule to do it, or 3) I’m already out of the house. So I hired someone to do Pilates with me on a weekly basis.

About 6 months after that, I added in time at the gym. At first I just aimed to go once per week. I figured out pretty quickly that I could put on my workout clothes, take my son to school, and then go right to the gym. I rearranged my schedule so I don’t start coaching or working with anyone until 10:30 a.m. Pacific Time, which gives me plenty of time to get him to school, get in a good workout, and get back to my office in time to get started. I also set it up so I could do that five days per week and put two favorite movies (Star Trek 2009 and Serenity) on my iPhone so I can study them while I’m on the elliptical. Great motivation to get there.

It’s easier once you build the habit

What fascinates me about this is something I talked about in my Creative Productivity teleclass series over the last couple of weeks: Once I got going, it was much easier to continue doing it than it was to stop. I’m now compelled to keep writing and to keep exercising, two of my biggest bugaboos over the last 20 years. The more you do it, the easier it is to keep going.

So what I like to do instead of all these resolutions and themes and chains is to come up with small, almost ridiculous steps that make it easy for me to do the thing I said I was going to do, a bit at a time, and to view it like a giant experiment, where I’m observing what worked and what didn’t. One of our members says that Called to Write is like being in our own laboratory, and we are the lab rats, experimenting on ourselves. It’s a terrific analogy.

Your turn

I wonder how you might apply the same ideas to your own transformations, a bit at a time? Tell me what you think in the comments below. I love reading your comments and insights.

Build your writing habit

If you’re a writer looking for community and support on your writing journey, join Called to Write. It’s like a giant sandbox where you get to experiment with your writing habit, see what works, see what doesn’t, and have fun playing alongside other writers committed to showing up and doing the work. Find out more and register here: https://calledtowrite.mn.co

 

Thanks for reading!

Warmly,

 Jenna
 

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Ready, set, new year

If you have a dream to write or create, you probably have your sights set on the new year as a good time to recommit to your goal.

You probably also believe that once we’ve passed through the holiday ring of fire, you’ll have cleared a lot of new space, time, and energy that has otherwise been occupied with shopping, events, and clearing your desk for the holidays.

Glorious guilt and procrastination

And, surprise, surprise, there do tend to be a few glorious days in January of peace and quiet… but usually with the essence of guilt and procrastination swirling around the edges.

Because even though you’ve promised yourself you’ll get started right away on your writing or art or dream, you don’t.

It’s not what you think it is

But don’t feel guilty. It’s completely normal. You see, once you actually have that big block of time you’ve been longing for, the raw, naked fear comes bounding in and masquerades as wanting to sleep in or take some time off after all the hubbub. What’s wrong with that? “Yeah, I know I said I would write today but it’s new year’s day and I just want to get a little more sleep. I just want to spend the day relaxing for a change.”

It looks like needing time off (and you probably do actually need it) but it’s really fear.

Here’s the thing

(And, yes, we’ve talked about this before.)

Resistance comes up around anything worth doing.

We tend to recommit — at least mentally — to the concept of doing those things in the form of new year’s resolutions.

Guess what?

Those resolutions trigger even more resistance.

Which leads to more distractions, and smokescreens, and procrastination. And stress. And self-doubt.

No more stories

There’s ALWAYS something.

Always.

So.

How about instead of making resolutions, we decide to make new life decisions about setting ourselves up for a long-term, sustainable, regular practice of our art? No more grand sweeping gestures and big talk but instead an actual realistic, attainable plan to take small, daily actions to move you toward your goal?

For instance:

  • If you want to write, commit to writing for 15 minutes a day. (We’re offering a “Start The New Year Off Write” special for my Writer’s Circle to help with that. Code: WRITENOW to save $20.)
  • If you want to move your business forward, commit to doing the hardest tasks first (usually marketing, right?), for 15 minutes a day, every day.
  • If you want to paint, set yourself up so that you can paint a little bit every day. Use the two-second rule to make sure your watercolors and sketchbook are close to hand.

Find the smallest increment of absolutely do-able, sustainable, accomplishment you know you can meet, and commit only to that, nothing more. If you find yourself not doing it, make it smaller. And let me know how it goes.

Your turn

Click here to share your thoughts. I love reading your comments and insights.

Build your writing habit

Join the Writer's CircleIf you’re a writer looking for community and support on your writing journey, join our next session of the Writer’s Circle, which starts soon. It’s like a giant sandbox where you get to experiment with your writing habit, see what works, see what doesn’t, and have fun playing alongside other writers committed to showing up and doing the work. Find out more and register here: http://JustDoTheWriting.com

 

Warmly,

 Jenna

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Is it okay to be vulnerable in business?

A favorite client of mine wrote the other day asking about my thoughts on showing vulnerability in business. She’d been reading a ebook by Lissa Rankin called, “How to Change the World.” In it, Rankin says,

“Speak your truth. The more you allow yourself to be vulnerable, the more you’ll discover the voice of your truth, raring to be heard. Once you get over the fear of rejection that accompanies being vulnerable, you’ll find you have much more to say—and you’ll find a whole boatload of people who are dying to listen.”

I very much agree with this.

But how far does it go?

At the same time, my client and I have had exchanges over the years about how far to go — do we air our dirty laundry in public? Are we being disingenuous if we leave things out? Are there entrepreneurs out there who just go too far and give too much information?

My client also asked a great question, “If I’m trying to decide what level of vulnerability I’m going to show my audience, does that defeat the purpose of it?”

Be real

I think it’s incredibly important to be real — that’s the only way we find our true voice, especially in writing and speaking.

It’s okay to be private too

And, as a sensitive person, it doesn’t work for me to share deeply personal information in public in the name of being authentic and transparent. I need and want to maintain a degree of privacy and personal space. On the other hand, I want you to know me, so you know what you get when you work with me. I agree with Lissa Rankin that the way to find your audience is by speaking your truth and being visible and public about what matters to you.

Where does this leave us?

So is it a question of degree?

Or timing?

Does it mean ALL the truth?

My solution

My solution is to write raw, first. When I’m ready to share something, I core-dump the messy truth with the aim of finding and sharing a message of hope within it. It’s a cathartic process often — I learn just as much through the writing of my thoughts as (I hope) you do from my sharing of them.

I also think it’s a question of timing. If I share the despair and pain I’m in with my audience while I’m going through it, it’s like watching a train wreck. If I share it with you after the fact, and what I’ve gained from my lessons and experiences, we all benefit.

Sometimes I’m able to hold the broader perspective while I’m going through something. If that’s true, I’ll share it at the time it’s happening. If not, I’ll wait (someday you’ll see some work from me around the early days of parenting as an HSP, but not yet. *Grin*)

Bottom line

The bottom line is:

  1. I don’t go into detail about personal things that are no one’s business but my own — and I don’t think that means I’m not being real, rather being private, and,
  2. I don’t go into detail about vulnerable things when I’m in the middle of it, unless I feel like I can share it in a way that benefits me and others.

This is the path I’ve found that works for me so far.

Your turn

What do you think? What works for you in this area? I’d love to hear from you in the comments.

Warmly,

Jenna

 

Coming Attractions

 

~> October 4th. My next Life Purpose Breakthrough Group. SOLD OUT. http://LifePurposeBreakthrough.com

~> October 25th. Register by October 25th for the next 4-week session of my “Just Do The Writing” Accountability Circle (starts October 29th). Looking to feel passionate again about your writing? You must write to get there: http://JustDoTheWriting.com

 

What I'm Up To

~> Ongoing. Working on rewriting my script, Progeny, with my mentor Chris Soth after finishing the ProSeries.*

~> Sacred writing time. My schedule is in flux right now but I’m writing regularly nonetheless.

~> Reading: Harry Potter & the Deathly Hallows with my son — so close to finishing now! I think we’re going to read Eragon next. Or maybe Narnia, or The Belgariad. I can’t wait. I’m deeply enthralled by Homeland, finally saw the finale of Weeds (weird), and I’m so happy Castle is back on the air. *Grin*

 

* Affiliate link

 

 

 

 

Does passion follow action?

In the world of coaching, particularly in career and entrepreneurial coaching, much emphasis is put on the question of what you are passionate about.

It’s a direct result of the “do what you love and the money will follow” paradigm.

I’ve written before (here and here) about why I think this is the wrong question to be focused on.

So many of us are so deeply out of touch with ourselves that we feel passionless, and quite frankly, being asked to name what we are passionate about can create a heightened sense of despair and confusion.

I’ve also submitted to you that you must rather find the things you believe in beyond reason, the dreams that make you cry when you merely contemplate making them real, the visions that humble you with their enormity when you consider the possibility that YOU might be capable of creating them.

When you still don’t know?

What do you do when you STILL don’t know what that thing is?

You listen.

You listen to the voice of your soul. You listen for those little whispers and nudges that tell you exactly what you are supposed to be doing. And then you do it.

Mind you, those nudges won’t be loud. But they will be consistent. You just have to pay attention. Then take action.

Case in point

I have wanted to write for years. Years! And I’ve been “writing,” because I’ve been blogging, writing articles, and creating programs for the last 10 years (oh, hey! I just realized that August was my 10th year in business, I’ll have to come up with a way to celebrate). But I haven’t been writing on the level that I’ve truly wanted to — longer, deeper writing projects.

Finally, I started taking that voice seriously. I realized that I didn’t need to close my business to write, I didn’t need to become suddenly independently wealthy, and I didn’t need someone to wave their magic wand and give me permission to write. I just needed to do it.

In fact, when this came to head for me was when I had been repeatedly asking my Essential Self for guidance. “What do I need to do? What’s in my highest and best interest? What will make me happy?” I was asking, over and over again. The message came back, clearly. She said, “Write like your life depends on it.”

It STILL took me a while to get it. To understand that I didn’t need to radically change my life (see above) in order to “be able” to write. I just had to do it.

Then came the passion

Miraculously, once I began writing, I discovered a shocking, all-consuming fierce passion for it I did not know I had.

In fact, despite the days when writing feels impossibly difficult, no fun at all, and my inner critic is raging at me like a blue meanie on steroids, I still absolutely adore it.

The weirdest part of all of this is that the passion did not kick in, not truly, until I was well into writing regularly — truly DOING IT — day in and day out.

It’s led me to believe that passion follows action, not the other way around.

But I add this caveat: The action must be inspired — it must come from the voice of your soul.

Your turn

Tell me what you think in the comments. You know I love to hear from you. If you’d like some tips about HOW to listen to the voice of your soul, check out this article here.

Warmly,

Jenna

 

 

 

 

Going pro

Over the last week, I’ve seen a lot of conversation about being professional. In part this was from a writer’s perspective, but it also came up in the broader context of reading Steven Pressfield’s new book, Turning Pro: Tap Your Inner Power and Create Your Life’s Work, which is a book for “artists, entrepreneurs, and athletes whose ambition is … to pursue their heart’s calling and make it work.”

If I had to pick one role model to follow, I’d be hard pressed not to choose Steven Pressfield. He’s inspiring, practical, and amazing, and a man after my own heart. If I stand for anything, it’s about helping you get out of your own way and do what you were put here to do.

Do the work

What I love about Steven’s work is that he doesn’t say that it will be easy, that you should do what you love and the money will follow, or any of that.

What he says, instead, is that doing the work is hard. That we have to face our fears everyday and get our butts in our seats no matter what to do the work — whatever it is.

Passion is a misnomer

I also read yesterday that passion is a misnomer (I’ve written about this subject before myself). In this guest essay, Joshua Fields Millburn points out:

“Just because you’re passionate about something doesn’t mean you’ll enjoy every aspect of it.

“In fact, I’ve found the opposite to to be true. While writing my first masterpiece, Falling While Sitting Down, it was a miserable experience 80% of the time. Seriously, much of the time I wanted to put my head through a wall. But the other 20% was magical and exciting and made all the suffering and drudgery well worth it.

“The key is pushing through the tedium of the 80%, so you can find the beauty beneath the banality; it’s there, plentiful in that remaining 20%. You have to tolerate the pain, if you want to pursue your dream.”

Turning pro means being a grown up

When I talked with Elaine yesterday about writing, we agreed with Joshua. Pursuing anything meaningful is hard, a lot of the time. It takes being a grown up and facing the hard sucky parts to get to the other side of completion. It means surfing the waves of pain and self-doubt, sitting on the throne of agony, and doing the work.

It’s time we started telling the truth about that.

Remember, even Ray Kinsella went through his own kind of hell before people came to his field of dreams.

What if we loved even the crummy parts?

And while it’s tempting to pursue one’s calling with the focus on the magical 20% — the epiphanies, sudden insights, and flashy Elvis moments — I can’t help wondering, isn’t it worth it to enjoy ALL of it?

In my post yesterday, I asked you to share your questions for me (which I’m having fun answering — come post one if you haven’t already), and Mary asked, “What’s your story of ‘turning pro?'”

Here’s my answer: The day I turned pro with my writing was the day that I realized that if someone offered me $10,000,000 with the condition that I could never write again, I would turn them down. I knew with incredible conviction that I want to write — I must write — and I will allow nothing to stop me. Not even the bad days where I think I can’t write myself out of a shoebox let alone put a whole script together.

Now the only questions about my writing are: What to write, what to write next, and how to make my writing better and hone my craft. And then what to write after that.

That was the day I turned pro.

When you just can’t do anything else

Steven Pressfield tells a similar story. He talks about how despite his doubts and failures, he knew that he simply couldn’t do anything else but write, and when he tried anything else, he couldn’t stand it. So he had no choice but to keep writing. And he did.

I’m with him.

Bottom line

Dr. Phil talks about making “life decisions.” These are unalterable, no-turning-back decisions where you are all in. To me, that’s what it means to turn pro. What about you?

Your turn

Share your thoughts. I always love to hear from you.

Warmly,

 Jenna

Coming Attractions

~> July 5th. Last day to register for the next 4-week session of my “Just Do The Writing” Accountability Circle. For serious writers and for writers who want to get serious about their writing. http://JustDoTheWriting.com

~> July and August. It’s almost time for the next Life Purpose Breakthrough Group. Are you interested in grabbing a spot before we sell out? Email my team and we’ll put you on the advanced notification list. Find out more at http://LifePurposeBreakthrough.com

 

What I'm Up To

~> Ongoing. Mentoring with screenwriter Chris Soth through ScreenwritingU.

~> September 18 to 20th. Heading to Hollywood for a ScreenwritingU event to meet with producers and agents.

~> September 21st to 22nd. Staying on in Hollywood for the InkTip Pitch Summit.

~> Sacred writing time. Early mornings and Fridays.

~> Reading Harry Potter & the Order of the Phoenix with my little boy and Kill the Dead by Richard Kadrey on my own. Still in the queue: (500) Days of Summer, Another Earth, and The Day the Earth Stood Still, while we’re finishing up watching Season 2 of Game of Thrones. Amazing! (Yep, I read all the books too.)

 

Failure, Zombies, Systems, and Steven Pressfield

I was emailing with a beloved client this week who was concerned about setting herself up for failure by taking on something she might not be ready for.

I said, “It’s not about failing or not failing, it’s about learning what works for you and what doesn’t, and refining until it does.”

She made a great choice to take a midway step toward the thing she was considering. 

In the meantime, our conversation got me thinking about failure and our relationship to it.

The Payoff of Incapacity

Then today I started reading Steven Pressfield’s new book, Turning Pro: Tap Your Inner Power and Create Your Life’s Work. (If you haven’t read his stuff, don’t wait. He’s amazing.) He says:

“There’s a difference between failing (which is a natural and normal part of life) and being addicted to failure. When we’re addicted to failure, we enjoy it. Each time we fail, we are secretly relieved.”

He argues that when you remain addicted to failure you allow yourself to indulge in the “payoff of incapacity.” And what’s the payoff there? Leaving your talents “unexplored, untried, and unrealized.”

And doesn’t that make sense?

Let’s face it, fulfilling your dreams is wickedly terrifying. What if you do fail? What if you can’t rise to the challenge?

It’s safer not to try. Easier to stay addicted to failure.

But you don’t really want to be a zombie, right?

To me, the risk of not trying is much more costly.

Our culture is filled with shadow people — speaking of zombies, these are the real walking dead — never pursuing their hopes and dreams, selling out for the American dream and not living their own.

We pay with our souls when we don’t do our Work.

Edison Knew Better

In various online sources, the numbers differ about exactly how many times Thomas Edison failed when he attempted to make a light bulb, but there is agreement on one thing: He made so many attempts that most of us would have given up long before he did. LONG before.

His take on the situation was to say that he had not failed, but rather proven that all those other methods did not work.

Design Better Experiments

Which takes me back to my client and the principle I shared with her.

When we choose to see our “failures” as failed experiments, we can design new ones, and see what works better.

Create Better Systems

For example, I have been terrible about filing for years. On Monday it dawned on me that I simply need a better system and that I haven’t completely finished designing that system. I’ve worked on it, it’s better, but it isn’t done. That’s all. It’s not that I’m a bad person or even bad at filing, it’s that I don’t have a workable system yet.

Look at What’s Not Working

As another example, at one point I had a bad system for paying my team too. They would email me their invoices and I would procrastinate about paying them. It wasn’t that I didn’t want to, it was that it seemed overwhelming. Sometimes I’d even be worried the invoices would be too high. I’d have to force myself to download and open their invoices, figure out how much I owed them, write the checks, address the envelopes, get them in the mail, etc. I’d do it, but it felt like pulling teeth. I was often late.

Needless to say, no one was very happy about it, so we came up with a new system.

My team members now put their invoice numbers and amounts due in the subject lines of their email messages to me. At a glance, I know exactly how much I owe them. We also made an agreement that I’d pay them no later than 2 days after I receive their invoices. And they all send them on a specific day every other week. I also have sheet of pre-printed address labels for each of them ready to go.

Now, when the time comes, I just whip out my checkbook, write out the checks, drop them in the self-sealing envelopes, decorate them with the address labels and stamps and voilà. Done.

Something I used to dread has become simple and doable, just because I took the time to create a system for it.

This Works for the Big Stuff too

When it comes to the big stuff, your Work, this works too.

For example, if you want to build your business, but you’re not taking steps each day to do that, look at what’s getting in the way and what you’re doing instead.

If you want to write but you think you don’t have the time, look — really, truly LOOK — at what you’re doing with with your time.

If you want to put yourself out there for speaking gigs, getting more clients, doing more art, or going on more auditions, look at what you’re doing, or not doing, to make that happen.

Then create a system to help you overcome the roadblocks you’re unwittingly putting in your own way.

Bottom Line

The beauty of taking time to really LOOK at where your systems are breaking down — at where you are “failing” — is that it can make a huge difference in your sense of accomplishment and belief in yourself. Which is so worth the investment.

Your turn

Share your thoughts. I always love to hear from you.

 

 

Surprise! Objections are your friends

In a “get unstuck” session I had recently with the multi-talented Jamie Lee Scott, screenwriter and author of Let Us Prey, about a TV sitcom pilot she’s been working on, she mentioned that she kept bumping into the thought: “In the real world, that wouldn’t happen.”

In response, I helped her devise a way she could USE that objection. I had her make a list of how things work in the “real world” and then brainstorm what could happen instead in “sitcom world.” It was freeing for her to USE her doubts and concerns rather than trying to find her way around them.

Turns out, those objections were darned useful.

Get out of your own way

I think your biggest job is to get out of your own way so you can do what you were put here to do, whether it’s writing, painting, healing, speaking, coaching, creating, or some other beautiful way that you’re sharing yourself in the world.

A big part of the way I help you do that work is helping you address your fears, doubts, unsupportive questions, and inner critic’s rants — to reframe those messages and beliefs into more supportive thinking so you can carry on fulfilling your life’s calling.

It’s also worth knowing WHEN to listen to those voices of doubt and HOW to use them.

Wisdom from Walt

Walt Disney used three separate work spaces to develop his projects: One each for the dreamer, the realist, and the critic. The critic wasn’t allowed to speak in the other rooms.

A wonderful neuro-linguistic programming (NLP) technique based on Walt’s wisdom is to walk your project through each stage of development, first taking it to the dreamer, then to the realist (the planner) and finally to the critic. When you reach the critic’s room, the critic is only allowed to ask constructive questions.

The dreamer decides

And the critic is not allowed to answer the questions.

That’s the dreamer’s job.

The realist gets to help too, once it’s her turn again.

This or something better

This is when it’s useful to listen to those inner voices of doubt — when you’re ready, willing, and able to use them and turn them into something better.

On Monday I talked to my screenwriting mentor, Chris, about my latest project. I told him, “It’s good but not great. It’s slow, the world-building isn’t there yet. It’s not a contest winner.” I wasn’t being negative, though it may sound like it. I was in an objective state, standing outside my work and looking at it. By brainstorming together, I got kick-started down a path that I’m even more excited about. Tons of new ideas have been cascading as a result.

The reason? The DREAMER solved the problem — brainstorming is dreaming — coming up with new ideas, looking at things from new perspectives, and being willing to shift in new directions as needed.

Put it into practice

With any creative project, there will always be doubt. Hesitation. A chance to turn back, to do it differently.

What if you took those hesitations — those objections — and used them to make your work even better?

Your turn

Share your thoughts. I always love to hear from you.

Warmly,

 Jenna

Coming Attractions

~> THIS THURSDAY: June 7th. Last day to register for the next 4-week session of my “Just Do The Writing” Accountability Circle. For serious writers and for writers who want to get serious about their writing. http://JustDoTheWriting.com

 

What I'm Up To

~> Ongoing. Mentoring with screenwriter Chris Soth through ScreenwritingU.

~> Fall. Heading to Hollywood for a ScreenwritingU event to meet with producers and agents.

~> Sacred writing time. Early mornings and Fridays.

~> Reading Harry Potter & the Order of the Phoenix now. Still have to get my hands on (500) Days of Summer — Zara said so.