Ask the Coach: How Do I Set Goals While Recovering From Burnout? – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question from a reader about setting goals for the new year while also recovering from burnout. 

Hi Jenna, it’s the start of the year, and I know it’s past time to sort out my writing goals for 2024, but I’m (still) recovering from burnout and I worry about pushing myself too far. I’m writing on spec, so I don’t have deadlines I have to meet, just a sense that I need to get work out into the world ASAP. What suggestions do you have for making the most of writing this year, while also continuing to recover. Thank you! ~ One Burned Out Writer

It’s no small task, and as someone who’s been in a similar situation, I know it takes as long as it takes. Many writers, creatives, and entrepreneurs around me seem to be experiencing similar circumstances. I’m seeing quite a few thought-leaders advising against pushing hard on the goal-setting front this year.

Whether your burnout is personal, writing-related, or because of the happenings of the broader world, taking the time you need to recover is critical to your ability to generate your best work. So do give the gift of recovery to yourself.

In my response, I discuss:

  • trusting yourself and your intuition with goal setting
  • focusing on what would feel good to you over deadlines and SMART goals
  • focusing on the practices, habits, or rituals you’d like to have in place around your writing
  • guiding your writing while recuperating by intuition rather than force
  • allowing time for “sideways drift”

Thankfully, writing is not incompatible with recuperation. I would argue that writing is a critical part of how we heal and find ourselves again, if we have the patience and willingness to stay with it. 

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: On Pacing & Structure with Screenwriter Jeff Howard – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing two similar but separate questions from readers about building to a climax and keeping a story moving with help from guest expert Jeff Howard.

Question 1: How do I build tension toward a climax using structure and pacing?

Question 2: How do I combine actions with dialogue to keep the story moving?

Here are the recommendations Jeff discusses for building tension using structure and pacing, then about using dialogue to keep a story moving.

  • Tighten pacing with a shorter “second half.”
  • Design tension with your outline.
  • Earn your climax with your second act.
  • Use dialogue as “frosting” on the cake of your script.

 

…if you want to build to an exciting climax, you’ve got to mirror it with the first act and you’ve got to plan how to get there.
— Jeff Howard

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: On Character Development & Arc with Screenwriter Jeff Howard – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing — with help from Screenwriter Jeff Howard (‘Midnight Mass,’  ‘Haunting of Hill House,’  ‘Oculus,’  ‘Ouija: Origin of Evil,’  ‘Gerald’s Game’) — two similar but separate questions from readers about character arc and character development:

Question 1: How to develop a character arc that is consistent with the story?

Question 2: How to continue developing your characters throughout the story?

Here are the main insights discussed in response:

  • Character or plot first?
  • Imagine your plot and character together from the start.
  • Intertwine character and action early.
  • Don’t worry about ‘core wounds,’ etc.
  • Think of your character as a real human being — always trying to win.
  • See character as living through the eyes of another person.
  • Embrace action and character as one and the same.

 

To me, good character work is living within the moment of what’s happening — the actual moments of the story — not laying some construct of life-changing stuff on top of your story. 
— Jeff Howard

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Image of an open laptop with script text on the screen. A pair of hands hover over the keyboard.

Ask the Coach: Odds & Ends: Getting Started with Screenwriting & More – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing a collection of shorter questions from writers wondering about getting started with screenwriting, writing and learning screenwriting in another country, getting an MFA, and finding other screenwriters.

My responses include:

  • Steps to begin exploring and learning screenwriting
  • Tips for finding writing mentors
  • How to evaluate whether an MFA program could be a good fit
  • The challenge of the term thick skinned
  • Where to find writing groups online, especially for screenwriters

There really are no “shoulds” with writing. There are so many paths forward, and it’s about choosing what resonates with you the most.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: 6 Antidotes for Self-Doubt in Writing – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing a set of questions from a reader about managing self-doubt in writing.

“[My] fear of failure has several prongs for me:

1. What if no one likes my writing? I’m trying to make it as truthful as it is filled with emotion and colorful descriptions, but maybe it’s just me because I relate to it all.

2. I’m currently writing a memoir that involves some memories of my parents and their failures — but good memories also. I feel guilty/disloyal for writing about their failures, but to some extent that’s where the strength of the story lies.

3. What I create in my head as I’m falling asleep never seems to be as great when I put it into my computer.

4. I suffer off and on with imposter syndrome, but I usually like what I write in the end.”

This is a set of challenging questions so many writers wrestle with. It reads to me like issues of self-doubt more than a fear of failure, though the two are intertwined.

First let me say this: In working with writers all over the world, being a writer myself, and reading first-hand accounts of seasoned, professional writers, so many if not all writers deal with self-doubt and fear much of the time (including me).

Here are the 6 antidotes I discuss in my response:

  1. Use self-doubt as a clue that what you’re working on is important.
  2. Trust that truth transcends differences.
  3. Ask yourself empowering questions.
  4. With memoir, write for yourself first.
  5. Embrace the vision while also welcoming imperfection.
  6. Trust the process.

The real key to all of this is learning to manage the doubts and the fears so they don’t stop you from writing, and so that they don’t make the experience of writing miserable along the way, by triggering overwhelming negative self-talk, habitual procrastination, perfectionism, and even shame.

 

Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: 7 Tips for Getting Back to Writing After Summer – On Script Mag

With the start of school and fall on the horizon, there’s this energy many of us naturally connect to that feels motivating and inspiring to start new things, take action, get organized, and make things happen. Lean into this energy and let it buoy you toward the momentum and progress you’re wanting.

In this month’s “Ask the Coach” article, I’m addressing a question regarding getting back to writing after summertime.

“My kids are starting school again. (Whew! Ack!) Truth be told, it’s been hard to write this summer with so much going on between family vacations and organizing summer camps. How can I regain my momentum after a rocky summer, writing-wise?”

Hey, good question! Many screenwriter-parent types are asking ourselves similar questions right now. Whether you’ve been writing intermittently, or not at all, the good news is that as your kids head to their classrooms, you can tap into the “back-to-school” energy they’ll be experiencing too.

And this is true whether or not you’re a parent. There’s a natural activation energy that arises in the fall and spring in particular, so this is a smart time to revisit your writing practice and give it a refresh if needed.

Here are the 7 steps I discuss in my response:

  1. Remind yourself to treat writing like a pro.
  2. At the same time, allow writing to be fun and joyful.
  3. Lean into the back-to-school activation energy.
  4. Revisit your writing practice.
  5. Remember, you can ramp up gradually.
  6. Keep going to keep going.
  7. Be ready to adapt.
Want the full scoop? Get all the details in the full article on Script Mag:
 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: On Finding a Manager & Meeting Producers (After the Strike) – On Script Mag

In this month’s “Ask the Coach” article, I’m addressing two questions regarding finding representation and connecting with producers (and some notes about navigating these appropriately during the Writer’s Guild strike).

Here are some of the action steps I discuss in my response:

  • Do the research to find the companies and individuals that are a good fit. (With recommended resources.)
  • Look for ways to connect.
  • Nurture relationships over time.
  • Build your own overall network of industry contacts that may naturally lead to an introduction at some point.

Focus on genuinely connecting with managers you think could be a good fit for you and your work. Follow them. Read what they post. Respond authentically when appropriate. Help out with something they’re looking for. Relationships evolve organically when nurtured over time. Keep an eye out for an opportunity to work together to arise, naturally.

Want the full scoop? There are more details in the full article on Script Mag: 
Ask the Coach: On Finding a Manager & Meeting Producers (After the Strike)

 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 

Ask the Coach: Finding the Line with Scene Descriptions – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to two questions about writing scene descriptions, including seeing it as an opportunity for your voice to shine, and where to draw the line with what to include and what to leave out.

Here are the main points I discuss in my response:

  • Scene descriptions can be a delightful way to design your pages.
  • Scene descriptions are a place where your voice gets to shine.
  • Include thoughts and emotions in scene descriptions sparingly.
  • Focus on what’s truly important to the story when writing descriptions.

Writing scene descriptions offers a unique opportunity for screenwriters to feature their voice, style, and creativity. Allow it to come through with all the choices you make, while striking the balance between creating the blueprint for the visual, cinematic world of your story, keeping your writing open and flowing on the page, and giving your readers and audience insights into the depths of your characters and the critical information they need to follow the story.

Want the full scoop? There are more details in the full article on Script Mag: 
Ask the Coach: Finding the Line with Scene Descriptions


 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Ron Lach on Pexels

Ask the Coach: Deciding Between Writing Ideas + How to Edit & Get Feedback – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to two questions about choosing projects and getting feedback.

“I have four different topics that intrigue me. All could be short non-fiction books. How do I commit to one? It seems like each day a different one appeals more. I start on one, then wonder if another would be easier or more fun.”

Here are the main ideas I discuss in my response:

  • Reflecting on what kind of writer you are, and the kinds of challenges you face.
  • The “grass is greener” feeling 
  • Using your inner knowing to pick the project you want to work on first
  • Using “decision criteria” to identify a list of criteria to litmus test your writing choice. 

And this is the second question I answered:

“What do you do after you have finished writing your script — how to edit, get feedback, etc.?”

Here are the steps I suggest in my response:

  1. Set your script aside for at least a few days.
  2. Read through your draft and make notes.
  3. Make a short reverse-outline of the script. 
  4. Make notes about what’s working and what’s not.
  5. Tackle the big stuff first.
  6. Correct smaller items as needed (but not in scenes you might cut!).
  7. Set it aside again, then read and repeat.
  8. Once you have a draft you feel good about, then look for feedback.

 

When it comes to choosing projects to work on, to finishing and getting feedback on your scripts, trust your inner knowing about what resonates and what doesn’t.

 
Want the full scoop? There are more details in the full article on Script Mag: 
Ask the Coach: Deciding Between Writing Ideas + How to Edit & Get Feedback


 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo from Canva

Ask the Coach: How Can I Keep Up My Confidence In Myself as a Writer? – On Script Mag

In this month’s “Ask the Coach” article, I’m responding to a question about how to keep up confidence in writing:

“My biggest challenge is making regular time to write and work on a script. My question is about keeping my confidence up that I can do this.”

Here’s the high-level overview of my response:

  • Being confident means feeling self-assured, believing in yourself and your abilities, and trusting that you can rely on yourself.
  • Build confidence through experience and by taking action.
  • Protect your confidence by making smart choices about who you interact with and with whom you share your work.
  • How you talk to yourself really matters.
  • Taking consistent, regular action to write builds confidence.
  • Starting and finishing scripts makes a big difference.
  • Facing and solving tough story challenges teaches you that your storytelling skills are improving.
  • The evidence you take in matters.
  • Choosing to believe in yourself ultimately comes first — it’s a choice.

When you take creative risks, however small, and build on your successes, you gradually learn where and how you can trust yourself.

 
Want the full scoop? There are more details in the full article on Script Mag: 
Ask the Coach: How Can I Keep Up My Confidence In Myself as a Writer?


 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo by Content Pixie on Unsplash